G

Hej, I know this film is extra x-tra cheese, but I love it!

It is a trip back to the 80's. This film is cult defined. The clothing and the music is sooo good. Olle Ljungström in the band "Nümberg 47"-just the name makes me laugh inside, is hilarious as the "fascistic" band member.

Someone commented that the film is a too simple view of life as a teenager, I couldn't agree more! However I don't see this as being negative, rather the stereotypes are sometime so stupid that you can only laugh (and laugh good) at them.

I also enjoy all the Stockholm footage (Kolingsborg, Vanadisbadet mm), this however I guess is mostly if you have lived in Stockholm otherwise it's nothing special.

being 15 now is not very different to being 15 20 years ago. always the same struggles... from what I understand, this movie was a great success in sweden when it came out [most memorable for Magnus Uggla's excentric character]and kids rushed to see it. if I dare, I might compare this movie to lukas moodyssons 'fucking åmål'.

it is not great, but it's a really good teenmovie.

Although G is a lame film it has great music. I think more of it as a music film than a generation film. My favourite scenes are of course the live performances with Reeperbahn (as Nürnberg 47, an unsympathetic and decadent nationalist band) and Nasa who at the time still made wonderfully simple electronic pop with Swedish lyrics.

Among the best scenes are the settings in concert hall of Kolingsborg (as the Club G, run by the sleazy character wonderfully played by Magnus Uggla) where I've been many times since which gives the film an extra point for nostalgia. The place is about to be torn down i the rebuilding of Slussen in Stockholm that is about to begin within short.

Another memorable scene is the live show with Nürnberg 47 at Ljusdals Folkets Park and the backstage scene where Reeperbahn plays Venus In Furs while the members are occupied with the groupies, a key-scene in which Sebastian decides this is not the life for him.

Last but no least the performances of Barn with Niels Jensen are great in their New Romantic / Punk crossover style. The soundtrack of course is a given part of any good 80's record collection!

I gave this movie a 10, just because it is so bad that seems it was shot like that in purpose. A hidden gem in horrible movies. So glad I watched it!

This was a huge hit among teens at my school in 1983 when I was 16. I never got around to see it back then – and it's a strangely fascinating feeling watching this hybrid of a teen movie/music video tale trying to come across as serious, today. We learn – following 3 male teen buddies after school graduation – spelled-out IN CAPITALS how frustrating teen love is, how bad smoking pot is and how low it is to sell out and let your rock band friends down.

The tone works fine for about 20 minutes into it. From then on, the embarrassing scenes just keep-a-coming. Dialog and performances run from workable to simply atrocious. Former legend rock singer Uggla hams his gay club owner up like he was in a bushwhack farce – and IS fun – but was this seriously director Hildebrand's intention?

The nicest thing I can say (apart from a few nice songs on its soundtrack) is that the blue-eyed ambition of a lost time period has an almost endearing cuteness to it... and its amateurish awkwardness (and cheap production value) IS indeed highly entertaining being so, and keeps off my lower rating. Therefore it's also one of the unintentionally funniest movies I've seen. Several bits had me literally roaring with laughter. I simply MUST end my review by ranking them in laughing-order:

1. The "Nattens dockor" video by the pop group Freestyle. Costume, make-up, lyrics and choreography in this have to be seen to be believed – Youtube it! Takes hilarious awfulness to a whole new level as Wahlgren fondles female mannequins' breasts.

2. Wahlgren and Örn slow-dance, run (completely dressed in white!) over summer lawns and skinny-dip in a public pool to the tunes of "I'll find my way home" by Jon & Vangelis. Add the after-sex song duet in bed by the two lovers, and you will NOT a thicker chunk of teenage-love-cheese to cut for the whole decade! The uncensored nudity is refreshing, though and would be unthinkable today (sadly enough).

3. Skröder and his mother Fröling share a reconciling moment on the bedside after he has cut both the dope (just like that!), his long hair... and donned orange 80's pastel pants! The end dialog about having tea and honey toast sounds like something a 9-year old could have written – it's THAT bad!

4. Håkansson's end song from the stage as he re-unites with his old band; its moral-lesson-lyrics directed at his friends on the dance floor... pricelessly horrible.

3 out of 10 from Ozjeppe