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L'amour en fuite

  • 1979
  • PG
  • 1h 34m
ÉVALUATION IMDb
7,0/10
7,9 k
MA NOTE
Dani and Jean-Pierre Léaud in L'amour en fuite (1979)
Regarder Bande-annonce [OV]
Liretrailer2 min 32 s
1 vidéo
90 photos
ComedyDramaRomance

Antoine Doinel a plus de trente ans et est divorcé. Il est relecteur et est amoureux de Sabine, vendeuse de disques. Colette, son amour de jeunesse, est maintenant avocate. Elle achète le pr... Tout lireAntoine Doinel a plus de trente ans et est divorcé. Il est relecteur et est amoureux de Sabine, vendeuse de disques. Colette, son amour de jeunesse, est maintenant avocate. Elle achète le premier roman autobiographique publié par Antoine.Antoine Doinel a plus de trente ans et est divorcé. Il est relecteur et est amoureux de Sabine, vendeuse de disques. Colette, son amour de jeunesse, est maintenant avocate. Elle achète le premier roman autobiographique publié par Antoine.

  • Director
    • François Truffaut
  • Writers
    • François Truffaut
    • Marie-France Pisier
    • Jean Aurel
  • Stars
    • Jean-Pierre Léaud
    • Claude Jade
    • Marie-France Pisier
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    7,9 k
    MA NOTE
    • Director
      • François Truffaut
    • Writers
      • François Truffaut
      • Marie-France Pisier
      • Jean Aurel
    • Stars
      • Jean-Pierre Léaud
      • Claude Jade
      • Marie-France Pisier
    • 28Commentaires d'utilisateurs
    • 47Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 1 nomination au total

    Vidéos1

    Bande-annonce [OV]
    Trailer 2:32
    Bande-annonce [OV]

    Photos90

    Voir l’affiche
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    + 83
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    Rôles principaux22

    Modifier
    Jean-Pierre Léaud
    Jean-Pierre Léaud
    • Antoine Doinel
    • (as Jean-Pierre Leaud)
    Claude Jade
    Claude Jade
    • Christine Doinel
    Marie-France Pisier
    Marie-France Pisier
    • Colette Tazzi
    Dani
    Dani
    • Liliane
    Dorothée
    Dorothée
    • Sabine Barnérias
    • (as Dorothee)
    Rosy Varte
    • Mère de Colette
    Marie Henriau
    • Juge Divorce
    Daniel Mesguich
    Daniel Mesguich
    • Xavier Barnérias, le libraire
    Julien Bertheau
    Julien Bertheau
    • Monsieur Lucien
    Jean-Pierre Ducos
    • Avocat de Christine
    Pierre Dios
    • Maître Renard
    Alain Ollivier
    • Juge Aix
    Julien Dubois
    • Alphonse Doinel
    Monique Dury
    • Madame Ida
    Emmanuel Clot
    • Emmanuel
    Christian Lentretien
    • Dragueur du train
    Roland Thénot
    • Téléphoniste en colère
    Alexandre Janssen
    • Un petit
    • Director
      • François Truffaut
    • Writers
      • François Truffaut
      • Marie-France Pisier
      • Jean Aurel
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs28

    7,07.8K
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    10

    Avis en vedette

    ThreeSadTigers

    A cut and paste soap opera; and a disappointing final to the saga of Antoine Doinel

    Love on the Run (1979), the closing chapter in François Truffaut's celebrated series of films focusing on the character of Antoine Doinel; a near-iconic figure in French cinema brought vividly to life by the always great Jean-Pierre Léaud. Here, the actors injects the part with his usual nervous charm and cocky likability, though it is clear that character of Antoine is , still as uncertain about life, love and fidelity as ever before. On a Structural level, the film is built around Antoine's divorce from his wife Christine - with the reappearance of Claude Jade from Stolen Kisses (1968) and Bed and Board (1970) - inter-cut with flashbacks to early escapades from Antoine's presented in the style of a clip show.

