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Surexposé

Titre original : Exposed
  • 1983
  • R
  • 1h 40m
ÉVALUATION IMDb
5,0/10
990
MA NOTE
Nastassja Kinski in Surexposé (1983)
DramaMusic

Ajouter une intrigue dans votre langueWisconsin farm girl Elizabeth Carlson leaves her family and her English-teacher lover behind, and escapes to New York City, where she soon makes a career for herself as a fashion model. Duri... Tout lireWisconsin farm girl Elizabeth Carlson leaves her family and her English-teacher lover behind, and escapes to New York City, where she soon makes a career for herself as a fashion model. During a private viewing of paintings, she is approached by a mysterious man whose motives are... Tout lireWisconsin farm girl Elizabeth Carlson leaves her family and her English-teacher lover behind, and escapes to New York City, where she soon makes a career for herself as a fashion model. During a private viewing of paintings, she is approached by a mysterious man whose motives are not clear.

  • Director
    • James Toback
  • Writer
    • James Toback
  • Stars
    • Nastassja Kinski
    • Rudolf Nureyev
    • Harvey Keitel
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,0/10
    990
    MA NOTE
    • Director
      • James Toback
    • Writer
      • James Toback
    • Stars
      • Nastassja Kinski
      • Rudolf Nureyev
      • Harvey Keitel
    • 20Commentaires d'utilisateurs
    • 6Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos23

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    Rôles principaux66

    Modifier
    Nastassja Kinski
    Nastassja Kinski
    • Elizabeth Carlson
    Rudolf Nureyev
    Rudolf Nureyev
    • Daniel Jelline
    Harvey Keitel
    Harvey Keitel
    • Rivas
    Ian McShane
    Ian McShane
    • Greg Miller
    Bibi Andersson
    Bibi Andersson
    • Margaret
    Ron Randell
    Ron Randell
    • Curt
    Pierre Clémenti
    Pierre Clémenti
    • Vic
    Dov Gottesfeld
    • Marcel
    James Russo
    James Russo
    • Nick
    Marion Varella
    • Bridget Gormann
    Murray Moston
    Murray Moston
    • Hotel Manager
    Stephanie Farrow
    • Waitress
    Carmen
    • Lois Straub
    Daisy Carrington
    • Daisy Carlson
    Carl Lee
    • Duke
    Mariana Magnasco
    • Maya
    Miguel Pinero
    • Man in the Street (New York)
    Jeff Silverman
    • Man in the Street (New York)
    • Director
      • James Toback
    • Writer
      • James Toback
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs20

    5,0990
    1
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    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    7prospectpt

    Seven stars just for Nastassja

    Yeah, yeah...who could not find fault with this implausible menagerie of models & Marxists? Here, even the most inept of film-schoolers could find a surplus of shortfalls, for which to offer their trite insight. What's blatantly apparent with this film is...the script seems never to have transcended the first-draft stage...the characters all seem either to be on psychotropic drugs, or to be in need of psychotherapeutic ones...and the director seems to have had his mind on other things – perhaps how to act in his small but completely forgettable part.

    However, for some of us, the challenge is to discover the good points of 'critical failures', such as "Exposed", and as everyone seems to be somewhat more then vaguely aware, what's most redeeming about this film is, in a word, "NASTASSJAKINSKI"! When she is before the camera, all the problems behind it seem insignificant.

    Cheers, J.B. - Prospect Point Productions, Inc.
    10victor7754

    Nastassja Kinski seduces the camera without ego. She's the film.

    Exposed showcases Nastassja Kinski's enigmatic beauty. She is beauty without ego. A rare trait in this day and age of vanity ridden films. Her presence is most rewarding in a rather awkward film. James Toback directed the film to showcase Kinski and expected her to become a superstar after it's release. This did not happen.

    Kinski is a phenomenon on screen and is a perfect example of star presence. She did it in Polanksi's handsome Tess, Wender's, Paris Texas, and Coppola's One From The Heart. However, it is Toback's Exposed that captures her primitive nature at its core. Her exotic beauty combined with an esoteric knowledge hidden behind those dark eyes is intimidating and hypnotic. It was if Director Toback said to Kinski: " Just be yourself." It is unique to witness how this actress can be captured so unattractive then in the right light become the most radiant unusual striking figure of defined beauty. This is what the famous directors who seduced her saw in her.

    There is something very sexy about the film as Kinski gets transformed from farm girl to high fashion model. Beauty and the beast unfold as idealism and terrorism seduce young sexy women to act out their rebel idealistic cause in a Capitalistic world. It is understandable why two Romantic Men would pursue such a cover girl as Kinski. She is exquisite at times and striking to the senses. She plays a free spirit very well, a Goddess to the nymph.

