Garazh

"The Garage" is a film which you do not get tired to reconsider. It, as well as almost all Soviet comedies of that time, consists all of aphorisms of our cinema which are used till now by people in dialogue.

In my opinion, it undoubtedly one of the best comedy domestic films! "The Garage" is good such what it is: the brilliant actor's constellation, the interesting plot, the closed space. The director fairly and with humour says about a Soviet period, about people and things, that in any conditions is necessary to remain people, instead of the animals fighting for a place in the sun The director presents almost all types of human characters. Our country in which it is a lot of discrepancies: meetings of collectives in museums.

The decision of financial questions which our person does not postpone even in a wedding-day, after all private life — anything before public, and us not stopped even by children, grandsons.

The film not subject to time. Not losing the urgency on an extent here already many years. Classics of world cinema. Unfortunately, the given masterpiece is a little known in the West.

Excuse, for my bad English

Prove that the film Garage 1980 was banned, this is not true, by the way, it was shown after all, the premiere was on March 10, 1980. And the number of viewers in the USSR was 28,500,000 people and by the way, here is an example of a normal description of a film, you can shorten and change it, but at least it is not politicized and not ideological and not false like yours.

Description: "There is not a single adult in Russia who has not seen the film "Garage". And we still continue to watch it, although times have long changed, the word "garage cooperative" is covered in the dust of centuries, and the era of research institutes has sunk into oblivion. A satirical comedy about employees of a research institute who come to a meeting of a garage cooperative in the hope that it will take very little time. However, it turns out that the number of garage boxes has been reduced, and now people will have to choose those who will be left without a future garage of their own. The active resistance of the oppressed is understandable, but will there be those who will rise up against injustice? The meeting is clearly dragging on..."and by the way, here is an example of a normal description of a film, you can shorten and change it, but at least it is not politicized and not ideological and not false like yours.

A corporation-like cooperative, under the auspices of a research institute, is constructing car garages for its members, most of whom are research scientists at the institute. Suddenly, the government appropriates a portion of the construction site, so the cooperative cannot build as many garages as it planned -- which means that some members must go. The predictable happens -- the Board of Directors summarily expels the four weakest shareholders, who have no leverage in the institute's power structure.

Of course, the expelled kick and scream; of course, the rest of the members hurriedly grab their coats so as to leave as soon as possible the place of their shameful act. And then, an unexpected twist. One of the members -- who, incidentally, was not expelled -- raises her voice in protest of the Board action; when other shareholders refuse to heed her, she locks everyone in the conference room, hides the key, and vows not to let anyone out until the matter is resolved in an alternative way -- namely, by throwing dice. What results is a delightful mix of powerful social tensions, envy, resentment, gossip, herendous accusations of non-conformism, unabashed intimidation, veiled threats, and petty personal attacks -- all of which nearly erupts into violence when the Board and its supporters attempt to strip-search the dissident, believing the conference room key to be hidden on her body.

This situation is not unique to the Soviet reality. The movie shows the complex and treacherous balance of power in a small organization where high stakes are involved, as well as the weaknesses and pitfalls of corporate governance.

Even a person unacquainted with the Soviet wolrd, but familiar with the corporate culture and environment prone to cultivate the worst of human flaws, will appreciate this fine and subtle film.

This movie is one of the best by Riazanov. It's not appreciated as much as "Ironia Sudby", because of its strong satire, I believe many people from former Soviet Union can easily recognize themselves on either side of that usual conflict of interests. And as usual one side has an ultimate advantage, thus gets furiously attacked by other trying to level the disposition. Once being the theater show, the movie preserves the theatrical spirit, the scenes are long and the pace is moderate. Starring actors are usual for Riazanov's cast, all his favorites in: Oleg Miagkov, Lia Ahedzhakova, Gerogy Burkov are performing exceptionally well. As mentioned by previous reviewer, the subject is acceptable for any person familiar with corporate culture and the script is full of hilarious lines, soviet jokes of 70's, and even romance. Highly Recommended!