Tango macabre

I don't think any of the people who have commented on this film have seen it. I have the pleasure of buying the original video for this film at $5 (Amazon sell its for a laughable $20), and I wasn't disappointed.

Oliver Stone, the legend, the man, Vietnam Viet, makes his directing debut with this great horror flick about a writer (Jonathan Frid from Dark Shadows), who keeps having his nightmares that he is about to die, along with the rest of his family. This is a great flick, lots of suspense, some gore, and a twist at the end.

I have no doubt this flick inspired movies like "Nightmare On Elm Street" with it's emphasis on evil, illusions and nightmares that come to life.

Very hard to find, but it's well worth.

Oliver Stone can do it all.

Seizure (1974)

** 1/2 (out of 4)

Horror author Edmund Blackstone (Jonathan Frid) is having nightmares about three characters that he created for one of his stories. In the nightmare, the three (a vamp, a dwarf, a strongman) terrorize him, his family and friends on a weekend. Sure enough, his friends gather around for a weekend of fun and the killers show up.

SEIZURE was director Oliver Stone's first feature film and he has pretty much disowned the picture, which is a real shame. I say that because a lot of great directors got their start doing these type of horror or exploitation movies so for him to completely overlook it is a real shame. I also say that because the movie is actually a lot better than you might expect and it's certainly much better than some of the other horror movies that people got their start on.

I thought Stone did a very good job in his role as director. Sure, there's not really anything here that shows proof that he would go on to make such great movies as JFK and NATURAL BORN KILLERS but at the same time it's evident that he had talent. I really liked the surreal nature that he brought to the film and I thought he also managed to create a very good atmosphere. The entire film has a dreamlike (or nightmare) quality to it and I thought this here really helped keep the viewing glued to what was going on.

There's no question that the locations were quite good and I also really enjoyed the cast. Frid, best known for his Dark Shadows series, turns in a good performance as the writer and I thought the actor was very believable when it came time for his character to be terrorified. Jospeh Sirola is excellent as the meanest character and he's not even one of the villains! Herve Villachaize, Henry Baker and Martine Beswick are all extremely good as the bad guys.

There were spots in the film where it dragged and it's basically a "home invasion" picture but I do think it's a bit harsh for Stone to just write the picture off.

Oliver Stone's feature film debut concerns a horror author named Edmund (played by Dark Shadows' Jonathon Frid) who is plagued by nightmares. When he and his wife have a bunch of guests up to their isolated house for a relaxing weekend. After a few go missing, Edmund's friends and family are confronted with three awful beings who are manifestations of his nightmares. The guests are either killed or forced to go through a series of tests to see who deserves to live. Can anyone put a stop to this hellish nightmare? What a strange film! It's obviously very low-budget and has a distinct gritty 70s quality. The characters from Edmund's dreams are each fascinating and truly make a scene. We have the lovely Martine Beswick as the provocative and sultry "Queen of Evil," who appears to be the matriarch of the evil trio. There's also the exotic strongman giant Jackal (Henry Judd Baker) and a dwarf named Spider (none other than Hervé Villechaize!) who may be tiny but is just as evil! The trio's antics are amusing, but also very unsettling. The cast also features Troy Donahue in a random role as well as the iconic Mary Woronov, who plays a straight-forward "bored wife" role (yet still oh so very funny!), proving again that she has much more to offer than the camp factor. The score in the film is very fascinating and varied. At one point, there's a sudden persistent and deafening siren-like synth that I swear was swiped by Tarantino for "Kill Bill." While the film is eerie and unpredictable most of the time, it also has a very charming sense of humor that suits it well. I'm thrilled this rare film finally made it to DVD, but it really deserves a better treatment. The print is hard to see, especially in the nighttime scenes. Still, any fan of 70s horror should check out this quirky and original film.

Back in the spring of 1974, I was a freelance writer in Manhattan, New York. While at distributing office in New Jersey, the editor and publisher of the magazine " Castle of Frankenstein" asked me if I wanted to do an interview with Jonathan Frid, about his new film SEIZURE. Well having been a fan of both Frid and Dark Shadows, I jumped at the chance. After interviewing Frid in his apartment, I also had a telephone interview with Oliver Stone, who told me of his future projects. I, at the time was only interested in his current project, SEIZURE. Little did I know how important Mr. Stone would someday be. After meeting with and buying some photo's from the films photographer and co-star Herve' Villachaze " meeting him was a treat in itself" I did the article. After 6 month the film was released in New York. The best and only safe place to see it was, believe it or not, the Lyrick theatre of 42nd street. Now, not that Seizure was a masterpiece, but,in a time where horror films were almost non-existent this was a nice treat. The music, photography and editing were all top notch, as well as the entire cast, who all played their parts as over the top as humanly possible. Seizure was a high guilty low budget film, that to this day has gone nowhere. In the late 80's the film was released on video, but was soon pulled off the market mainly due to Oliver Stones objections. Too bad, with all of the high budget c.g.i. horror films out today, it would be nice to see a tale like Seizure, a low budget film that is packed with high quality acting and writing.

I'm not saying that drugs were involved in the making of Seizure, but I wouldn't be at all surprised, especially considering that director Oliver Stone is no stranger to class-A narcotics. The film definitely feels like the work of people on mind-altering substances, featuring as it does bizarre characters and a hallucinatory plot that blurs the line between dreams and reality with extremely baffling results.

The film sees writer Edmund Blackstone (Jonathan Frid) and his wife Nicole (Christina Pickles) welcoming a group of friends to their lakeside house for the weekend. There's brash businessman Charlie (Joseph Sirola) and his willowy unfaithful wife Mikki (Mary Woronov), womanising stud Mark (Troy Donohue), and philosophical oldster Serge (Roger De Koven) and his wife Eunice (Anne Meacham), all of whom are plunged into a night of terror when three demented strangers - The Queen (Martine Beswick), The Spider (Hervé Villechaize) and Jackal (Henry Judd Baker) - crash the party with murder on their minds.

The origins of the film's terrible trio is unclear: are they the escaped lunatics mentioned in a radio broadcast, or are they characters from Edmund's books, somehow come to life? What is clear is that they intend to kill all but one of their victims before the night is through.

This was Stone's first feature film, and as such isn't as assured as his later, more acclaimed work - it's undeniably rough around the edges in terms of photography and editing. There is, however, plenty of the director's visual excess in evidence, with wild camerawork and rapid cuts, and unrestrained performances, particularly from Beswick, Villechaize and Woronov (would we expect anything less from such a B-movie/exploitation legend?). While I wouldn't pretend to understand precisely what is going on for much of the time, there's enough of interest going on to make it a reasonably entertaining one-time watch.

Any film that sees the diminutive Villechaize breaking through a window and duffing up several full-sized adults is going to have some entertainment value, but this one also delivers fun in the form of Woronov in her panties engaged in a knife fight, the friends competing for their lives by racing around the house, a wiener dog hanging from a tree, and Serge positing interesting back-stories for each of the villains. Sure, none of it makes much sense, but it's certainly different and never boring (although the death scenes could have done with being more graphic - they feel rather restrained given the film's general wild nature).

5.5/10, rounded up to 6 for IMDb.