Camila

"Camila" takes place in Buenos Aires, Argentina (1847-1848) during the tyrannic rule of Governor Juan Manuel de Rosas. The film recounts the tragic true story of Camila O'Gorman, a 19 year old socialite, who falls madly in love and runs away with a young Jesuit Priest, Ladislao Gutierrez. For a few months they were able to live happily as man and wife in a small village near the border of Brazil where they worked as school teachers. Respected by all who knew them, and unaware of their real identity, Camila and Ladislao were eventually recognized by a priest and captured. Imprisoned and executed without a trial by Rosas' orders, their bodies were placed together in a double coffin. At the time of her death Camila was eight months pregnant (but, perhaps due to censorship the film alters that fact) and her execution, along with Ladislao's, prompted the downfall of Rosas' reign.

This is a story that goes beyond doomed love, but also focuses upon personal and political freedom. Susu Pecoraro (Camila), who bares a strong resemblance to the real Camila, and Imanol Arias (Ladislao) are magnificent. This film is a masterpiece!

This film is about a doomed relationship between the daughter of a rich fascist-type landowner in Argentina about 1830 or so (after the successful revolution against the Spanish). The new government, it seems, feels that the end justifies the means and repression is used to keep control of the fledgling nation.

Camila finds that she is not attracted to the macho rich suitors but instead finds herself drawn to the new Jesuit priest. Despite common sense and many obstacles, they run off together. What I found most interesting in the movie was the character of her father, who was instrumental in tracking them down and exacting punishment.

In many ways, the plot reminded me of The Thorn Bird mini-series combined with a fascist-like backdrop. A pretty good film overall. Be aware, however, of the nudity. It's NOT as much as you might expect in such a film but considering he's a priest, it's bound to offend some.

In 1982, the Argentine military government seized the Falkland Islands, also known as Las Islas Malvinas, from the British. The British deployed combat forces to the South Atlantic and recaptured the territory in a war that lasted ten and a half weeks. This led to the downfall of the Argentine military junta and a reversion to democracy, establishing conditions which in 1984 brought to the screen a true story that had been suppressed by political, religious, and/or cultural forces for nearly fourteen decades. It is one of the most popular movies in the history of Argentina, from among those produced by that nation.

Camila refers to Camila O'Gorman, and opens very briefly in her childhood with the arrival at her family's ranch of a stagecoach bearing her grandmother, who is to be placed under house arrest. Camila's father fully consents to the arrangement, siding with the authorities rather than with his mother, who is on the wrong side of contemporary political affairs. The opening then shifts forward to Buenos Aires, 1847. Camila, now a young woman of about 19, is closeted with and huddled over some newborn kittens she knows will earn her father's disapproval if he discovers them. In the late 1840s, Argentina is under the control of a dictator, General Rosas, and the federals. The unitarians, some in exile and others trying to stay under the radar (as it were), are the latent opposition.

The plot can be summarized simply: A socialite daughter from a wealthy family falls in love with a (celibate) Jesuit priest. It is not only taboo in a Catholic society, but is taboo in a Catholic society at the wrong place and the wrong time, and neither the federals nor the unitarians contribute positively to the outcome. As the kittens meet their fate and the opening credits conclude, we view a statement dedicating the movie: "In memory of Camila O'Gorman…." History, and director Maria Luisa Bemberg, are serious about the advisory, so be forewarned, and be aware also that the movie has an R rating. The film coloring is memorable, and Susu Pecoraro in the lead actress role gives a strong performance.

During the 1800s in Argentina, an oppressive dictator named Rosas rules the country with an iron fist. Everyone must wear a red ribbon to show their loyalty to the man while certain books are banned, among other decrees. A beautiful young lady named Camila has been born into a wealthy family. She is free-spirited and finds the dictators rules are oppressive. Secretly, she borrows risque books from the shopkeeper. By chance, her parish gets a new priest named Ladislao, quite handsome and dedicated. It's almost love at first sight, with the priest trying everything to avoid his feelings. Even when the book seller is executed for circulating banned books, Camila is undeterred. Therefore, the couple secretly elopes and moves to a rural area far from Buenos Aires. But, Rosas orders his soldiers to find them. Will they be discovered? This gorgeous film has sumptuous sets, costumes, and photography. The two stars are incredibly handsome and touching while the horrors of dictatorship are made manifest. Even if you dislike subtitles you won't want to miss Camila. Just have a bucket handy for your tears.

"Camila" is a love story that is based on true events. It is a unique movie in that it draws the audience to it with the promise of passion, but it keeps the audience intrigued with its historical representation of Rosas' Argentina. The forbidden love affair between Camila, the daughter of a wealthy land owner, and Ladislao, a young priest, is defeated by the intensity of Argentina's patriarchal society. Maria Luisa Bemberg's presentation of the power of Rosas' regime is historically accurate, as is her depiction of the passion and independence of Camila.