ÉVALUATION IMDb
6,6/10
1,5 k
MA NOTE
Lors d'une grève de la police dans la capitale de la Nouvelle-Écosse, une bande de voyous finit par tuer le propriétaire d'un bar gai. Cela dégénère en une série de meurtres avec un seul sur... Tout lireLors d'une grève de la police dans la capitale de la Nouvelle-Écosse, une bande de voyous finit par tuer le propriétaire d'un bar gai. Cela dégénère en une série de meurtres avec un seul survivant essayant de ne pas être le prochain.Lors d'une grève de la police dans la capitale de la Nouvelle-Écosse, une bande de voyous finit par tuer le propriétaire d'un bar gai. Cela dégénère en une série de meurtres avec un seul survivant essayant de ne pas être le prochain.
- Directors
- Writers
- Stars
Daryl Haney
- Chester
- (as Darel Haeny)
Terry-David Després
- Daniel
- (as Terry-David Despres)
Richard Collins
- Rosie
- (as Rick Collins)
Allison Outhit
- Punk
- (as Alison Outhit)
Avis en vedette
This is a Canadian movie originally called "Siege", very much in the tradition of John Carpenter's "Assault on Precinct 13." The story is about a police strike in Halifax, Nova Scotia, which paves the way for violence to break loose in the city . When a gay bar is attacked by a group of thugs, one gets away and escapes to an intstitute for disabled young people. This house then comes under the siege of the gang and they must use all their imagination to survive this night. The movie is obviously low budget, but as so often happens, that's just good for the creativity and tone of the film. In Europe, the movie was retitled "Night Warriors", and made it look like this was another Mad Max/Escape From New York clone. But it's just a clever little thriller.
It's hard not to see the parallels between this film and the likes of RIO BRAVO or the the above mentioned John Carpenter film. This film isn't perfect by any means but functions well as a down and dirty urban crime / action thriller with a few cute surprises sprinkled in that any fan of 60's-80's "grindhouse" would appreciate. It's pretty clear that the makers of VFW pulled a little bit of inspiration from this, especially in terms of musical score.
One thing ASSAULT didn't even attempt to do was make its villains sympathetic in any way, but this film gives them about 30-35% of the dialog and attention, making each one of their deaths a little more meaningful. I loved the varying degrees to which the villains stayed committed to the crime and greater adherence to realism in general. People in this film act about like how you or I would react to a situation here and there isn't a lot of James Bond style heroics at play.
That said, it isn't quite a classic by any stretch. My main beef with the film is that it's just too convenient in many places. For one, of all the places the person fleeing from an angry mob in all of Canada, it just happens to be the place next door to a doomsday prepper with the means of building rockets and grenades at his disposal. Also, the fun idea of the shared medicine cabinet feels a bit ludicrous when compared to the fairly grounded reality of the rest of the movie. The main protagonists do not get introduced until late in the film, giving them very little room to build character development or strong audience sympathy. The viewer may never fully connect to the characters, but the short length and constant sense of immediacy keep things from ever getting dull.
Overall I considered myself surprised by how well this extremely low budget film comes together despite its relative obscurity. It's a shame that Donovan's next film DEF-CON IV would be such a letdown (after an excellent first half) and that afterward he'd generally stick to making more profitable (but even more forgettable) kids' films.
One thing ASSAULT didn't even attempt to do was make its villains sympathetic in any way, but this film gives them about 30-35% of the dialog and attention, making each one of their deaths a little more meaningful. I loved the varying degrees to which the villains stayed committed to the crime and greater adherence to realism in general. People in this film act about like how you or I would react to a situation here and there isn't a lot of James Bond style heroics at play.
That said, it isn't quite a classic by any stretch. My main beef with the film is that it's just too convenient in many places. For one, of all the places the person fleeing from an angry mob in all of Canada, it just happens to be the place next door to a doomsday prepper with the means of building rockets and grenades at his disposal. Also, the fun idea of the shared medicine cabinet feels a bit ludicrous when compared to the fairly grounded reality of the rest of the movie. The main protagonists do not get introduced until late in the film, giving them very little room to build character development or strong audience sympathy. The viewer may never fully connect to the characters, but the short length and constant sense of immediacy keep things from ever getting dull.
Overall I considered myself surprised by how well this extremely low budget film comes together despite its relative obscurity. It's a shame that Donovan's next film DEF-CON IV would be such a letdown (after an excellent first half) and that afterward he'd generally stick to making more profitable (but even more forgettable) kids' films.
As i was in the videostore i saw this box of a movie called NightWarriors. It looked familiar, turned out to be i saw it as a kid.
I must say even now it still is a very interesting thriller.
Police are on strike in Halifax which means a lot of scum are loose on the streets. A gang kills some people in a bar but one visitor manages to escape...and these guys don't want any witnesses. A couple of friendly people let him into theire house...and thats where it goes all wrong. The gang wants the witness...and the friendly people aint gonna turn him over. What follows is the gang trying to siege the building...and the people inside have to defend themselfs all night...
