Ajouter une intrigue dans votre langueThe life and times of Quentin Crisp, an outrageous and flamboyant homosexual, coming of age and growing into old age in conservative England.The life and times of Quentin Crisp, an outrageous and flamboyant homosexual, coming of age and growing into old age in conservative England.The life and times of Quentin Crisp, an outrageous and flamboyant homosexual, coming of age and growing into old age in conservative England.
- A remporté le prix 1 BAFTA Award
- 3 victoires et 1 nomination au total
- Mrs. Pole
- (as Katharine Schofield)
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This is based on Quentin Crisp's autobiography . Now no matter your opinion of Crisp or homosexuality the ethos of the narrative is how a cruel , conformist society treats the outsider . As someone who was born in to an Edinburgh housing estate I grew up on a small Scottish Island . An urban lower working class prole growing up in a class conscious crushing environment . Society scorns "You're not one of us" and you're supposed to put up with that until your autopsy . Anyone who considers themselves to be an outsider can either sit there and take it or stick two fingers up at the world and declare "I am who I am" . It says a lot about Hurt that he elicits so much empathy or even sympathy from the audience
It should be remembered that THE NAKED CIVIL SERVANT was produced in 1975 . In those days THE BLACK AND WHY MINSTREL SHOW and LOVE THY NEIGHBOUR were massive television hits so homosexuality was treated as a subject of insensitive humour in much the same way as race relations were . In other words the homosexuality portrayed in 70s television is one of grotesque black comedy and one can see an Islington dinner party in 2017 being outraged by the portrayal of homosexuality seen here . There is nothing to be offended about and the only possible sin seen here is one of self parody , but it's done with such a sense of tongue in cheek fun it's impossible not to be carried along by it . This is mainly down to the lead actor , an actor whose greatest tour de force as an outsider would be in THE ELEPHANT MAN in 1980 and a role that was predated five years earlier by the one seen here . .
RIP John Hurt and thanks for all the great performances down the decades
Hurt's Quentin Crisp is an unlikely crusader, made appealing not only by his inspiring moral force in facing prejudice, abuse and rejection with honesty, courage and an uproarious sense of humour, but by the fact that he never loses his belief in humanity, living his life undaunted and surrounded by friends who he treats with warmth and compassion.
Jack Gold's direction is wonderfully theatrical and so suited to Crisp's eccentric world, and the dialogue is incandescent. Nevertheless, the film's narrative, as it ranges over Crisp's long life, is episodic and at times sketchy. Also unnecessarily, Quentin Crisp himself appears in a sort of preface at the beginning of the film.
I actually have vague memories of watching some of The Naked Civil Servant when it was first broadcast. I was far too young to understand what it was all about.
There was so much ballyhoo about the show. That my parents must have switched it on to watch and were presumably appalled at what was being broadcast.
Quentin Crisp himself appears in the introduction and the end to this television movie made for ITV. It features a tour de force performance from John Hurt as Quentin Crisp. It is a brave bravura acting performance, totally unflinching. If the film was released for the cinema he would had got an Oscar nomination.
It is the story of Quentin Crisp from his time as an effeminate young man in the 1930s right until he enters middle age after World War 2. A flamboyant gay man who had to frequent the underground gay scene in London. On his tail were queer bashers and the police.
Quentin Crisp was open about the beatings he regularly received and the harassment he got from the police.
There is something Oscar Wilde about Crisp, his open pomp and glitz. The film has despite its serious undercurrents a lot of humour and cheekiness.
Almost life affirming, a man who knows he is different and will not shy away from his real self. Despite the criticisms and the violence he encountered.
Directed by Jack Gold it was moves along at a quick pace with plenty of quirky characters that Crisp encounters in his life. There is an element of fantasy about the production as well as brutal realism. Crisp recalls a happy moment on his life when he meets a group of sailors in Portsmouth. It is done in dazzling manner in a sound stage.
John Hurt's portrayal of Crisp was absolutely magnificent, and I've been a fan of his ever since. He's the most versatile actor of his generation, having played everyone from Jesus Christ in "History of the World part 1" to the guy in "Alien" who has the little monster jump out of his body to the inimitable Quentin Crisp in this film! However, some of his films are hard to find, given that he's not a household word name as an actor. Too Bad, He's among the best!
The story is simple but deep. It portrays It also portrays how people lived in fear and loneliness during those days. A particularly remarkable moment is that, after Quentin's friend is released from he mental institution, his friend pronounced his love for him. Quentin says something to the effect of "This is how lonely he is, and how low I can get". This little sentence means so much. Acting by John Hurt is excellent. This film is really quite remarkable, as homosexuality was still considered as a mental illness back in 1975.
Le saviez-vous
- AnecdotesDuring filming, it was discovered that Sir John Hurt had painted Quentin Crisp when he was a life studies model at the art school that Hurt attended.
- Gaffes(at around 1h 13 mins) As the 1975 segment begins, the pedestrians Crisp passes on the sidewalk include a woman in a white top and plaid skirt, and then a man in a lavender shirt and yellow pants. When the shot changes to one from Crisp's point of view, the same two pedestrians pass by again.
- Citations
Young Queer-baiter: See that copper over there? If you don't give us a quid each, right? I'm gonna tell him you been fiddling with these two.
Quentin Crisp: I defy you to do your worst. It can hardly be my worst. Mine has already and often happened to me. You cannot touch me now. I am one of the "stately homos of England".
- ConnexionsFeatured in Television: The Rise and Fall of the Documentary (1985)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Wie man sein Leben lebt
- Lieux de tournage
- Kings Road, Chelsea, Londres, Angleterre, Royaume-Uni(1975: Quentin walks along)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro