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Dune

  • 1984
  • PG
  • 2h 17m
ÉVALUATION IMDb
6,3/10
190 k
MA NOTE
POPULARITÉ
1 955
73
Sean Young and Kyle MacLachlan in Dune (1984)
Fathom Events Trailer
Liretrailer0:21
5 vidéos
99+ photos
AventureMesureScience-fictionAventure dans le désertÉpopée de science-fictionScience-fiction spatiale

Le fils d'un duc mène les guerriers du désert contre l'empereur galactique et l'ennemi juré de son père lorsqu'ils l'assassinent et libèrent leur monde désertique du règne de l'empereur.Le fils d'un duc mène les guerriers du désert contre l'empereur galactique et l'ennemi juré de son père lorsqu'ils l'assassinent et libèrent leur monde désertique du règne de l'empereur.Le fils d'un duc mène les guerriers du désert contre l'empereur galactique et l'ennemi juré de son père lorsqu'ils l'assassinent et libèrent leur monde désertique du règne de l'empereur.

  • Director
    • David Lynch
  • Writers
    • Frank Herbert
    • David Lynch
  • Stars
    • Kyle MacLachlan
    • Virginia Madsen
    • Francesca Annis
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,3/10
    190 k
    MA NOTE
    POPULARITÉ
    1 955
    73
    • Director
      • David Lynch
    • Writers
      • Frank Herbert
      • David Lynch
    • Stars
      • Kyle MacLachlan
      • Virginia Madsen
      • Francesca Annis
    • 984Commentaires d'utilisateurs
    • 165Commentaires de critiques
    • 41Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 1 oscar
      • 2 victoires et 7 nominations au total

    Vidéos5

    Dune
    Trailer 0:21
    Dune
    Dune
    Trailer 3:10
    Dune
    Dune
    Trailer 3:10
    Dune
    Shot for Shot: 'Dune' (2020) vs. 'Dune' (1984)
    Clip 0:54
    Shot for Shot: 'Dune' (2020) vs. 'Dune' (1984)
    'Dune' | Anniversary Mashup
    Clip 1:30
    'Dune' | Anniversary Mashup
    What We Know About 'Dune' ... So Far
    Video 4:12
    What We Know About 'Dune' ... So Far

    Photos652

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    Rôles principaux46

    Modifier
    Kyle MacLachlan
    Kyle MacLachlan
    • Paul Atreides
    Virginia Madsen
    Virginia Madsen
    • Princess Irulan
    Francesca Annis
    Francesca Annis
    • Lady Jessica
    Leonardo Cimino
    Leonardo Cimino
    • The Baron's Doctor
    Brad Dourif
    Brad Dourif
    • Piter De Vries
    José Ferrer
    José Ferrer
    • Padishah Emperor Shaddam IV
    Linda Hunt
    Linda Hunt
    • Shadout Mapes
    Freddie Jones
    Freddie Jones
    • Thufir Hawat
    Richard Jordan
    Richard Jordan
    • Duncan Idaho
    Silvana Mangano
    Silvana Mangano
    • Reverend Mother Ramallo
    Everett McGill
    Everett McGill
    • Stilgar
    Kenneth McMillan
    Kenneth McMillan
    • Baron Vladimir Harkonnen
    Jack Nance
    Jack Nance
    • Nefud
    Siân Phillips
    Siân Phillips
    • Reverend Mother Gaius Helen Mohiam
    • (as Sian Phillips)
    Jürgen Prochnow
    Jürgen Prochnow
    • Duke Leto Atreides
    Paul L. Smith
    Paul L. Smith
    • The Beast Rabban
    • (as Paul Smith)
    Patrick Stewart
    Patrick Stewart
    • Gurney Halleck
    Sting
    Sting
    • Feyd Rautha
    • Director
      • David Lynch
    • Writers
      • Frank Herbert
      • David Lynch
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs984

    6,3189.6K
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    Avis en vedette

    8earnes

    One of the few movies with a style of its own

    Seriously, I do not understand why so many people dislike this movie. I think you have to take a couple of things into account. First: It is a 2 hour movie telling a story that spans several hundred pages in a book - so certain losses are just natural. Second: Compared to three times recycled multi-million-dollar-trash like the new Star Wars Episodes, this movie offers something really unique: A style of its own. The mixture between scifi elements, medieval setting and the culture of the the Middle East is excellent and Lynch welded them together into one solid piece of art... even though he seems to disagree today. Within this setting the lack of non-stop-action or overwhelming SFX never bothered me. On the contrary, this movie gives you time to watch... and many scenes are worth a second look. Third: I loved the actors, who were just as stiff, ugly, arrogant, noble or nice like the characters they tried to represent.

