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MA NOTE
Un membre de la sororité amnésique qui a un cauchemar récurrent est traquée aux côtés d'autres étudiantes par un tueur dans un grand magasin désert où elles font un rituel de bizutage.Un membre de la sororité amnésique qui a un cauchemar récurrent est traquée aux côtés d'autres étudiantes par un tueur dans un grand magasin désert où elles font un rituel de bizutage.Un membre de la sororité amnésique qui a un cauchemar récurrent est traquée aux côtés d'autres étudiantes par un tueur dans un grand magasin désert où elles font un rituel de bizutage.
Hunter Tylo
- Alison
- (as Deborah Morehart)
Avis en vedette
Sorority girl Kelly Fairchild is troubled about some unanswered questions from her past. But that's the least of her worries now that she and her friends are pledging to a college sorority. The initiation involves the girls breaking into a shopping mall, but having a homicidal escaped murderer locked in with them wasn't part of the plan!
The Initiation is a slasher flick that delivers the "goods" for horror fans. Plus, there's some plot twists, a few veteran actors, and a higher-than-average budget to boot!
With a fairly solid cast, fiendishly good murder scenes, some tight suspense (especially in the climax), and a bit of style The Initiation is one of the stronger slasher films of its time. Along with Hell Night (1981) and House on Sorority Row (1983), Initiation also remains one of the more memorable college-themed splatter flicks of the 80's.
An entertaining treat for slasher fans.
*** out of ****
The Initiation is a slasher flick that delivers the "goods" for horror fans. Plus, there's some plot twists, a few veteran actors, and a higher-than-average budget to boot!
With a fairly solid cast, fiendishly good murder scenes, some tight suspense (especially in the climax), and a bit of style The Initiation is one of the stronger slasher films of its time. Along with Hell Night (1981) and House on Sorority Row (1983), Initiation also remains one of the more memorable college-themed splatter flicks of the 80's.
An entertaining treat for slasher fans.
*** out of ****
Oh here we go again. A college slasher
from the 80s. But hey, "The Initiation" was surprisingly an effective and playful little slasher item and delivered on what you look for in these ilk of presentations. While nothing groundbreaking, I thought it stood out. It has some clever touches, adds moments of mystery, tension, ominous atmospherics, and the ghoulish violence has a real nasty streak, a Burt Reynolds poster pops up and the characters are resilient. You got some veteran actors in Vera Miles and Clu Culager. Likable teens played by Daphne Zuniga, Frances Peterson and Hunter Tylo. Then there's good support from James Read, Paula Knowles and Robert Dowdell.
What takes a while to get going, only does so to build-up its story arches and characters before reaching its outrageous stalk and slash traits when everything erupts in its creepily daunting after-hours shopping mall setting. It does have a soap-like quality, where it does get silly when it comes to the end with a shockingly hysterical revelation. The first half of the film sets itself up by concentrating on our heroine's (an affable Zuniga) traumatic recurring nightmare, where she goes about trying to understand it with the help of an assistant professor (Read). While her parents are trying to keep her past secret, which only comes to the forefront when they're told of a breakout of a patient from an asylum. But also Kelly and a few friends are about to undertake a sorority pledge, involving sneaking into a shopping mall one night to steal the security guard's uniform where everything comes together.
The direction is durably crafted with style and a budget to boot. Slick photography and numerous killer POV shots. Even the music score keeps the mood spot on. Traditional, but entertaining.
"There's nothing to be afraid of."
What takes a while to get going, only does so to build-up its story arches and characters before reaching its outrageous stalk and slash traits when everything erupts in its creepily daunting after-hours shopping mall setting. It does have a soap-like quality, where it does get silly when it comes to the end with a shockingly hysterical revelation. The first half of the film sets itself up by concentrating on our heroine's (an affable Zuniga) traumatic recurring nightmare, where she goes about trying to understand it with the help of an assistant professor (Read). While her parents are trying to keep her past secret, which only comes to the forefront when they're told of a breakout of a patient from an asylum. But also Kelly and a few friends are about to undertake a sorority pledge, involving sneaking into a shopping mall one night to steal the security guard's uniform where everything comes together.
The direction is durably crafted with style and a budget to boot. Slick photography and numerous killer POV shots. Even the music score keeps the mood spot on. Traditional, but entertaining.
"There's nothing to be afraid of."
A group of sorority pledges sneak into a mall overnight to pull off a prank that will get them initiated. Tasked with stealing the security guard's uniform, it shouldn't be too hard since Kelly Fairchild's father owns the mall, and she's one of the pledges. She has keys to get in and knows where the spare uniforms are kept, so no problem. Someone else is in there with them though, and it isn't long before bloodshed ensues.
