Hennessy

Back in 1975, when this controversial political thriller was released, critics were quick to call it "implausible", "unbelievable" and "far-fetched". But since then, the western world has had a few wake-up calls. The 9/11 terrorist attacks; the Madrid bombings; hunt-campaigners breaking into Parliament and hurling powder pellets onto the Prime Minister; the suicide bombings on the London Underground.... to name but a few. In retrospect, Hennessy may have been made at a time when the top-brass of Britsh and American governments and armies thought themselves invulnerable, but looking at it from a modern perspective this is a chillingly possible tale. It is not even slightly far-fetched or implausible.... this is a genuinely unsettling, suspenseful and thought-provoking thriller.

Northern Irish explosive expert Niall Hennessy (Rod Steiger) lives a peaceful life in Belfast with his wife and daughter. He has IRA contacts, including the dangerous and wanted Tobin (Eric Porter), but Hennessy repeatedly refuses to get involved in their violent activities, even refusing to provide them with small amounts of gelignite. However, one day during a street riot the British Army inadvertently open fire on the rioters, and in the confusion Hennessy's wife and child are killed. Distraught, Hennessy heads for London with the aim of revisiting his loss on the English capital. His unthinkable plot is to blow up the Royal Family and the members of parliament in the House of Peers. Fearing a backlash and an influx of extra soldiers in Belfast, Tobin sets out to stop Hennessy. Also, Special Branch detective Inspector Hollis (Richard Johnson - who also came up with the film's story) races against time to prevent Hennessy's explosive scheme.

As in The Day Of The Jackal, the audience knows from the outset that Hennessy's horrifying plot is doomed to fail.... but also like The Day Of The Jackal, this film still generates terrific excitement. Hennessy, as essayed by the excellent Rod Steiger (in one of his most subtle, least hammy roles), is a very sympathetic figure and it is only because his revenge plot is so terrible that we do not want him to succeed. Hollis, the cop out to stop him, is very convincingly played by Richard Johnson, and there are further notable performances from Lee Remick as the widow of a one-time IRA saboteur and Trevor Howard as Hollis's over-confident, under-cautious superior. Director Don Sharp, whose films are usually mediocre at best, is in uncommonly good form, serving up a thriller of considerable tension and topicality. In today's vulnerable society, films of this kind remind us of the perilous position we're in at the mercy of embittered extremists.... and Hennessy is one of the best of its type.

If anyone liked "Day of the Jackal", then they will certainly like this movie. The plot is similar in that a political enemy is to be killed by an individual. In this case two groups are trying to stop the killing-the government of Great Britain and the IRA. The IRA is not trying to defend great Britain but trying to prevent the backlash that would have been certain if the Queen and her family along with the House of Lords and Parliment were blown up. Definitely worth seeing in any case because of Rod Steiger's performance..

Demolitions expert in Belfast, once a member of the Irish Republican Army, sees his wife and child accidentally killed in a street riot between political protesters and soldiers; he reacts by traveling to England to carry out a plot against Parliament and Queen Elizabeth II, though Scotland Yard is one step behind. Dreary topical thriller, an odd release coming from American International Pictures, has some relevance to today's headlines, though that doesn't exactly make this endeavor an important or intriguing one. Rod Steiger and widowed friend Lee Remick (reunited from 1968's "No Way to Treat a Lady") are somewhat uneasily cast in their roles, though the film has good music scoring by John Scott and fine cinematography from Ernest Steward. Controversial in Great Britain due to the Queen's appearance via newsreel footage, the producers were forced to begin the film with an amusing disclaimer. ** from ****

Maltin is an idiot for saying that the plot is unbelievable. It is in fact all too believable. Rod Steiger shows his versatility by playing an Irishman who impersonates an Englishman. Lee Remick is delectable as usual and English fans will applaud the inclusion of Eric Porter

Rod Steiger is "Hennessy" in this 1975 drama also starring Lee Remick, Trevor Howard, Richard Johnson and Eric Porter.

Hennessy is an explosives expert living in Belfast who no longer believes in violence, even to the point of refusing to supply the IRA with explosives. He soon reverts to his former opinions when his beloved wife and child are killed in crossfire between the British army and rioters.

From that point on, his agenda is his own, and he heads for London with the idea of blowing up the whole of Parliament when the Queen and her family come to address the body.

Hennessy seeks out the widow (Remick) of an IRA agent and hits her up for a place to stay while he steals gelignite, practices impersonating a member of Parliament he has zeroed in on and arranges to have the bomb made.

Both the IRA and the British Special Branch are on to him, and both want him stopped - the IRA because it realizes what the backlash will mean.

Given recent times, this drama takes on a timeliness it did not have when it was first released and probably got lost among the plethora of international espionage films.

Rod Steiger is always a surprise, as he could overact with the best of them (The Big Knife) or underplay beautifully, as he does here. His Hennessy is dead inside and quietly determined to achieve his goal via an intricate plot.

Beautiful Lee Remick is wasted star power here but lovely nonetheless as a lonely widow who has already lost someone to the cause and wants nothing to do with it.

Richard Johnson is terrifying as Hollis, a rogue member of the Special Branch who doesn't care who he beats to a pulp and whose property he destroys to get the information he needs.

Trevor Howard, as his boss, gives his role a measured dignity and coolheadedness - and with Hollis on his team, he needs it.

All in all, very absorbing.