Wu Lang ba gua gun

This is an action packed film filled with terrific swordplay and choreography in the battles. Its best to watch on a big screen for full effect. It is a period piece set during the Sung Dynasty, but just suffice to say there is usually something going on. One of the stars, Fu Sheng, was killed in a car crash midway through filming, so its a miracle the film was finished. There's lots of blood, lots of yelling, lots of running around. As always with these kind of films produced by the Shaw Brothers, the colors are vivid. Not usually my kind of film, it was a lot of fun to watch. If you like martial arts films, this is definitely for you.

8 Reasons to Watch "8 Diagram Pole Fighter"

Whether it would be your first time or 36th viewing, here are 8 reasons why you should watch, in my opinion, the greatest kung-fu movie of all time.

1) Liu-Chi-Liang/Lau Kar Leung --I grew up watching kung-fu films in decrepit New York City theaters as well as on Saturday 3PM on NY channel 5 - "Drive-In" feature. My favorite director of these action flicks was and still is Liu-Chi-Liang/Lau Kar Leung.

This legendary director is himself a marital artist (able to trace his mastery from demi-hero, Wong Fei Hung) and imparts adherence to the art of kung-fu in every movie he directs and/or choreographs. His greatest screen triumph comes in the form of "The 8 Diagram Pole Fighter" ("Invincible Pole Fighter").

2) A compelling storyline -- Mongols with the help of an insider, ambush the influential Yang Family, defenders of the dynasty. The Mongols must hunt down all Yang survivors so their insidious plot to overthrow the dynasty will not be uncovered.

3) An all-star cast -- Those who watch films of the Shaw Brothers will recognize the familiar faces of the charismatic dynamo Gordon Liu Chia Hui, kung fu babe Kara Hui Ying-Hung, legendary Lily Li, superstar Alexander Fu Sheng in his last screen role, all-time bad guy Johnny Wang Lung Wei, veteran Phillip Ko Fei, talented Hsiao Ho, technical Lau Kar Wing, heroic Wong Yu and Lau Kar Leung himself.

3) Unobtrusive use of "wire-fu" or special effects -- At least there are no quadruple flips and people flipping off swords (i.e. "Swordsman 2").

4) The greatest pole fighting sequence filmed -- Gordon Liu wants revenge. Phillip Ko Fei denies this bloodlust. Watch them engage in a fantastic duel of ethics and poles.

5) The climactic end sequence -- Words cannot describe the mayhem involved. Only the finale of films such as "Drunken Master 2" and "Thundering Mantis" can compare. Must be seen to be believed.

6) No gratuitous humor --While not everyone can have the sense of humor of a Jacky Chan or Sammo Hung, many martial arts films have comical segments/elements that take away from the overall picture.

Take Lau Kar Leung's masterful `Legendary Weapons of Kung-Fu.' The entire Alexander Fu Sheng subplot of the crackpot martial artist could've been done without the cross eyes and silly music.

Chang Cheh's `10 Tiger's of Kwangtung' had many memorable moments but a couple of comedic attempts such as the overly long 'torture training,' and the bystander who lounges about and watches a duel at close range, distracts.

In `8 Diagram Pole Fighter' there is no mixing of genres. What you get is a smash-mouth kung-fu action movie.

7) Themes -- This movie is not just about kung-fu and revenge. It deals with family honor. Loyalty to one's country. Loyalty to a group. Belief in one's self. And ultimately - belonging.

8) Gordon Liu -- As the main star of this movie, Gordon cements his place in kung-fu film history as one of the baddest-asses ever. Here's an elite warrior that goes to Shaolin Temple to IMPROVE his killing skills. In particular his first encounter against a Mongol outpost is the stuff of action film legend.



I feel so strongly about this movie that it not only is my favorite martial arts film, it currently ranks as my favorite movie. It stands above my other favorites (which include: The Godfather, Golgo 13, The Seven Samurai, On the Waterfront, 12 Angry Men, High Noon, Monty Python's Holy Grail), because it stands the test of repeated viewings and never fails to fill me with the full gamut of all emotions, leaving me more passionate about my life, my family and my destiny.

Maybe it's the coffee talking. Maybe I need to get out more. Nevertheless, I offer a toast to all other `8 Diagram Pole Fighter' fans around the world, new and old.

This is the last film Liu Chia Liang(aka Lau Kar Leung) made for Shaw Brothers Studios and in my opinion, it is probably his best. After doing much lighter, comedic fare like My Young Auntie(of which I champion and highly recommend as well), Liu Chia Liang took this project in a darker, more violent and much more serious direction. Gordon Liu stars in this kung fu epic and is in top fighting form and gives an excellent acting performance as the lead. He plays a brother from a royal family who was betrayed and his father and brothers were slaughtered in an ambush. He finds sanctuary in a Shaolin temple and becomes a monk. As usual in a Gordon Liu/Liu Chia Liang production, the storytelling is fluent, the acting is solid and the fights are awesome. The old Shaw sets look great and there is an abundance of fights as well. They are very well choreographed, but also very brutal and bloody. Shaw Brothers is well known for having quality productions, but The 8 Diagram Polefighter is a flawless production where all the elements come together for a perfect martial arts film. Great story ,acting, direction and some of the best and most intense fight scenes ever filmed put The 8 Diagram Polefighter heads and shoulders above most other martial arts films. The 8 Diagram Polefighter is a must for any martial arts fan and this title gets my highest recommendation. On a sad note, it is unfortunate that Alexander Fu Sheng died in a car accident during the making of this film and could have had a bigger part if he was alive and well.(RIP bro)

