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La fièvre de Dieu

Titre original : Godspell: A Musical Based on the Gospel According to St. Matthew
  • 1973
  • G
  • 1h 43m
ÉVALUATION IMDb
6,6/10
3,9 k
MA NOTE
Victor Garber, Katie Hanley, David Haskell, Merrell Jackson, Joanne Jonas, Robin Lamont, Gilmer McCormick, Jeffrey Mylett, Jerry Sroka, and Lynne Thigpen in La fièvre de Dieu (1973)
Official Trailer
Liretrailer4 min 23 s
3 vidéos
74 photos
Pop MusicalComedyDramaMusical

Adaptation de la comédie musicale, dans une reconstitution moderne de chant et de danse de l'Évangile de Saint Matthieu.Adaptation de la comédie musicale, dans une reconstitution moderne de chant et de danse de l'Évangile de Saint Matthieu.Adaptation de la comédie musicale, dans une reconstitution moderne de chant et de danse de l'Évangile de Saint Matthieu.

  • Director
    • David Greene
  • Writers
    • David Greene
    • John-Michael Tebelak
  • Stars
    • Victor Garber
    • Lynne Thigpen
    • Katie Hanley
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,6/10
    3,9 k
    MA NOTE
    • Director
      • David Greene
    • Writers
      • David Greene
      • John-Michael Tebelak
    • Stars
      • Victor Garber
      • Lynne Thigpen
      • Katie Hanley
    • 107Commentaires d'utilisateurs
    • 19Commentaires de critiques
    • 65Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 nominations au total

    Vidéos3

    Godspell
    Trailer 4:23
    Godspell
    Godspell
    Clip 3:24
    Godspell
    Godspell
    Clip 3:24
    Godspell
    Godspell
    Featurette 5:07
    Godspell

    Photos74

    Voir l’affiche
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    Rôles principaux14

    Modifier
    Victor Garber
    Victor Garber
    • Jesus
    Lynne Thigpen
    Lynne Thigpen
    • Lynne
    Katie Hanley
    • Katie
    David Haskell
    • John…
    Merrell Jackson
    • Merrell
    Joanne Jonas
    Joanne Jonas
    • Joanne
    Robin Lamont
    • Robin
    Gilmer McCormick
    • Gilmer
    Jeffrey Mylett
    • Jeffrey
    Jerry Sroka
    Jerry Sroka
    • Jerry
    Daniel Levins
    • Ballet Rehearsal Dancer
    • (uncredited)
    Joe Madden
    • Homeless Man
    • (uncredited)
    Burt Richards
    • Garment Salesman
    • (uncredited)
    John-Michael Tebelak
    • Pharisee Monster
    • (voice)
    • (uncredited)
    • Director
      • David Greene
    • Writers
      • David Greene
      • John-Michael Tebelak
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs107

    6,63.9K
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    10

    Avis en vedette

    markjamestunstall

    Think the world of this movie.

    Can there be any better bit than when David Haskell (John the Baptist/Judas) is lying on a LI-LO in a paddling pool on the roof-top smoking a cigar, singing 'It's All For The Best'.

    This movie really makes me want to visit New York, but only in the Seventies. Did they close down areas of New York to film this, or did they do it at like 4am? David Haskell should have been a big big movie-star. Who was his agent?, that's a very talented man, the agent had gold dust in his hand.

    More movies should be made like this. Anyway here's to the whole gang, and David Haskell, thanks for everything.
    7LeonardKniffel

    Less Than Timeless, but a Glimpse at '60s Counterculture

    Even back in the 1970s, skepticism everywhere, the song "Day By Day" seemed like a genuine expression of reverence for the simple teachings of Jesus Christ, despite the obvious efforts in this film to make him a psychedelic hero. While the hippie costumes and clown make-up don't hold up very well today, the point of the movie is to deliver a view of Christ as the radical threat to the status quo that he was. This film was part of an effort to make us take a new look at the gospels (see "Jesus Christ Superstar" as well) and make them relevant to contemporary life while avoiding any mention of sex, drugs, and rock and roll. Overall, it may seem naïve and disingenuous now, but if you want a look at the anti-establishment, anti-materialism youth culture of the 1960s, this can't be beat. ---from Musicals on the Silver Screen, American Library Association, 2013
    scoobyg69

    Infectious, colorful, entertaining and emotional.