This is actually one of my favorite slashers, a large reason for that being the creepy atmosphere of the mall at night. It has multiple levels and is unlike any mall I've ever been to. We also get a few instances of characters catching a glimpse of the killer lurking about, something that I'm a sucker for. Getting that eerie look at something out of the corner of your eye, not sure if you really saw anything at all. The killer's POV shots were extremely well-done, especially the very creepy bit of the killer observing Dwight Fairchild as he's loading his car. The score certainly helps the mood, as does some of the dreary photography in certain scenes.
Daphne Zuniga plays the lead, and I've always found her appealing even if she's not the greatest actress. Vera Miles and Clu Gulager are also on hand to add some class to the proceedings. As for the kills, they're not the bloodiest, but they get the job done just fine. The most notable death sees one of the pledges stabbed repeatedly as she holds the PA systems microphone, her screams echoing throughout the mall. On my initial viewing, I didn't see the ending coming, though there are some blatant clues when re-watching.
This is actually one of my favorite slashers, a large reason for that being the creepy atmosphere of the mall at night. It has multiple levels and is unlike any mall I've ever been to. We also get a few instances of characters catching a glimpse of the killer lurking about, something that I'm a sucker for. Getting that eerie look at something out of the corner of your eye, not sure if you really saw anything at all. The killer's POV shots were extremely well-done, especially the very creepy bit of the killer observing Dwight Fairchild as he's loading his car. The score certainly helps the mood, as does some of the dreary photography in certain scenes.
Daphne Zuniga plays the lead, and I've always found her appealing even if she's not the greatest actress. Vera Miles and Clu Gulager are also on hand to add some class to the proceedings. As for the kills, they're not the bloodiest, but they get the job done just fine. The most notable death sees one of the pledges stabbed repeatedly as she holds the PA systems microphone, her screams echoing throughout the mall. On my initial viewing, I didn't see the ending coming, though there are some blatant clues when re-watching.
(**1/2 out of *****) This okay slasher thriller tries to offer more than the standard slice-and-dice affair by having as its main character a young college student (Daphne Zuniga, a year after her cameo in the wretched "The Dorm That Dripped Blood") who is traumatized by an event in her past that caused her to forget everything up through age ten. From the opening scene, we already have a pretty good idea of the surprise involving the girl's secretive parents (played by Clu Gulager -- excellent in "Return of the Living Dead," but just mediocre here -- and Vera Miles from "Psycho"), but there's another twist at the very end that, in spite of some clunky hints here and there, is impossible to see coming (it's hardly fair, but it still provides a bit of a jolt.) With all the background and character development out of the way in the first half hour or so, we finally get to the more-familiar second half, where a group of sorority babes (including Zuniga) and frat boys break into a department building at night as part of an initiation stunt and are subsequently killed off by a maniac who uses a variety of gardening tools and other sharp objects. People are shot with arrows, shot with guns, shot with spears, stabbed, axed, and decapitated until the surprise killer is finally revealed (and it's probably not who you think.) Gaping plot holes abound, but, all in all, this one isn't too bad (and, besides, you're not supposed to pay attention to that kinda stuff in these kindsa movies anyway.)
HIGHLIGHT: The pretty, blonde sorority girl happens to be holding the public address intercom microphone when she is attacked at the security guard's booth, and her shrieks echo throughout the entire building.
HIGHLIGHT: The pretty, blonde sorority girl happens to be holding the public address intercom microphone when she is attacked at the security guard's booth, and her shrieks echo throughout the entire building.
Allright so "The Initiation" isn't on the same level as "Carrie", "The Stepford Wives" or "Rosemary's Baby" but it is very good compared to other sorrority girl movies like "Blood Sisters." The Initiation is fun, fast paced, and has a great cast including Vera Miles (PSYCHO), Clu Gulager(A Nightmare on Elm Street 2) and Daphne Zuniga(Melrose Place) Not oscarworthy but deffinetly allright
Le saviez-vous
- AnecdotesSome of the early scenes at the mental hospital were not actually shot by director Larry Stewart. Peter Crane was originally attached to the film but the production got off to a rough start as shooting fell behind schedule and the budget started to be exceeded. Producers subsequently brought in Stewart to replace Crane.
- GaffesKelly's mother runs outside to give her husband his glasses. Just after she mentions him "forgetting his head if it wasn't attached" the scene cuts to the car driving away. On the left, there is a crew member standing with his arms crossed.
- Autres versionsThe UK video version was pre-cut by 59 secs with edits to a man on fire during a nightmare scene, shots of a man being stabbed with a rake, and a sequence which intercuts the stabbing of a woman with a sex scene. The 2003 Pegasus DVD is fully uncut.
- ConnexionsFeatured in Slasher: L'Ascension et le Déclin (2006)
- Bandes originalesNot Me
Written by Terrence Murphy and Kenny Griffin
Redbud Music (B.M.I.)
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