Mausoléum

I first saw this in the late 80s on a vhs.

Revisited it recently.

Had enjoyed the movie as a kid those days, especially the nudity n some gory kills.

The movie is cheesy n non scary by today's standards.

The special effects n make-up by John Carl Buechler (Celler Dweller, Troll, Hatchet, etc) were pretty ok for those days.

The nudity from Bobbie Bresee is soothing and the gore is nice and splattery.

Watch out for the twin demonic heads.

This cud have happened only in the 80s.

Watch out for the gardener with his weird goatee, large belly due to which the buttons of his shirt gets open, his large eyeballs n cartoonish smile.

In the end he keeps on laughing. Maybe cos at least he gave off, before he gave off.

I am a horror movie fan, so believe me, I went through a lot of trouble looking for this movie after seeing it at my aunt's house. The movie was very well put together. I liked the deep voices that Susan had when she encountered NOMAD. Rather humorous, and scary (only if you watch it in the dark)!

"Mausoleum" follows Susan, recently turned thirty, who is plagued by an ancestral demon she encountered after her mother's death in the family mausoleum. This pesky parasite causes her to transform into a grotesque monster and kill everyone around her.

This retro 1980s schlockfest is one of the better possession/"Exorcist" knockoffs, blending elements of slasher films with possession horror and the monster movie. The result is potent with campiness, but it's really all in good fun. Bobbie Bresee plays the lead Susan, who falls in and out of her possession with a complete lack of awareness; her eyes glow green when she's under the influence of the demon, and green smoke rolls out under the door of her bedroom. At her most extreme, she morphs into a revolting creature that predates Angela in "Night of the Demons." What's surprising here is that by and large, the special effects (helmed by the famed John Carl Buechler) are very good given the time period. There are some effective levitation sequences, and the monster effects are impressive and practical.

The film also boasts solid cinematography that is at times legitimately nightmarish and recalls Italian horror cinema of the '60s and '70s, and is tied together with a moody score that adds to the ambiance. Where the film falls flat is the writing and acting, which are both mixed bags. Bresee is alternately decent and awful as Susan, but her character is so vacant that it hardly matters. Norman Burton is serviceable as her psychologist, and LaWanda Burton provides short-lived comic relief as the maid who gets the heck out of dodge before becoming demon mincemeat. It seems to me that part of the pitfalls in the performance have to do with the dialogue, which feels stilted many times throughout. Then again, this is an early-'80s monster possession flick, so I'm not sure the bar is to be set quite so high.

Overall, I found "Mausoleum" an effective early-'80s supernatural horror film. Save some lazy writing, there is a lot of fun to be had here, and the movie is chock full with gruesome murder scenes and all sorts of other supernatural (and green-glowing) mayhem. Fans of other "Exorcist"-esque horror such as "Beyond the Door" will have a riot with it, and in some ways it's better. 7/10.

Bobbie Bresee (the temptress in "Ghoulies") stars here as Susan Walker Farrell, whose family history is colourful, to say the least. It dictates that she will fall victim to demonic possession as an adult, when she is married to concerned nice guy Oliver Farrell (Marjoe Gortner, "When You Comin' Back, Red Ryder?"). Various people are killed off by her while she is in this demon incarnation, and it will be up to her longtime psychiatrist, Simon Andrews (Norman Burton, "The Gumball Rally"), to do his reading on the Nomed family (the name is a clumsy clue) and find out how to save the day.

The 80s live on in ultra-cheesy spectacles like this one. While hardly a "good" film, that matters little. The truth is, it's a VERY amusing low budget horror / sleaze / schlock film, complete with negligible acting, ropey visual effects, decent gore, a dose of nudity from Ms. Bresee, entertainingly designed creatures (the "demon breasts" are the most original touch), melodramatic music by Jaime Mendoza-Nava, and a fair amount of humour, at least some of which I believe IS intentional. The silly script is credited to Robert Barich (who pulled triple duty; he was also a producer and the cinematographer) and Robert Madero. The film is never more fun than when Ms. Bresee is undergoing her monstrous manifestations. These are always worth hearty laughs.

Marjoe, commendably, looks very serious as the distraught husband. The same goes for the great character actor Burton. Bresee is very sexy, but not much of an actress. Laura Hippe ("The Swinging Barmaids") plays Susan's aunt Cora. Maurice Sherbanee ("Charlie Wilson's War") is the horny, seedy gardener; La Wanda Page of 'Sanford and Son' fame is priceless as the maid who just might be the smartest character in this whole thing. And that's Bill Vail, Kirk from the original "Texas Chain Saw Massacre", as the final incarnation of the demon.

"Mausoleum" is a hoot and a half, a film very much of its time that can barely be considered scary, but is awfully damn entertaining much of the time.

Seven out of 10.

The Nomad family is cursed. Every first daughter of a new generation is damned to be possessed by a demon that really wants to raise hell. Orphan Susan is sent to live with her overbearing Aunt after the deaths of her parents. The Aunt keeps a close eye on Susan for signs that she will succumb to the nasty familial curse. Her young years go by relatively quietly but after she marries the demon comes put to play and nobody is safe.

'Mausoleum' may seem like an average ordinary slasher on top (lord knows this time period was chock full of them) but the supernatural slant gives it a leg up on the competition. Surprisingly the film even manages to generate a halfway decent atmosphere and an occasionally creepy moment or two (young Susan all green demonic eyes aglow). I say check it out if you're a fan of 80's horror or on the lookout for an obscure gem.