    Many people have difficulty accepting a film that dates itself by the first glance, (The hair, clothes, music, etc...), but once you accept it's generation, sit back and ENJOY! GODSPELL is a musical that works on delivering a powerful message while at the same time being entertaining and enjoyable without being "PREACHY." This movie is simple enough to attract children and still hold it's adults in this classy Sunday School lesson. This was the first movie I saw on a personal tv I got for Christmas as a child, and it made such an impact. As a teenager, I had the honor of being in the high school addaption of GODSPELL, and now, as an adult, I can sit back and enjoy it all over again with my 3 year old daughter, who LOVES this movie. The music is infectious, the costumes are colorful, and the parables are entertaining and faith-building. It's a shame that GODSPELL fell in the shadow of that OTHER hippy Jesus movie (not worth mentioning). This one is a STAND-OUT film, worthy of it's viewing, over, and over , and over again.
    stuie107

    Godspell great music great message!

    Godspell reminds us of a culture long gone, peace demonstrations, flower power, "big hair", bright colours, folk rock music, and loud expressive clothing. These are the props of choice the directors use to communicate the gospel message. The film itself is dated now but viewed in the context of early seventies culture it contains a powerful and relevant message that impacted on a searching audience.

    Godspell was conceived by John Michael Tebelak, who upon reading the gospels discovered joy, - "Joy! I found a great joy, a simplicity" However a visit to a church to experience this joy was totally disappointing, he knew at once what he must do.

    Tebelak brings his discovery alive by way of the gospel of Matthew; his set is central New York City, a place over flowing with people caught in the hustle and bustle of daily routine. Out of the crowds he separates his cast, setting them free from the mundane routines of daily inner city life. They come together at a fountain where they frolic in the water seemingly without any care for the routines they have left behind. John played by David Haskell baptises each one in turn, Jesus played by Victor Garber appears and he to is baptised, rising from the water complete with superman tee shirt symbolically marking him as "master". The cast then is set apart as the "masters" disciples as each receives the symbolic mark of Jesus with face paint. Together now, dressed in flamboyant opp shop clothing, vibrant colours, face paint and "big" hair they have developed a sense of community that stands out in this over sized set, they have become a band of disciples.

    The band proceeds through the empty city stopping at significant landmarks to play out messages from the gospel. These messages are focused on the teachings of Christ mainly through the parables, interestingly the disciples participate in the teaching, this gives a sense of inclusiveness that draws the audience into the message. Most of the critical points of the gospel are covered, such as Gethsemane, the last supper, the betrayal, and the crucifixion which at first seems a little bizarre but it also gives one a sense of participation and connectiveness, however the resurrection is left out. Their teaching is supported by the use of song and music, mime and dance, coupled with comedy; this blend achieves the joyful portrayal of the gospel that Tebelak desired.

    The portrayal of Jesus as a clown may have been offensive to some, however this reviewer found it to be refreshing, the clown communicates joy while communicating the seriousness of the gospel message. He reminds us that the gospel is a message of great joy and humility, love and peace, of triumph and victory. However in saying that there are some aspects that don't fit with our understanding, for instance the betrayal scene, Jesus kisses Judas. Then it does finish with a question hanging over it, that being, why no resurrection scene? Or maybe there was, perhaps the grand finale represents the risen Jesus, carried lifted high into the crowded streets, it gives a sense of inclusiveness, that somehow Jesus lives on in each one of us.

    A fun movie that you just have to participate with, and at the same time a serious message is communicated.
    8aztrshbyz

    Overdone and cheesy, but quite infectious and full of joy

    Let me start this review by saying that I'm not a Christian and I don't believe you have to be one to enjoy this movie. I first saw Godspell when it was released in the early '70's and have seen it many times since then.

    I was having a conversation with a friend recently (he is a pastor) and I told him that I've always felt this movie wasn't made solely for Christians. In the 70's, there were a lot of young people looking for meaning in their lives, and I firmly believe Godspell was partially an attempt to reach out to those folks.

