The Castle of Cagliostro doesn't really conform to the usual expectations one might have of the great Miyazaki's work, particularly in light of his more personal and celebrated projects like Kiki's Delivery Service, Spirited Away and My Neighbour Totoro. However, that said, it is worth noting that the film will definitely appeal Miyazaki's die-hard fans who are interested in seeing how their master's unique visual style would develop from this, his first theatrical film, through to the films aforementioned. It is also an important document within the whole world of Manga/Anime, as it represents what some fans consider to be the definitive film adaptation of the long-running and highly celebrated Manga series Lupin III.
Although it is true that the film lacks the flair and the individual charm that Miyazaki would develop throughout his later work for his famed Studio Ghibli, we can certainly see his unique style and his intuitive approach to character developing through the high-risk escapades found here. The Lupin III series focuses on the suave gentleman thief Arsène Lupin (distilled from the character found in Maurice Leblanc's long running series of novels... hence the lineage), who gets himself into all manner of scrapes and adventures whilst trying to readjust the economical balance. The film gets off to a great start with Lupin and his gang making a getaway from a robbery just pulled on the national casino of Monaco. When the gang discover that the haul has left them with a fortune in counterfeit cash, they head for the small European duchy of Cagliostro to lay low and investigate. However, once there, Lupin and his chums inadvertently stumble across a national conspiracy going back hundreds of years, and find themselves having to rescue the beautiful Clarice from the hands of the evil Count de Cagliostro, whilst, in the process, trying to solve the mystery of a hidden treasure dating back to the 15th century!!!
Although the plot outline sounds a little confusing (it might just be my poor description!!), the film itself is a great adventure, with Miyazaki showing early signs of his firm grasp of action (it is often said that a certain Steven Spielberg once called Cagliostro the greatest action movie ever made!!), as well as offering many great moments of piercing high-tension. As always, the director is just as capable of creating great scenes of drama (and even some subtle moments of pathos) as he is at creating the more high-octane moments, whilst always ensuring that the characters are likable and totally believable in what they do.
The Castle of Cagliostro may seem a little out of place when viewed alongside the director's more iconic films, though that isn't to say that the film is without merit. Here Miyazaki shows his depth as a filmmaker, creating a rousing action adventure with great characters, some broad humour and a handful of memorable moments. It's probably not the best place to start for those new to Miyazaki's work (try Spirited Away or My Neighbour Totoro), but at the same time, it shows his development as a filmmaker, as well as offering a great story, and a more than welcome addition to the Lupin III canon.
