ÉVALUATION IMDb
5,8/10
15 k
MA NOTE
Un journaliste sous-employé se retrouve littéralement acheté comme jouet pour un riche gosse gâté.Un journaliste sous-employé se retrouve littéralement acheté comme jouet pour un riche gosse gâté.Un journaliste sous-employé se retrouve littéralement acheté comme jouet pour un riche gosse gâté.
- Prix
- 1 victoire au total
Avis en vedette
"The Toy" is a remake of the French movie "Le Jouet," but writer Carol Sobieski and director Dick Donner have infused it with a racist theme that is specifically American.
US Bates (Gleason), a wealthy, powerful Louisiana industrialist purchases, Jack Brown, a janitor (Pryor) to perform as an object for his spoiled son's amusement.
After an initial period of friction due to young Eric's (Schwartz) obnoxious, selfish behavior, they agree to investigate Bates's personal and professional misbehavior in a home-made newspaper, called "The Toy."
Infuriated, Bates demonstrates to the two investigators that he owns the people who work for him by ordering his assistant named Morehouse (Beatty) to drop his pants on command (he later screams at another assistant "I told you to dance!")
The iconoclastic rebels who finally take down Bates at a Klan fundraiser are Eric's innocent generation who never knew Jim Crow and the truth-burdened, unemployed black man with nothing to lose because he's already at the bottom.
This movie is filled with enough Pryor minstrelsy to keep movie-going Whitey occupied and chuckling, but is at the same time digging deep into the reality and shame of this country's racist past, and, indeed, present. And we haven't even addressed the alcoholic indentured man-servant Barkley (Hyde-White) or the Fraulein-who-cries-Mandingo (Leslie-Lyttle.)
From the buying of Brown to the sycophantic staff to the Senator-for-hire Newcomb (consonance: Nuke 'Em,) US Bates proves that slavery isn't over...people just cost a little more these days.
In this day when skirting the issue of race and playing it safe at the risk of being offensive has crushed any discussion of racism in this country, it's nice to see that Hollywood once had the balls to make a movie that called a spade a...well, you get it.
Oh, and the kid grows up to be a porn star.
US Bates (Gleason), a wealthy, powerful Louisiana industrialist purchases, Jack Brown, a janitor (Pryor) to perform as an object for his spoiled son's amusement.
After an initial period of friction due to young Eric's (Schwartz) obnoxious, selfish behavior, they agree to investigate Bates's personal and professional misbehavior in a home-made newspaper, called "The Toy."
Infuriated, Bates demonstrates to the two investigators that he owns the people who work for him by ordering his assistant named Morehouse (Beatty) to drop his pants on command (he later screams at another assistant "I told you to dance!")
The iconoclastic rebels who finally take down Bates at a Klan fundraiser are Eric's innocent generation who never knew Jim Crow and the truth-burdened, unemployed black man with nothing to lose because he's already at the bottom.
This movie is filled with enough Pryor minstrelsy to keep movie-going Whitey occupied and chuckling, but is at the same time digging deep into the reality and shame of this country's racist past, and, indeed, present. And we haven't even addressed the alcoholic indentured man-servant Barkley (Hyde-White) or the Fraulein-who-cries-Mandingo (Leslie-Lyttle.)
From the buying of Brown to the sycophantic staff to the Senator-for-hire Newcomb (consonance: Nuke 'Em,) US Bates proves that slavery isn't over...people just cost a little more these days.
In this day when skirting the issue of race and playing it safe at the risk of being offensive has crushed any discussion of racism in this country, it's nice to see that Hollywood once had the balls to make a movie that called a spade a...well, you get it.
Oh, and the kid grows up to be a porn star.
I know there was a lot of controversy around this film, due to the fact we have a rich white man buying a black man for his son, but I think that people just took this film way too seriously. Richard Pryor is one of the best comedians of all time, so I definitely became interested in seeing this film after I saw it on VH1's "I love the 80's" show, once again though, it seemed like they were giving the film a hard time. Well, I saw this at a store and figured for 5 dollars, what the heck? It's the rental price, if I liked the movie, I might as well own it. Well, I watched it this morning, I have to say that I thought that this was a very cute film that I'm sure if you have an open mind, you'll definitely enjoy it.
Jack is a journalist looking for a job, he's not getting anything though, at first he starts as a cleaning lady, but is fired by a snobby rich man. Then he's security at a toy store where the snobby rich man's son is shopping for anything he wants, he sees Jack and thinks he is funny, he wants him as the toy. When offered enough money to save his house, Jack agrees to it, but he's getting just a bit humiliated when he is constantly mocked, understandably. But when he gives the little boy a chance, they end up becoming great friends.
The Toy is just a fun movie that I'm sure you'll get a kick out of if you just give it a shot. It's a definite 80's classic that had great comedy in it, Richard was absolutely hilarious. He and Scott Schwartz were very adorable together and looked like they had so much fun together. I would recommend this film for a fun comedy, you're guaranteed a few laughs.
7/10
Jack is a journalist looking for a job, he's not getting anything though, at first he starts as a cleaning lady, but is fired by a snobby rich man. Then he's security at a toy store where the snobby rich man's son is shopping for anything he wants, he sees Jack and thinks he is funny, he wants him as the toy. When offered enough money to save his house, Jack agrees to it, but he's getting just a bit humiliated when he is constantly mocked, understandably. But when he gives the little boy a chance, they end up becoming great friends.