Looks indeed alot like Assault on Precinct 13, Escape from New York and a bit of the Warriors. Acting in the beginning of the movie is not that good, but further on in the movie it actually improves. Some solid action and it had me on the edge of my seat a couple of times. For all you people who want go out and rent this: i guess it is hard to get. In Europe it's called Night Warriors (why?), in US and Canada Siege or Self Defense.
I must say even now it still is a very interesting thriller.
Police are on strike in Halifax which means a lot of scum are loose on the streets. A gang kills some people in a bar but one visitor manages to escape...and these guys don't want any witnesses. A couple of friendly people let him into theire house...and thats where it goes all wrong. The gang wants the witness...and the friendly people aint gonna turn him over. What follows is the gang trying to siege the building...and the people inside have to defend themselfs all night...
Looks indeed alot like Assault on Precinct 13, Escape from New York and a bit of the Warriors. Acting in the beginning of the movie is not that good, but further on in the movie it actually improves. Some solid action and it had me on the edge of my seat a couple of times. For all you people who want go out and rent this: i guess it is hard to get. In Europe it's called Night Warriors (why?), in US and Canada Siege or Self Defense.
And this is why the world needs RoboCop.
I'm pretty shocked I gave this one a chance by the poster, but then I was wildly curious after reading the first half of the synopsis. And when I watched it, it was much more than I even though possible.
In this film modeled after 1976's Assault on Precinct 13 and a precursor to 2015's Green Room, the police are on strike so crime spikes in this downtown area. Our story revolves around a bunch of indisputably vile characters who call themselves the "New Order," or NO for short, and they do not wish for their forthcoming "perfect" world to include homosexuals. So, they raid a gay bar, do surprisingly cruel actions and one patron manages to escape and into the arms of a group of unselfish, open minded people. And now, everyone is in danger from the NO.
Sounds like I'm spoiling the whole movie. Nope. This is just the barely first act as the grand majority of the film is the outside force trying to get inside for their witness.
This movie was intense and while a ton of scenes were well over-the-top, including the reactions and acting, it's a film of the times. Or at least parts of the scenes were. I'm actually shocked and very pleased on how progressive this movie was in 1983 when gay bashing, or worse, was definitely more widespread than today. And this movie stood out 100% against that. This movie was graphic and incredibly shocking/sad at times and it really stood its ground on doing the right thing and that everyone's equal.
I'm glad I gave this movie a chance. It was completely suspenseful and you really never know who's safe from the NO.
***
Final Thoughts: Now, of the three: Assault on Precinct 13, Siege and Green Room, my favorite is...well, that's hard. The first two were deliciously a product of their times. I would, however, select Green Room. While it wasn't 100% original, it sure felt that way when I saw it, before I saw the other two. Still, the most polished and best acted movie is definitely Green Room.
This would make a radical trilogy marathon some Saturday evening.
I'm pretty shocked I gave this one a chance by the poster, but then I was wildly curious after reading the first half of the synopsis. And when I watched it, it was much more than I even though possible.
In this film modeled after 1976's Assault on Precinct 13 and a precursor to 2015's Green Room, the police are on strike so crime spikes in this downtown area. Our story revolves around a bunch of indisputably vile characters who call themselves the "New Order," or NO for short, and they do not wish for their forthcoming "perfect" world to include homosexuals. So, they raid a gay bar, do surprisingly cruel actions and one patron manages to escape and into the arms of a group of unselfish, open minded people. And now, everyone is in danger from the NO.
Sounds like I'm spoiling the whole movie. Nope. This is just the barely first act as the grand majority of the film is the outside force trying to get inside for their witness.
This movie was intense and while a ton of scenes were well over-the-top, including the reactions and acting, it's a film of the times. Or at least parts of the scenes were. I'm actually shocked and very pleased on how progressive this movie was in 1983 when gay bashing, or worse, was definitely more widespread than today. And this movie stood out 100% against that. This movie was graphic and incredibly shocking/sad at times and it really stood its ground on doing the right thing and that everyone's equal.
I'm glad I gave this movie a chance. It was completely suspenseful and you really never know who's safe from the NO.
***
Final Thoughts: Now, of the three: Assault on Precinct 13, Siege and Green Room, my favorite is...well, that's hard. The first two were deliciously a product of their times. I would, however, select Green Room. While it wasn't 100% original, it sure felt that way when I saw it, before I saw the other two. Still, the most polished and best acted movie is definitely Green Room.
This would make a radical trilogy marathon some Saturday evening.
A pretty taut Canadian thriller that shares some similarities with Assault on Precinct 13. It's well shot and the acting isn't too bad either. A nice discovery on Shudder.
Le saviez-vous
- AnecdotesIt contains the only existing news footage of the actual 1981 Halifax Police strike.
- GaffesAt 1:16, boom mic visible to left of screen.
- Autres versionsIn German version named "New York 1991 - Nacht ohne Gesetz" events happening in New York instead Halifax. It about 10-12 minutes between opening titles and bar scene, except news broadcast, was cut.
- ConnexionsFeatured in Hagan Reviews: Siege (2014)
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- How long is Siege?Propulsé par Alexa
Détails
Box-office
- Budget
- 300 000 $ (estimation)
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