Finders Keepers

I managed to catch this on TV several years ago and haven't seen hide nor hair of it since. This is a shame because it is quite funny and full of Richard Lester's trademark humor. As with most films about con men (and women), a simple description of the plot would be anything but, but suffice to say Lester and his cast do an admirable job of keeping all the balls in the air for most of the film's running time. Watch for Jim Carrey in an early role as the dim-witted draft dodger.

"Finders Keepers" won't solve world peace, but it's good escapist fun and an excellent antidote for Lester's sub-par "Superman III."

Richard Lester is one of the great comedy directors, but amidst the brilliance there was always this sloppy, cheap-feeling shlockiness peeking out from underneath, balanced out because it was still often funny.

Finders Keepers magnifies Lester's worst tendencies without the counterbalancing humor. Not only isn't the movie funny, but often I couldn't figure out why the movie expected us to find it funny. The movie seems to think Beverly D'Angelo calling everyone she meets by a slur for gay people funny, but even if you don't apply modern social norms to an ancient movie, it's just not funny.

I watched the first half hour, and then, since some people claim it gets better towards the end, I watched the last 20 minutes. It's basically a bad 80s comedy with forced silliness (an angry mob of roller derby women) and unconvincing sex (woman pulls a gun on the protagonist then takes a bath with him).

Richard Lester made a lot of terrific movies. This wasn't one of them.

Richard Lester is an American-born director who was a quiet architect of a certain type of English screen comedy, working on early TV experiments with members of radio's "Goon Show" (Peter Sellers and Spike Milligan), then the first couple of Beatles movies, then some movie stuff which parallelled the surreal comedy of the TV Monty Python, inc "The Bed-Sitting Room" (from a play co-written by Milligan) and "How I Won The War". This is a nice little film which has some of the gagsmanship of his old stuff, and kind of a "What's Up Doc" type plotline, with money from a heist, plenty of screwball characters, and general old-fashioned movie farce confusion. Doesn't probably get the momentum it wants to, but it's low-key affable loopyness is pretty watchable. As the Maltin review suggests, in a pretty decent little comedy cast, the David Wayne turn as the antique, shambolic train conductor is the real highlight, with laughs pretty much every time he turns up. In Lester's career, it's not a "Hard Day's Night", "Three Musketeers", "Cuba", or even "Juggernaut", but it's different and enjoyable enough on its own terms for comedy movie addicts to take a look.

A good-natured, agreeable, but featherweight and desperately unfunny comedy by Richard Lester. Beverly D'Angelo (sexy and spirited) and Louis Gossett Jr. (amusingly cool) try their best to enliven the film, but there are hardly any laughs and too many unnecessary subplots. (**)

This is the kind of 80s comedy in the same vein as many 80s farcical comedies. OKeefe plays his part like he did in Caddyshack, Beverly D'Angelos plays a very spunky, mouthy blonde, opposite of the mother character in all the Vacation movies, but she still cute and adorable. Louis Gossett Jr shows up halfway through the movie and is there to the end.

The story, set around 1972, isnt bad, it moves along and is never boring. There are some funny scenes and some funny dialogue. However the utterly farcical and slapstick type ending kinda ruins the movie, somehow we are supposed to believe Louis Gosset Jrs character doesnt know where the brake peddle is, but hey, its a comedy its needs a light hearted end to this "crime" story.

Ive been a mission to watch as many "bad" movies as I can, and found a site dedicated to forgotten movies, good or bad. This was one of them, but I didnt think it was bad at all. However, looking through all the reviews, people are fiercely divided, they seem to love it or hate it, and in the end, maybe their were more haters in the critics circle and by whomever distributed it. CBS owned (owns) it, so Im surprised I never caught this on a Saturday or Sunday afternoon when TVs were still built with tubes.