The Toy is just a fun movie that I'm sure you'll get a kick out of if you just give it a shot. It's a definite 80's classic that had great comedy in it, Richard was absolutely hilarious. He and Scott Schwartz were very adorable together and looked like they had so much fun together. I would recommend this film for a fun comedy, you're guaranteed a few laughs.
7/10
I've seen this movie more times than I'd ever admit to, and the thing that keeps me watching is Pryor. He shines in just about every scene he's seen, especially when he's paired with the Wonder-Wheel. It's just that the rest of the film isn't on the level.
That's not to say it's a bad film; it's just not a solid one. This remake of a Francis Veber film (the name escapes me) finds Pryor as Jack Brown, an unemployed writer who seeks a job with a newspaper. He arrives at Bates Industries, run by the powerful industrialist U.S. Bates (Jackie Gleason). He works a variety of odd jobs, incl. a janitor in a department store, where he is spotted by U.S. Bates' spoiled son, Eric, during the afforementioned Wonder-Wheel fiasco. Eric wants Jack as a toy, and this leads to a movie that blends the comedic with the sentimental, and works about half of the time.
The movie does take it's time to illustrate the goings-on in the Bates home. Eric spends much time tormenting Jack; during their first night, he shoots firecrackers at him, among other things. The two of them play air-hockey, and when Jack is beating Eric, the boy quits. Jack questions the boy if his father knows that his son is a quitter, to which Eric replies, "He doesn't care what I am, as long as I stay out of his way." That scene illustrates Eric's m.o.; he's frustrated at the neglect and inattentiveness he receives from his father, and expresses it in rebellious behavior.
That's all good and well, and that scenario does have a positive resolution, but the movie is burdened with unnecessary elements that don't belong in a movie like this. The movie has a racist subtext: Jack essentially allows himself to be bought, even though he says he can't. There's also a subplot towards the end dealing with the Grand Wizard of the Ku Klux Klan that serves no purpose other than to wreck a party. And U.S. Bates' wife, Fancy, is a poorly-drawn character; she comes along with an impressive bust and an annoying voice, and does little that is humorous, aside from her pronounciation of "U.S."
Still, the main reason to see the film is Pryor. See it for no other reason than to see a legend doing what he does best.
That's not to say it's a bad film; it's just not a solid one. This remake of a Francis Veber film (the name escapes me) finds Pryor as Jack Brown, an unemployed writer who seeks a job with a newspaper. He arrives at Bates Industries, run by the powerful industrialist U.S. Bates (Jackie Gleason). He works a variety of odd jobs, incl. a janitor in a department store, where he is spotted by U.S. Bates' spoiled son, Eric, during the afforementioned Wonder-Wheel fiasco. Eric wants Jack as a toy, and this leads to a movie that blends the comedic with the sentimental, and works about half of the time.
The movie does take it's time to illustrate the goings-on in the Bates home. Eric spends much time tormenting Jack; during their first night, he shoots firecrackers at him, among other things. The two of them play air-hockey, and when Jack is beating Eric, the boy quits. Jack questions the boy if his father knows that his son is a quitter, to which Eric replies, "He doesn't care what I am, as long as I stay out of his way." That scene illustrates Eric's m.o.; he's frustrated at the neglect and inattentiveness he receives from his father, and expresses it in rebellious behavior.
That's all good and well, and that scenario does have a positive resolution, but the movie is burdened with unnecessary elements that don't belong in a movie like this. The movie has a racist subtext: Jack essentially allows himself to be bought, even though he says he can't. There's also a subplot towards the end dealing with the Grand Wizard of the Ku Klux Klan that serves no purpose other than to wreck a party. And U.S. Bates' wife, Fancy, is a poorly-drawn character; she comes along with an impressive bust and an annoying voice, and does little that is humorous, aside from her pronounciation of "U.S."
Still, the main reason to see the film is Pryor. See it for no other reason than to see a legend doing what he does best.
This film can be enjoyed by children due to it's obvious subject matter. But it also has a subtheme about racial and class divisions. Depending on the scene, the film's racial connotations range from depicting the use of blacks in subservient positions, to blatantly expressing that people can still sell themselves or be bought out of desperation.
When I was a kid I actually loved this movie, but now that I'm a man, I'm kinda horrified by "The Toy." A rich white man buys a black man for his spoiled son? Or at least rents a black man for his son. And they take baths together? Yikes! I love Pryor, but I have to assume he took this gig for the money to feed his notorious crack habit. Moral of this movie? If you're a rich white man you can buy a black man for your son. Can you imagine the firestorm of protest if this movie came out today? And oh yeah, the kid became a real life porn star!!!
Le saviez-vous
- AnecdotesRichard Pryor wrote favorably of his working relationship with Jackie Gleason in his autobiography. He said that the stories Gleason told on set were funnier than anything in the film.
- GaffesWhen Jack is rolling in the inflatable wheel, during a closeup a crew member's hand appears from the right side of the screen to help balance the wheel.
- Citations
Jack Brown: Angela! Jesus H. Christ!
Eric Bates: Is that her full name?
- Générique farfeluThe closing credits are shown aside four toy darts.
- ConnexionsFeatured in At the Movies: Pryor to Murphy (1983)
- Bandes originalesI Just Want To Be Your Friend
Performed by Jeffrey Osborne
Music and Lyrics by Trevor Lawrence and Frank Musker
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Toy
- Lieux de tournage
- 19050 Perkins Rd E, Baton Rouge, Louisiane, États-Unis(Bates estate)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 17 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 47 118 057 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 322 804 $ US
- 12 déc. 1982
- Brut – à l'échelle mondiale
- 47 118 057 $ US
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