    In the end it is a question of taste if you like this movie or not. But for me, it will always have a place in my DVD-shelf...
    Chrysanthepop

    The year 10191...The Spice Extends Life...

    'Dune' may have a dated look due to the poor special effects but it still is an enjoyable adventurous science fiction movie. The film is awkward and feels a little rushed but the sense of adventure is well maintained. Lynch fans who haven't yet seen this movie might be disappointed because this isn't like any of his later works. Almost everything about it, except for some of the acting is over the top. But it feels like a science fiction movie because of the unusual names, the art direction etc. With the excessive use of CGI, it is nowadays sometimes difficult with science fiction movies to feeling the experience of the world the director creates. It was fun to see actors like Kyle Machlachlan, Sean Young and Virginia Madsen who were so young at the time. 'Dune' has its flaws and there are many of it but the idea behind it is creative and the film has heart to make it entertaining enough. It is certainly not among the best of its genre and nor Lynch's best but it's fun enough to roll along with.
    chaos-rampant

    Outland Empire

    Say what you will about incoherence, this is more sensuous than any Star Wars. In fact, it is the most expensive 'tripping' ever produced in film - though far from the most satisfying.

    It helps to know the book and forget it as you watch this. Not being familiar with the book, you're left with a disjointed tapestry of weird costumes and special effects, some of them impressive, but if you are, and don't have to burden yourself with following the constantly clumsy explanation of the multifaceted Dune universe, you can enjoy this as illustration of a few core ideas.

    Herbert's novel was the product of strange and powerful times. The US public was experiencing the Civil Rights upheaval, its short-lived infatuation with Islam and meditation, and the same year as the book came out, LSD had spilled out of some top-secret government labs into the streets and youth culture of San Francisco. The first satellite images of Earth had just been published. The Black Panthers had entered the vernacular.

    So all the stuff about prescient visions, mentats and mastering mind, (herbally) expanded consciousness as the tool to the navigation and 'folding' of space, Herbert wrote with one eye on the Jordan Belson, Beatles and Maharishi crowd - the generation between film noir and Lucas that for a brief time projected truths into constructed cosmologies.

    Herbert was more erudite than most. But he was caught under the same spell - the expectation of a noble jihad of the people and wise lamas from the East coming to teach 'the way'. And you can tell that he was exposed to Eastern thought through Jungians, by his laboriously constructed mythology and (now trite) focus on a Chosen One's journey.

    Lynch was a late bloomer in that scene. To my knowledge, he fell in with what was being marketed as 'transcendental meditation' in his AFI years, while filming Eraserhead. I don't know what they practice behind closed doors - my interest lies with the Chinese model and they seem cultish to me. But, there's no doubt to me that he passed on the Lucas gig, thinking he was going to work on a vision of some power.

    The film outright fails because the scope of the book is too big (to think that Hobbit is being stretched into a trilogy these days), and because he lacked the right collaborators and probably the predisposition to make an 'action' Dune.

    Now Jodorowsky's Dune would have been something to see, probably as cumbersome about spirituality but much more organic. But, it's worth noting a few interesting things about this, in context of how Lynch would expand in later years.

    He zeroes in on the transcendental experience of 'awakening the sleeper'. He does so in an obvious manner. Rambaldi's spiceworms as blossoming desert flowers top his visual meditation. And that all of Herbert's pomp and mythological noise work against him submerging the idea.

    Keep in mind the Chinese notion - from the Tao Te Ching - that the 'soft beats the hard', stressed twice in the film even though no one actually thinks or fights in the Chinese way. Discard everything that is hard, from the crass Harkonnen to the acting style (mentat Dourif!) to the sophomoric rousing of Fremen rebellion, laser battles and final redemption.

    The one part that is soft is at House Atreides, the preparation for Dune. What is there? Familiar dynamics - it's soap opera if you discard the costumes. Premonitions of murder and telepathic wiring with a fabric behind reason. A woman with her box of illusory sensations. A space flight through the doors of perception.

