ÉVALUATION IMDb
5,9/10
15 k
MA NOTE
Dans un proche avenir, un policier se spécialise dans les robots défectueux. Lorsqu'un robot s'avère avoir été programmé pour tuer, il commence à découvrir un complot meurtrier pour créer de... Tout lireDans un proche avenir, un policier se spécialise dans les robots défectueux. Lorsqu'un robot s'avère avoir été programmé pour tuer, il commence à découvrir un complot meurtrier pour créer des robots tueurs et son fils devient une cible.Dans un proche avenir, un policier se spécialise dans les robots défectueux. Lorsqu'un robot s'avère avoir été programmé pour tuer, il commence à découvrir un complot meurtrier pour créer des robots tueurs et son fils devient une cible.
- Prix
- 1 nomination au total
Babs Chula
- Construction Foreperson
- (as Babs Chulla)
Natino Bellantoni
- Headwaiter
- (as Natino Bellentino)
Avis en vedette
Unjustly maligned science fiction action flick from the 80s, that greatest of decades, written and directed by Michael Crichton. Tom Selleck stars and it's probably his best film role. He's believable and likable here. Cynthia Rhodes and Kirstie Alley both are good in their parts. For years before I ever finally saw this I assumed Alley was the female lead but she's definitely not. For his part Gene Simmons is a great campy villain.
The best parts of the movie are the robots that are charmingly old-fashioned looking yet more realistic, especially with the technology available at the time, than any of the limber acrobatic humanoid CGI robots that we see in films today. These robots are machines built for practical purposes not as nerd action fantasy objects. I'm not sure why this movie gets as much grief as it does. I think it's an underrated little gem that's definitely worth a look.
The best parts of the movie are the robots that are charmingly old-fashioned looking yet more realistic, especially with the technology available at the time, than any of the limber acrobatic humanoid CGI robots that we see in films today. These robots are machines built for practical purposes not as nerd action fantasy objects. I'm not sure why this movie gets as much grief as it does. I think it's an underrated little gem that's definitely worth a look.
The beauty of "Runaway" - . . . well, there are a few, actually. It's a good marriage of cop movie and plausible science fiction, a nasty villain (Gene Simmons with that creepy stare) and it works pretty much as well now as it did 30 years ago - which is something when we're talking a movie that's as unabashedly '80s as this. Selleck and Rhodes (hello!) have a good rapport, and the car "chase" scene on the freeway was pretty well don. On second thought, this probably shouldn't be as watchable as it is, but then again, Crichton actually manages to wring some nice suspense out of tiny robots.
7/10
7/10
I remember watching this movie on a Saturday night. I love Tom selleck in magnum and I remember wanting to watch this as I've never seen Tom star in a movie before. Plus I was a bit of a sci-fi nut. I absolutely love it. Robot spiders, gene Simmons from kiss and bullets that follow you around corners. What more can a young boy ask for.
A robotics division of the police force was created to deal with "runaways." Those would be robots that have gone haywire and need to be fixed or shutdown. Why that would fall under the police's jurisdiction is beyond me. I would think that the Geek Squad would be more suited for that job.
At any rate, when a mysterious computer chip is found in a runaway and a man is killed by a bullet that acted more like a guided missile, Jack Ramsay (Tom Selleck) uncovers a sinister plot.
This movie is not too far from reality. I don't ever see the police force getting a robotics division but check out what was in the movie that is now normal: floater cameras (known as drones today), robots doing all kinds of jobs, smart devices, and chipped bullets (OK, that's not normal but I could see that happening).
Like so many movies about technology and computers, this was about such things getting into the wrong hands.
At any rate, when a mysterious computer chip is found in a runaway and a man is killed by a bullet that acted more like a guided missile, Jack Ramsay (Tom Selleck) uncovers a sinister plot.
This movie is not too far from reality. I don't ever see the police force getting a robotics division but check out what was in the movie that is now normal: floater cameras (known as drones today), robots doing all kinds of jobs, smart devices, and chipped bullets (OK, that's not normal but I could see that happening).
Like so many movies about technology and computers, this was about such things getting into the wrong hands.
Like quite a few of these 'forgotten' films of the 80s and 90s, I read about this before actually seeing it. Having an interest in Kiss, I wanted to see if Gene Simmons could act. As bad guy Luther, he does pretty well, but there's nothing particularly remarkable about his performance.
The other performances are okay. Tom Selleck and Kirstie Alley are rather good in their roles. POLICE ACADEMY's G.W. Bailey has a straight role as the Chief of Police (the typical by-the-book type who always chews the hero out). The storyline is very good. As it's written by Michael Crichton, it's another tale of technology gone bad, although this time, it was a deliberate human act which caused the mayhem. The film book I read about RUNAWAY in said basically that between WESTWORLD and JURASSIC PARK, two of the best known sci-fi films ever, Crichton made this film. This is true, but while WW and JP are remebered, this film is largely forgotten.
Granted, this film is hardly a classic, but in my opinion, there are times when you go 'who cares' and just sit down to a good, entertaining picture. I recommend RUNAWAY for a viewing. Although, this movie, and some episodes of STARGATE SG-1 seem to confirm that some people find tacky-looking mechanical spiders scary. Which I don't.
The other performances are okay. Tom Selleck and Kirstie Alley are rather good in their roles. POLICE ACADEMY's G.W. Bailey has a straight role as the Chief of Police (the typical by-the-book type who always chews the hero out). The storyline is very good. As it's written by Michael Crichton, it's another tale of technology gone bad, although this time, it was a deliberate human act which caused the mayhem. The film book I read about RUNAWAY in said basically that between WESTWORLD and JURASSIC PARK, two of the best known sci-fi films ever, Crichton made this film. This is true, but while WW and JP are remebered, this film is largely forgotten.
Granted, this film is hardly a classic, but in my opinion, there are times when you go 'who cares' and just sit down to a good, entertaining picture. I recommend RUNAWAY for a viewing. Although, this movie, and some episodes of STARGATE SG-1 seem to confirm that some people find tacky-looking mechanical spiders scary. Which I don't.
Le saviez-vous
- AnecdotesThe on-camera relationship between Charles Luther (Gene Simmons) and Jack Ramsay (Tom Selleck) is one of intense emotion. "While we're playing a scene I hate his guts", Simmons said of Selleck and added, "I really want to kill him. It's funny, when doing this stuff it all wells up. I can't concentrate on giving somebody a certain look for an extended period of time without my temperature rising and my emotions starting to boil. Sometimes I would make up stuff about Tom, little things that would irritate me. And afterwards, I would go up to Tom and say, 'Look, I don't know if I was too . . . and he'd interrupt and say, 'NO, no. Don't explain anything. You're doing great'."
- GaffesOfficer Thompson has a scene wherein she describes Luther to an officer, who creates a computerized image of him using a handheld device. Why bother when they already have his image recorded on the Johnson's door monitor?
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Runaway
- Lieux de tournage
- Moses Lake, Washington, États-Unis(corn field)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 6 770 587 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 198 279 $ US
- 16 déc. 1984
- Brut – à l'échelle mondiale
- 6 770 587 $ US
- Durée
- 1h 40m(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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