    Many reviewers have had issues with the movie - John the Baptist and Judas are played by the same person, and while the crucifixion is addressed, the resurrection is not. Some have called it sacrilegious, others have found it offensive. However, if you were a young person in the 70's who was looking for some direction and wanted to find out about the basic teachings of Jesus Christ, what better way than to see a movie full of catchy pop songs and a cast of joyful young people being brought to him in (then) modern New York? Even if you were already a young Christian, you now had a way to celebrate the teachings of Christ with a style of music you were probably listening to anyway. I absolutely believe that this movie had a relatability that might have been missing in some of these people's lives. Bear in mind that the original stage version was written by a college student working on his masters.

    Yes, the movie is dated and silly and overacted and hammy in parts. There is a lot of skipping, singing, acting out of parables and dancing going on while most cast members are wearing clownish outfits. All of that being said, I have never seen such heartfelt joy while a message was being given - the cast looks like they are having the time of their lives. The mood does become quite somber and sad towards the end, but the movie ends on an upbeat note of hope.

    If I'm not mistaken, all of the cast members were unknown on the big screen when the movie was released. I think casting unknowns was a good move - I don't think it would have packed the same punch or had the same level of relatability if it had bigger names.

    I wanted to make a comment regarding the song "Beautiful City". I don't know what the original meaning was for sure, but my take away from it has always been that now that the cast has been taught, they can spread the word to others and help them build a strong foundation that isn't made of alabaster and chrome. Some have thought the song wasn't appropriate for the movie - I guess it all depends on your interpretation.

    So taken in the proper cultural perspective, Godspell is a powerful, uplifting and moving film about the basic teachings and crucifixion of Christ done '70s style. If you think you can get past the few discrepancies and the clownish clothing, it is worth a watch. And, again, you don't have to be a Christian to enjoy it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Victor Garber's movie debut.
    • Gaffes
      During the baptism scene on Bethesda Terrace, a man on Central Park Lake is visible in 3 separate shots, frantically trying to row his boat out of the scene.
    • Citations

      Jesus: Now, how can you take a speck of sawdust out of your brother's eye when all the time there's this great plank in your own?

      Judas: I don't know. How can you take a speck of sawdust out of your brother's eye when all the time there's this great plank in your own?

      Jesus: You hypocrite!

      Judas: [confused cry of alarm] Wha-ha?

      Jesus: First you take the plank out of your own eye so you can see clearly to take the speck of sawdust out of your brother's!

      Judas: Wait a minute! That's no answer to the question!

      Jesus: Did I promise you an answer to the question?

      Judas: Ah... No.

    • Générique farfelu
      The end credits include an infinity frames effect. A sixteen second film of a busy street is shown, and then the right and bottom of the frame is frozen in a sideways capital L. This then becomes the frame for the next iteration of the film, which in turn leaves its right and bottom edges as a frame for the next film. Over the frames and film are played thumbnails of the actors, then credit cards and finally a credit scroll.
    • Connexions
      Featured in Hollywood Rocks the Movies: The 1970s (2002)
    • Bandes originales
      By My Side
      Music and Lyrics by Peggy Gordon and Jay Hamburger

      Performed by Katie Hanley (uncredited) and Company (uncredited)

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    FAQ17

    • How long is Godspell?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 mai 1973 (United Kingdom)
    • Pays d’origine
      • United States
    • Site officiel
      • Sony Movie Channel (United States)
    • Langues
      • English
      • Hebrew
      • Spanish
    • Aussi connu sous le nom de
      • Godspell
    • Lieux de tournage
      • World Trade Center, Manhattan, Ville de New York, New York, États-Unis(All for the Best)
    • société de production
      • Columbia Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 300 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 43 minutes
    • Couleur
      • Color
    • Mixage
      • 4-Track Stereo

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    Victor Garber, Katie Hanley, David Haskell, Merrell Jackson, Joanne Jonas, Robin Lamont, Gilmer McCormick, Jeffrey Mylett, Jerry Sroka, and Lynne Thigpen in La fièvre de Dieu (1973)
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