Sept femmes piégées

House on Sorority Row is not just some of the some ol', same ol' as we've seen before with sorority slasher movies.

The movie is based on a group of seven sorority sisters who are all just about to graduate college and they come up with the idea of throwing an illicit party at the sorority house. If the girls just could have gotten the blessing from their sorority mother, who is Mrs. Slater, this party would have worked out. Instead, Mrs. Slater won't allow any such party under her roof. Mrs. Slater wants the house to be vacant during that weekend- and you'll find out why later.

The girls decide to rebel against Mrs. Slater's wishes, particularly Vikki, who is played by Eileen Davidson. By doing so they all participate in a prank targeting Mrs. Slater. However, this prank takes a turn for the worst. Soon thereafter, these college babes come up missing. It then turns into a tale of whodunit. Solid direction, which is done with such finesse by Mark Rosman.

I liked the idea of the killer in this one, who uses a sharp cane for the weapon of choice. Some memorable death scenes are a decapitated head found in a toilet bowl and various stabbings with that cane that I had just mentioned.

There are plenty of genre flicks that deal with this same topic. Those that I am referring to are: PROM NIGHT, SLUMBER PARTY MASSACRE, SORORITY HOUSE MASSACRE and THE INITIATION. The House On Sorority Row isn't anything groudbreaking, but it does still satisfy us bloodhounds out there. The script is original, the suspense scenes are built up with the proper tension and there is a satisfactory amount of blood; however there could of been more. In addition, I thought that the cast did a better then decent job on the acting duties.

The budget DVD is worth getting. The uncut version is now available for the first time in the U.S., which does include the extra cinema shots of Vikki getting stabbed to death. Previously, this was unattainable in the U.S.

I give it 7/10

The House on Sorority Row is formulaic, but I'm sure it only feels that way because so many slashers have taken its template and mined it for their own use. We follow the good girl, the girl who is sure to be our final girl, and we're introduced to the other characters who all reveal flaws that will surely lead to their deaths at the hands of our killer.

In this movie, the first act introduces a motive for our killer, and we spend the rest of the movie trying to guess who it might be, while also wondering when and where our next victim will be offed. Some kills are better than others, but that can be said for all slashers.

Unlike the best the genre has to offer, the movie never makes you truly care for any of the victims, they all played a part in a crime early in the movie, and that hinders the movie's ability to get you invested in their fates, but it's still a fun time. I enjoyed the scenes at the party, particularly one scene where the camera in one smooth shot follows each of our sorority sisters as they try to act naturally as they keep a terrible secret.

For any slasher fan this is a can't miss. For anyone looking for something more, you can probably do better elsewhere.

I will always have a special place in my heart for The House on Sorority Row. Back in 1982, my father was vice president of a small company in Washington, D.C. called VAE (Visual Aids Electronics). They had contracts with all the major hotels in D.C. to provide their audio visual equipment for all the meetings and conferences that were held there (microphones, TV's, overhead projectors). The company was doing so well, that the president of it (John Ponchok) wanted to branch out and try different things. They started a record company (which failed miserably), and then wanted to try their hand at producing movies. Their first (and only) project: The House on Sorority Row. Filming took place during the summer of 1982 in Baltimore, MD. One day during the summer, my father drove me, my sister, and my mom out to Baltimore for the day to watch them film the movie. I was 7 at the time. We watched them film the scene where they had just shot Ms. Slater, and they were trying to revive her by the side of the pool. I had a blast. I remember meeting some of the girls, and the lady that played Ms. Slater. Later in the afternoon, my family and I were taken up to the attic where the final scene takes place (I'm not sure if it was Mark Rosman or not that took us up there). While my parents were talking with whoever took us up there, I was cruising around the attic on a toy pedal tractor that was up there. In the movie, that same tractor that I rode on is used by the character Peter. One more thing. When they are trying to revive Ms. Slater by the side of the pool, one of the girls screams "Oh my God, the band's here!" A shot is then shown of a station wagon and a white truck coming up the driveway. That white truck was actually one of VAE's old company trucks that they lent them for the scene. After they were done using it in the film, my father bought it from VAE to use as a moving truck for my family's move to Northern Virginia that summer. After we were done with the move, we parked the truck in the woods below our house where it rotted away for the next 15 years, before it was finally towed away to the junkyard.

"The House on Sorority Row" an 80's slasher flick has now become somewhat of a cult classic and midnight viewing event, and it does entertain and give chills in typical 80's manner. It has all the common things from the 80's horror films sex, nudity, blood, gore, and a past secret that twist. The story is pretty simple young college sorority girls who are just days away from graduation set out to throw one last surprise party and celebration, however the old lady the matron of the old house hides a horrible secret long buried away in memory. After a freak accident one by one bodies and deaths start to happen all are on the brink of madness and decay! Overall okay 80's horror film that flew under the radar give it a watch if you like that decade and the genre of skin and gore.

Living in a new house, a group of sorority sisters ordered out of the building by the house mother decide to partake in a prank only for her to be killed, and while trying to hide the accident find themselves stalked and killed by a strange being forcing them to find a way of stopping it.

This wound up being quite the fun and entertaining slasher. One of the film's strongest points is the slasher-potential of the main setup that gets everything involved in the main storyline. The idea of the house being used to throw a party against the wishes of the arrogant, spiteful house-mother who's preventing their planned fun generates a kind of overall familiarity to the type of traditional slasher fun that comes about in the later half. As the party rages on and they get more and more panicked about the discovery of the body, there's a rather enjoyable atmosphere created here that's paid off nicely by the strong stalking featured throughout mixed with their desire to keep the crime hidden the entire time. That interplay is rather important as the film goes on with so many near-misses and interactions with others as they're trying to keep their activities hidden that the killer bumping them off intrudes on things rather nicely in order to punch up the suspense of their encounters. From the initial encounter in the backyard that results in the scene with the killer appearing behind the boyfriend to the ambush outside the mechanics of the pool room and the scene in the bathroom where they see the killer arrive in the house before and begins chasing them leading into the quest to get to safety in the stalls which gives this one some great moments. The finale as well, with the chase around the house featuring the killer and the doctor both trying to capture the last survivor for their own plans as she has to get away while being drugged the entire time offers up some solid and highly chilling elements as this one builds to a nicely creepy and fun finish as they try to get the upper hand for their own methods. The entire film is based on the idea of mostly stumbling upon the killer accidentally which leads to some nice suspense as the tactic proves the killer really could be anywhere at any time. Coupled with a stellar-looking clown disguise and some brutal, lively kills that are somewhat restricted by the rating, these here are what hold it up over it's few minor flaws. Among the main problems with the film is that the central prank they're trying to set up is moronic and makes no sense at all. Firing a blank-loaded gun at the woman as she attempts to retrieve a walking cane from a floatation device in the pool against her knowledge is simply stupid as that doesn't strike any kind of accord to what she put them through which is the entire purpose of the stunt. Here, this entire prank just seems foolish and destined to turn out the way it does so the entire purpose of this just feels underdeveloped and rather lame. Likewise, the fact that the majority of the stalking scenes emerge as just simply having the killer stumble upon them in the way he does offers a lot to like but it also means the film doesn't have the same type of suspense present by never making us be aware of the killer's presence. This turns some of the scenes into somewhat bland sequences as the idea of the killer being around has a very prominent feel yet somewhat fails to utilize that properly with the way this plays out their encounters as merely shock encounters. As well as the censored gore in the kills, there's not much else really wrong here.

Rated R: Graphic Violence, Graphic Language, Brief Nudity and violence-against-animals.