I predatori di Atlantide

This film is in a league of it's own: I won't bother to re-state what every other person has already posted regarding the plot. Needless to say it makes no sense what-so-ever in the big scheme of things, but there is plenty of violence and preposterous characters such as the "Crystal Skull" liven things up no end. The best line in the whole film has to be "We can't move; we're immobilised" (by an invisible force field), so how come he can still move his jaw to speak? As I say ultimately in a league of it's own and one of the best examples of how practically any script was considered during the 80's as a potential blockbuster!

Ruggero Deodato's 1983 classic is one of the most entertaining B movies I have ever seen, the story might be out there, but this is one film where the actors and action drive the narrative. Christopher Connelly and Tony King make a great double act and director Deodato was obviously having a good time directing something more entertaining than his previous film THE HOUSE ON THE EDGE OF THE PARK. Find this film and enjoy, because they don't make them like this anymore!

The Raiders of Atlantis is really something special, i have watched a lot of strange, bizzare and trashy movies, especially from the 80s but this one beats em all. It has the most bizzare story that Atlanteans are Biker Punk Gang and they want to wipe out whole humanity, this story can only be written in the 80s. the whole movie is like you take some hallucinogenic drug and had a trip. A lot of action, explosions, gore, killings and with great synthisizer driven music in the background. The soundtrack is one of the best from the b-movies, total proto-synthwave stuff. Charachters are enjoyable Christopher Connelly and Tony King does the great job as main protagonist, also supporting cast has done solid job. I would say that the movie looks like a strange mixture of Assault On Prectinct 13, Big Trouble In Little China (note that Big Trouble is filmed three year later maybe Carpenter got some ideas watching this one) and Mad Max with some Italian twist and humour. This is must watch for all fans of cheesy and bizzare 80's stuff, definetely one of the best.

From Ruggero Deodato, the director who gave us the incredibly powerful and disturbing Cannibal Holocaust comes this lighter weight action yarn from 1983.

It utilises the intriguing central premise of the resurfacing of Atlantis as a catalyst for mass violence when the descendants of the aforementioned long lost continent, who are now living amongst us, take to the streets in heavily armed gangs and set about annihilating the rest of mankind.

The future of the human race appears to rest in the hands of a small group of people who escape the initial wave of urban anarchy whilst they are out at sea.

But returning to dry land how can so few defeat so many? The above plot provides the basis for scene after scene of urban shoot outs and ferocious pitched battles against the marauding hordes of leather clad, painted faced bikers as our heroes fight for survival in a world that has descended into chaos.

A great assembled cast of B-movie favourites including Christopher Connelly, Tony King and Ivan Rassimov head this fairly enjoyable effort that is certainly never dull and boasts some admittedly very exciting scenes ala. Assault On Precinct 13.

Added to this some great stunt work, with some very noteworthy scenes involving a mini bus and you have a solid 90 mins or so of action entertainment.

However……it has to be said that the film makes virtually no sense at all! It appears to have been cobbled hurriedly together sans any logic which sadly serves to seriously undermine it.

It's almost as if, in a desperate attempt to cramp in as many action scenes (copied from other movies) into one picture, the makers forgot to provide a plot that links the said scenes together.

The end result is a decidedly disjointed affair to put it mildly.

However, I don't wish to be too hard on the film for viewed as an action movie it certainly delivers the goods by the bucket load.

As a final note, fans of those lovable cut and splice ninja movies from the 1980's as produced en masse by Godfrey Ho and Joseph Lai will delight to see non other than Bruce Baron as the head villain in this, although he spends most of his screen time beneath a 'crystal' mask.

This is one of the dumbest Italian films I've ever watched, but don't let that put you off – It's brilliant! The plot, what there is of it, concerns the ancient lost island of Atlantis somehow being brought up from the sea bed by the radiation from a sunken nuclear sub, causing either the Atlaneans or local humans to turn into Mad Max style killers and before you know it you've got everything being destroyed and everyone being killed – but don't worry. We've got a list of Italian exploitation vets out there willing to pick up a machine gun and blow these mental sub-aquatic upstarts to hell.

You've got mercenaries Christopher Connolly (Strike Commando) and Tony King (The Last Hunter), professor George Hilton (Devil with Seven Faces), pilot Ivan Rassimov (Eaten Alive) dubbed by Nick Alexander (every Italian movie ever) in a double whammy of greatness, Michele Soavi (Blade in the Dark) and even Mike Monty (Zombi 3). These are the folks I'd be calling if the apocalypse loomed (even though at least four of them are no longer with us)! The head bad guy? Bruce Baron of The Ultimate Ninja fame! I'm getting faint just typing all that out.

After meeting up on Connolly's boat after some lab is destroyed in a storm, our heroes head for the mainland and from then on it's a toe to toe battle with our ridiculous looking antagonists involving shotguns, loads of petrol bombs, machine guns and even some electrical wire (which chops off some guy's head).

I love the way that Connolly and co lay waste to hundreds of Atlanteans over the course of the last hour of the film. Sure, he's no good at protecting people, especially when he promises three scared people they'll be fine shortly before they're all killed, but I reckon he was just fobbing them off anyway as they were distracting him from mowing down dozens of bad guys. There's a slim plot about a lady who can decipher all these languages getting drawn to Atlantis in some plot to free the Atlanteans (which confused me regarding who all the bad guys were), but just strap yourself in a let the contant sound of gunfire roll over you.

I said this film was dumb, and I mean it. Soavi's character states at one point, when they're all trapped in a building, that he's going to scout around for a way out, then he walks out the front door and gets captured. Check out the Atlanteans – their costumes are like rejects from the Bronx Warriors! And what's with the echoey voices? And what purpose does it serve to have Tony King's character as a recent convert to Islam? It's this kind of stuff that draws me back to Italian films again and again.

It's a Ruggero Deodato film, so there are fleeting bits of gore (decapitations, a woman being shot through the mouth with an arrow etc), and this is so much more a guilty free pleasure than Cannibal Holocaust – no animal cruelty here, thankfully. Get in! I loved this one.