    It's heady. None of it really works, because Herbert's synchretic universe is not one of internal martial arts, what we see matters. But does any of it remind you of a David Lynch film you know?
    6lopresti-46927

    An odd film that would have worked better as a trilogy

    Dune is very interesting, if not downright odd. However, the lore/universe has an alluring charm. Unfortunately, they don't do a good job of explaining the intricate political backstory of the movie. Another major problem is the pacing of the story, it's so too rushed. They made the mistake of trying to cram 2-3 movies worth of storytelling and lore into one 2 hours and 17 minutes movie. The production value (camera angles, special effects sets, costumes, etc.) is generally good for the time period. Some of the costumes are unintentionally comical and weird but that is what gives this movie its charm. Generally the acting wasn't great, besides the main protagonists. Over all it is an interesting tale that unfortunately fell short.
    superman2k38

    Deserves more credit but also deserves criticism

    DUNE is an odd film. After having watched it several times over the years, I'm not afraid to call it a very flawed classic. That sounds strange, but it fits for this movie. Lynch got so many things right, but in the end the shortcomings of trying to squeeze an epic story into a little over 2 hours was simply too daunting a challenge. Besides, I'm sure many went into the theatre expecting a film in the vein of STAR WARS.

    DUNE is not a story with which one can delve into brainless. It does require thought, for it's inaccurate to portray it as anything less than a thinking person's story. It's not space battles, laser-gun shootouts, funny aliens, etc. There's nothing wrong with those things, it's just not what DUNE is about. It touches on everything from politics, religion, ecology, the true power of the human mind and will when fully realized, God, etc. Some heady stuff.

    So imagine trying to fit all that in a movie.

    Lynch got the feel, the imagery down, but wasn't able to cohesively bring the story around w/o really making it a Cliff Notes version of the story. You get the main gist, but don't get the "full story", the themes, etc. So in the end it does disappoint because you're left wondering what may have been had the movie conventions of that time allowed for a 2 or even 3 movie epic. Oh wait, STAR WARS did that. I guess DUNE wasn't viewed as bankable enough to make such an investment.

    Anyway, I still like the film a lot. The visual realization by Lynch makes it a classic in my book, too bad it couldn't be matched by an equally strong script. I wonder if Peter Jackson would be willing to tackle another 3 film epic? Hmmmmmm.....

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The suits worn by the Guild members were body bags that were found in a disused fire station dating back to the early 1920s. The bags had actually been used several times, something that was kept from the cast members until after shooting was completed.
    • Gaffes
      At 1 hour 28 minutes and 40 seconds, Paul is seen standing next to Chani his eyes are blue, in the next scene Paul's eyes are normal. At this point In the movie Paul has only been on the planet Dune for a few days, it takes years of extended exposure to the spice for ones eyes to become blue, like the Fremen. Which happens to Paul later in the movie.
    • Citations

      Paul: I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will let it pass over me and through me. And when it has passed I will turn the inner eye to see its path. Where it has gone, there will be nothing. Only I will remain.

    • Générique farfelu
      The closing credits play out over shots of the Caladan ocean, and feature a montage of the main cast.
    • Autres versions
      As of 2006, the Alan Smithee version had been released in a two disk set containing both the Lynch version and the extended version. However, many scenes were edited out once again: The heart plug scene when the baron is introduced is not in the extended version anymore (it is still in the original). The scene where Thufir discovers the burning wierding modules is also missing, as well as Thufir's death scene. (Thufir's death scene is included as a deleted scene in the special features)
    • Connexions
      Edited into Destination Dune (1983)
    • Bandes originales
      Prophecy Theme
      Composed by Brian Eno, Daniel Lanois and Roger Eno

      Performed by Brian Eno

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    FAQ27

    • How long is Dune?Propulsé par Alexa
    • What is Dune about?
    • What are Weirding Modules?
    • Why did Shaddam IV want to destroy House Atriedes?

    Détails

    Modifier
    • Date de sortie
      • 14 décembre 1984 (United States)
    • Pays d’origine
      • United States
      • Mexico
    • Langue
      • English
    • Aussi connu sous le nom de
      • Dunas
    • Lieux de tournage
      • Samalayuca, Chihuahua, Mexique
    • sociétés de production
      • Dino De Laurentiis Company
      • Estudios Churubusco Azteca S.A.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 40 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 31 439 560 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 6 025 091 $ US
      • 16 déc. 1984
    • Brut – à l'échelle mondiale
      • 31 502 434 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 17m(137 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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