    The film has some cool 60's rock interwoven in the story, :"Locomotion" and "La Bamba" play as Kinski discovers her new world. The Shoop Shoop Song by Betty Everett has Kinski dancing alone to the spirits of desire.

    Rudolph Nureyev has a perverse sexiness that somehow balances Kinski's exotic nature. He plays her like a violin to foul a terrorist who killed his father. There is a scene where they look like vampires as pretense surrounds Published photos in a gallery showcasing Kinski. Shame on Toback for not drawing us nearer or shame on the photographer for allowing pettiness not to allow the camera to explore the photos. It was a pivotal moment in the film to prove to the audience why this actress was the "one."

    Toback keeps the viewer away at times from the action. It was as if he could only do one take.

    Exposed is alluring like it's star. Don't even pay attention to the world that surrounds Kinski. Just watch her. She has been Exposed.
    8vic-45

    Kinski breaks the barrier

    There are moments in this film that are so amazing to me. It is hard to describe in words what occurs in this film that I find so striking.

    Kinski is sheer brilliance. It is not that she delivers a phenomenal performance but that she seduces the camera without any ego. I have never seen this done before by another actress in the same sense. It is though we were watching a documentary.

    The film is an awful mess but at the same time I found it fascinating. The dance Kinski does in her unfurnished apartment has a strong sense of an individual void of the conformity of life. She dances to the beat of her own drum.

    There is another scene where Kinski gets out of a cab and falls in the street. She gets up and runs away with a limp in her step. Why I found that intriguing I cannot say. It seemed awkward in an awkward film.

    I like it for its foolishness and its attempt of making the world of fashion and terrorism seem romantic.

    Kinski breaks the barrier between audience and screen as the magazine Variety stated. It was such a perfect description of her performance. Roger Ebert offers an excellent review on this film and I highly agree with it.

    Check it out sometime and see a star at work.
    8fookoo

    Nastassja blows away everything on the screen

    Taken as an historical perspective of Nastassja Kinski, this is a relatively young Nastassja who totally dominates the screen. As the movie proceeds, it becomes more and more apparent that Nastassja has something called screen presence, meaning that whenever she is on screen there is the promise of something electric occurring that is extraordinary. Today, this movie may appear to be wooden and dated, especially with the performance or lack of performance of Rudolph Nureyev who is absolutely obliterated by Nastassja. The movie on its own cannot be taken seriously, but it maybe viewed as a celebration of Nastassja Kinski.
    1bbhlthph

    One swallow does not make a summer

    The old saying "One swallow does not make a summer" is particularly apt when discussing this film. There is a soaring performance by Natassja Kinski but other cast members, including Rudolph Nureyev, never get off the ground and remain wallowing in mud. Worst of all the director James Toback is so deep in the mire that he could not even produce a story which the average moviegoer could easily follow. Natassja plays the part of a fashion model who appears to have received so much publicity that she has attracted the attention of undesirable characters, which is perhaps a good basis for a drama. But from this point things go rapidly downhill as it becomes increasingly difficult to get any idea of what is supposed to be going on.

    For a users rating, one outstanding performance certainly deserves one point; but it is hard to think of any justification for giving this film an additional one, so I will rate it at 1 out of 10 - sorry Natassja, you deserved better.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was Rudolf Nureyev's final film before his death on January 6, 1993 at the age of 54.
    • Gaffes
      Elizabeth's purse changes positions when she's asking informations on the mosque. When she's outside the purse is on her left side, but when she's inside the purse goes to the right and later returns to the left again when she's about to leave the place.
    • Citations

      Daniel Jelline: It's disgusting to be afraid to die.

      Elizabeth Carlson: People who go around talking about how unafraid they're to die usually are the most frightened of all.

      Daniel Jelline: Perhaps I am afraid to die.

      Elizabeth Carlson: Are you?

      Daniel Jelline: Sometimes terribly so. Sometimes I'm eager.

    • Connexions
      Featured in At the Movies: Adult Sexuality (1983)
    • Bandes originales
      The Locomotion
      Written by Gerry Goffin and Carole King

      Performed by Little Eva

      Courtesy of Emus Records

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    FAQ20

    • How long is Exposed?Propulsé par Alexa
    • What is 'Exposed' about?
    • Is 'Exposed' based on a book?
    • Do we get to see Nureyev dance?

    Détails

    Modifier
    • Date de sortie
      • 22 avril 1983 (United States)
    • Pays d’origine
      • United States
    • Langues
      • French
      • English
    • Aussi connu sous le nom de
      • Exposed
    • Lieux de tournage
      • Paris Charles de Gaulle Airport, Roissy-en-France, Val-d'Oise, France
    • société de production
      • United Artists
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 1 818 910 $ US
    • Brut – à l'échelle mondiale
      • 1 818 910 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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