Permanent Vacation

Jim Jarmusch's debut 'Permanent Vacation' is said to be his student film. It does have a certain student-film feel to it mostly because of the minimalism and the actors. It is an exceptionally well shot film. However, it also felt somewhat sketchy and a few dialogues felt out of place.

In a way, 'Permanent Vacation' reminded me of 'Catcher In The Rye' as the story here follows a slacker in search for meaning in New York city (it's refreshing to see the non-glamorous, non-typical Hollywoodized but rawer side of the city) before taking a permanent vacation. The plot does sound simplistic and perhaps even uninteresting to some but the film is engaging as Jarmusch immediately gets his viewers involved into the subjective world of Allie. Whereas most of Jarmusch's films are conversational, 'Permanent Vacation' is more of a wandering. The story itself may be familiar in the filmworld but it also applies to today's society. The film's also tedious at times.

Chris Parker is quite effective as Allie Parker. The rest of the actors, with the exception of Frankie Faison, aren't particularly impressive but that doesn't ruin the film.

Although it may have some faults, Jarmusch's first experimental film is quite a compelling debut.

Since this is considered a student film, I must admit that I cannot come up with a better reason to fall asleep during class.

"Permanent Vacation" is the darkly comic debut of acclaimed indie filmmaker Jim Jarmusch, and is unfortunately a somewhat boring film. It had plenty of things going for it, an unsettling and hypnotic musical score, a wild sense of dark humor, an interesting cast of side characters, and a beautiful visual style. However, Jarmusch sadly decided to craft this film's final product into a seemingly incomplete, ridiculously slow paced ride that is scattered with moments of genius throughout. There is plenty I liked about this movie, but it was just so TEDIOUS and DULL-this is a 70 minute long movie that really should have only been a 40 minute long movie. The main character is annoying and pretentious, a lot of the dialogue is cringe inducing (while some of it is actually pretty amazing), and by the end I just wanted to take a nap. This could have easily been a great film if Jarmusch decided to work a little bit more on crafting a main character that is at least somewhat bearable (he doesn't have to be likable, but please don't make him boring and obnoxious!), and made it less goddamn SLOW! I am all for slow movies ("Satantango" is one of my absolute favorite films), and there are a few scenes in this film that are excruciatingly slow paced but manage to work due to the slowness adding to the emotional depth and black humor of those scenes. However, a vast majority of the excruciatingly slow sequences in this film just made me want to beat my head against a brick wall so I could be entertained for once!

This isn't a bad film at all, and I would recommend it to some degree for anyone whose interested, but I would still have to recommend it with caution because it is so, so very flawed and at times unbearably boring. But, at the very least there is a lot of great humor, visual flare, quirky side characters, and beautifully discomforting background music.

Luckily, Jarmusch would improve his ways and skills by the time he made his follow up, break out feature "Stranger Than Paradise", which is not only one of the funniest movies of all time, but also one of my absolute FAVORITES!

This film which is, as far as I know, the first one by Jarmusch, when he still studied to become a film director, is original in its way to reinstall 'realism' – somebody would say 'surrealism' – into film art. He tries to make us understand a special psychological type of our time, a 'tourist in life' on 'permanent vacation'. People having decided to follow that life strategy don't engage themselves in anything or anyone. They just do what they 'feel like', not caring about what that means to others. Others are not really human. They are looked upon as a tourist might look upon an exotic and alien tribe.

However, they themselves also feel alienated and estranged, indeed. Why engage in anything? The home where I was born was bombed out 'by the Chinese', my mother is crazy, my father is dead, and there is no hope for the future.

Jarmusch is convincing in his description of this psychological type which might be typical of our time. It might be a descripton of himself. But that is not what makes the film original. It is rather the way he succeeds in making that description.

Already in this film he uses stationary cameras with horizontal, and sometimes vertical, views, and depicts the world, as exemplified by New York City, as ugly as it is to all of us, if we do not embellish it.

What Jarmusch has to tell might be banal to some but it is certainly something that exists and is quite difficult to make understandable to us. Exactly like the opinion of the main character. But I think he has been successful in mediating such an understanding to us who have chosen a different life strategy.

This movie might be a gift for some with sophisticated and unusual gusto. However it lacks many details that are important for making a movie a fully fledged oeuvre and make it easy for a wide range of viewers to appreciate. So I would better tell about it's merits.

1. Stunning, perplexing, pervasive, strange atmosphere. It's a very atmospheric movie.

2. The protagonist may be annoying but this is the way he is! This is such a kind of a person so you have an opportunity to grasp it.

3. Weird soundtrack helps you feel the atmosphere and dissolve the viewer's mind in the atmosphere of the film.

4. The settings (images) which is pretty rare to see elsewhere.

5. If you live fresh raw simplistic movies, this one is a good example.

6. Raw sounds make you feel inside the movie.

Assured first film from Jarmusch is pretty tough viewing to begin with. Slow moving or not moving at all and ponderous, seeming inconsequential dialogue but then somewhere along the line we find ourselves captivated. Beautifully shot with ugly/beautiful still shots of back streets of New York. Apart from a scene showing the lead guy spray painting a sub title for the film and thereby seeming to plant the film within the late 70s or 80s, the rest of the 'action' gives more the impression of taking place in the late 60s/early 70s. It may well be that Jarmusch has not set the film in the past but that his cinematic influences are from that period. In any event this is well worth a watch and as with all the man's films there is a fiercely compassionate element. Even when the characters appear completely unappealing, we are somehow encouraged to feel some degree of empathy.