The Shooting Party

Somewhere there should be a private museum dedicated to memorializing one of the most important vanished species-- the lady.

While it is easy to see the fine acting of Gielgud, Mason, Fox and the other men, what no one has yet commented on is the equally fine work of a too-seldom seen actress... Judi Bowker.

As Lady Olivia, she shows the compassion, consideration, perfect balance, and dedication of an Edwardian lady at her finest. She is not only a luminous beauty, but she is moved by a gallant and delightfully indirect invitation to adultery by Lionel, but does not succumb for her own reasons. She notices what happens to the children, she treats every other person in the film as an individual, and her unselfishness in no way detracts from her presence. Miss Bowker's subtle performance is well worth a careful look.

THE SHOOTING PARTY is clearly an envoi to a vanished era. But in an age that can't see the difference between Melanie Wilkes and Scarlett O'Hara that was Margaret Mitchell's key contrast and thinks SEX AND THE CITY is a model for feminine conduct, Judi Bowker's performance is a revelation,

I purchased this film just by chance as it seemed interesting. I had to view this title twice to get the picture so to speak. I have never heard of this production before so did not know what to expect. After viewing with a decent bottle of wine, I found the film thoroughly enjoyable with the all star cast. I was sorry to learn that this film was James Mason's last. A good performance by all the cast especially by the stunningly beautiful Judi Bowker (Olivia) who I can just remember as a sickly teenager in the TV series Black Beauty. So, was the DVD worth buying?? Answer is yes. I will even visit the location which is Knebworth house which was unknown to me.

While the whole film is beautifully accomplished on all levels, acting, directing, sense of time and place, the scene between James Mason and John Gielgud, which takes place during a shoot, reveals acting that has gone beyond acting. It is one of the most exquisite scenes in the history of the cinema. Mason and Gielgud are perfect.

If you remember Upstairs/Downstairs on PBS about the two different worlds in one house in London before the Titantic sailed and barbed wire and mass slaughter decorated the landscape of Europe,then this is a perfect accomplishment. Gordon Jackson who played the butler in the series is cast here as a poacher who gets hired to become a beater, someone who rouses the targeted wildlife in this case grouse I believe into the gunsights of the "swells". The English have a love- hate relationship with that time of determined inequality; James Mason in his last role, plays the lord of the manor,an intelligent patriarch of his ancestral holdings,several steps above the stereotype of a haughty inbred weasel satirized memorably by the Monty Python crew in their "Upperclass Twit of the Year" sketch. Mason is an aristocrat with a capital A who feels it is his DUTY to be the best not an entitlement. The others in this film range from starcrossed lovers he doomed to be a casualty of 20th Century warfare,the others representing snobs,fools, frivolous yet empty souled individuals who actually believed a little bloodletting would revitalize their spirits during the hunt and the subsequent war. While they may resent the foreigners for calling the ir English lackeys peasants it is how they treat them. Except for James Mason they are his yeomen the family's men at arms who probably followed his ancestors into battle when they raised a regiment of horse or foot for whatever struggle be it against the rival Europeans,killing rebel Scots or Irish ,or tangling with those American Cousins. Watch this film and see the difference between being a star and being an actor

If you like Merchant/Ivory films, then you will also enjoy this one. It moves slowly but surely as we witness the sun setting on the aristocracy and on the British Empire, set in the microcosm of an English country estate. These people are doomed, in various ways, but, more than that, a way of life that flourished for centuries is about to be extinguished by the slaughter of WWI. James Mason is the lord of the manor and plays the part as if he were born to it. This was his last film and it makes you realize how much he is missed. Edward Fox has a field day playing the weak, tradition bound guest who can't abide being bested and Cheryl Campbell is terrific as his wayward wife. There are many good supporting roles but Gordon Jackson, as one of the "beaters" is a stand-out; his final scenes are brilliantly done. Sir John Gielgud walks through as a protester against the hunt and sparkles in that small role. It is sometimes difficult to figure out who is related to whom since there are a lot of characters, all of whom have some interrelationship. This is a beautiful film, rich in scenary and it captures a time and life that died in the trenches of the Great War. Highly recommended.