How should you a approach a movie like The Invincible Pole Fighters? If you wanna look for hairs in the soup, look for all-too-obvious stage setting for the Yang brothers ambush. Then you could look for some very stagy looking death scenes. Or how about the library music it shares with Dawn of the Dead? On the other hand you could look for its virtues: Strong cast, strong story, excellent choreography and fortunately the virtues of this movie far outweighs its flaws. The story is epic, the choreography is nothing short of breath taking. The equals may exist. I just haven't seen them, this is riveting stuff, utterly infectious. Show it to non-martial art movie fans if you wanna see converts, this is martial arts to the performed to the highest standard of perfection. You will want to see this movie again and again. Own it. The best available copy is Celestial's Hong Kong DVD release in original aspect ratio without dubbing. Beware of bad dubbing and choreography-ruining cropping on western VHS releases.

Allow me to back-track a bit, if you will, please...

A few years ago, I saw "The 36th Chamber of Shaolin" (1978), which I consider to be the next greatest martial arts film after the Bruce Lee masterpiece that is "Enter the Dragon" (1973). I must say that "The 36th Chamber of Shaolin" was the film to introduce me to what I call "straight-up old-school Shaw Brothers kung-fu." A year or so before I saw that, I had seen "Five Fingers of Death" (1972) (widely considered to be the first internationally successful martial arts film) and another Shaw Brothers classic, "Five Deadly Venoms" (1978).

Today, I had the pleasure to see yet another Shaw Brothers classic, "The 8 Diagram Pole Fighter," directed in 1984 by Hong Kong kung-fu master Liu Chia-Liang/Lau Kar-Leung (who also directed "The 36th Chamber of Shaolin" just six years earlier). Like the "The 36th Chamber of Shaolin" and many other martial arts classics, "The 8 Diagram Pole Fighter" is a story of revenge and retribution and redemption, with a strong Buddhist philosophical subtext warning against the evils of killing and taking lives under any circumstances.

Set during the Song Dynasty in China, the story concerns Fifth Yang (Gordon Liu, held over from "The 36th Chamber of Shaolin"), the only survivor along with Sixth Yang (the late Alexander Fu, who died in a car accident during filming and the film had to be extensively rewritten because of this) of the seven Yang sons, the loyal enforcers for the Song Dynasty. With the exceptions of Fifth Yang and Sixth Yang, all the Yang sons and their father were all either killed or captured by the Khitan-ruled Liao Dynasty army forces.

Sixth Yang makes it back home, but he's in a volatile deranged state that will make him unable to positively identify the primary culprit in the slaughter of his brothers and father, the traitorous Song Dynasty general, General Pun Mei (Ming Ku). Fifth Yang, however, now falsely labeled a fugitive and a traitor, makes it to a nearby Buddhist monastery in Mount Wutai, and insists that the monks take him in as their newest disciple. At first they are reluctant, due to his violent nature and revenge motives, but over time they grow impressed by his pole fighting skills and accept him as one of their own. But when he learns that his family is still in danger, he must join them - along with his sister Eighth Yang (Kara Hui, credited here by her birth name Ying Hung Wai) - despite the Buddhist vows of nonviolence that he has taken.

"The 8 Diagram Pole Fighter" is as exciting and action-packed as a Hong Kong-produced Shaw Brothers kung-fu classic can get. While the film does not approach the epic greatness of "The 36th Chamber of Shaolin" (which this film can probably be considered a companion piece to), "The 8 Diagram Pole Fighter" stands on its own two feet as yet another worthy kung-fu classic.

One of my biggest gripes is that I expected to see Gordon Liu's Fifth Yang to actually change his ways, and eventually have his revenge motives tempered by some greater desire to help others in need. That doesn't really happen here. While his character does indeed take his Buddhist vows very seriously (or at least gives the appearance that he does), he doesn't become a better person and still retains his violent nature and revenge motives. The other problem is that the monks sort of accept this and realize that they cannot truly change him. And while the monks do accept him as one of their own, it seems, to me, that the only thing they can really do is to harness his anger and try to channel it into non-lethal means (the whole business with wolves and their teeth, which you'll see if you watch the training sequences at the Buddhist monastery). Liu's character San Te in "The 36th Chamber of Shaolin" did not face these glaring ethical issues.

Maybe I'm reading things incorrectly here, so if anybody has any insight, feel free to correct me here.

On the plus side, "The 8 Diagram Pole Fighter" has some of the most extraordinary pole-fighting sequences ever filmed. I've never seen anything like it prior to this. And the film is also quite bloody, too, one of the most graphically violent martial arts films I've seen, in fact, since probably "Fists of Fury"/"The Big Boss" (1971) with Bruce Lee. And while the boys often get the most screen time here, Kara Hui's Eighth Yang proves to be a formidable kung-fu presence and can more than handle her own against the legions of disposable of bad guys sent in her general direction. In short, she's no damsel in distress - she's far from it.

Gordon Liu also delivers a powerhouse performance here. To know that Alexander Fu was originally supposed to be the lead here and with his tragic passing, the film had to be extensively reworked due to his death. Gordon Liu admirably stepped in his place to finish the film. Admittedly, it would be great to see what would have become of this film had Alexander Fu lived to complete it.

"The 8 Diagram Pole Fighter" is one of the best martial arts films I've ever seen. I'm glad that I had the opportunity to bask myself in its 97 minutes of epic kung-fu craziness.

8/10.