    This particular stylistic device does set up a sense of familiarity for new viewers, however; with such a slight plot, the flashbacks end up becoming the most interesting part of the movie, with what little new footage there is so repetitive that it feels like you're watching the same scene over and over again. In fact, the film is so hastily put together that it looks like Truffaut is desperate to get the series finished and out of the way, so that he can finally move on with the more progressive work that he was attempting with films like The Green Room (1979) and The Last Metro (1980).

    Still, the film can sometimes be charming and the actors are all on fine form, but the whole thing seems lacking somewhat; with the use of repeated imagery and scenes cut and pasted from the previous films making this feel too much like a retread rather than a radical re-interpretation. For me, the film just seems empty, deflated and somehow lacking the allure, beauty and sophistication that was always synonymous with Truffaut's work or at least the films of his that I am familiar with. For me, Love on the Run was something of a slight, disappointing and unimaginative film that failed to inspire me in the way I had initially hoped.
    7claudio_carvalho

    Recollections and Troubled Love Affairs

    Antoine Doinel (Jean-Pierre Léaud) is having a love affair with the vinyl seller Colette Tazzi (Marie-France Pisier). After five years of a troubled marriage with separations, Antoine and Christine Doinel (Claude Jade) have a private audience with the judge (Marie Henriau) and conclude an amicable divorce process. His former sweetheart and presently lawyer Colette Tazzi (Marie-France Pisier) sees Antoine leaving the court and she goes to a bookstore to buy his autobiographical novel that was published a couple of years ago. When Antoine goes with Alphonse (Julien Dubois) to the train station for the travel vacation of his son, he sees Colette in another train and he jumps from the platform to the train and travels with her. They recall their adolescent love and disclose their sentimental relationships; but when Colette tells how she raises money for her self-support, Antoine is disappointed and seeks out Sabine.

    "L'Amour en Fuite" is the conclusion of the sentimental saga of the character Antoine Doinel, the insecure alter ego of François Truffaut that began in "Les Quatre Cents Coups" and followed through "L'Amour à Vingt Ans", "Baisers Volés" and "Domicile Conjugal", inclusive with the use of scenes in the many flashbacks of these movies with his recollections and troubled love affairs. This character has an evolution from the needy fourteen years old boy rejected by his mother and his stepfather in the first movie. The lack of affection at home makes him a rebel, bad student, liar, reckless and a thief stealing objects and money at home in his adolescence. In the next movies, he grows-up, but with a fragile emotional structure and the viewer sees an unstable man incapable of having a steady relationship or commitment with the many beautiful women that he meets along his futile life. My vote is seven.

    Title (Brazil): "O Amor em Fuga" ("The Love on the Run")
    10Rodrigo_Amaro

    Antoine Doinel and his last journey

    This is Antoine Doinel's goodbye to all of us who followed his life and experiences through 20 years, from "The 400 Blows", "Antoine &t Colette", "Stolen Kisses" to "Bed & Board" and finally here in "Love on the Run"; from his problems at school to his life as a working man, married man, later divorced, reader, writer, lover, soldier, florist, private detective and more; in short a full life. Truffaut's alter ego (always played by the amazing Jean-Pierre Léaud) takes us through many moments of his life in the previous films while trying to correct few things in the present with his latest girl, Sabine (Dorothée).

    Here, all the women of Doinel's life appears together and now he has a chance to figure out why his relationships simply doesn't work. Recently divorced of Christine (Claude Jade), and involved with no good terms with Sabine, Doinel meets again Colette (Marie-France Pisier), his first love and they share some secrets, remember some moments when they two met for the first time, and both characters discover more things about each other, about life and about love.

    At the trivia section is mentioned that Truffaut thought about making a huge mistake while filming this sequel, and I think he shouldn't be ashamed of it. It isn't much of a film since half of it it's flashbacks taken from all of Doinel's films plus a few moments of "Le Nuit Americaine" included as an interesting subplot of Doinel's romantic affairs (even though he plays a different character in that film). Compared to the other movies of the series this is less comical, a little bit too serious and it's more focused on how the kid that seems to never grow finally realizes what love really is than his amusing and funny life experiences as a working man.

    But seeing all the flashbacks, those memorable moments covering 20 years of a person is breathtaking, refreshing, unique in all motion picture history. We can look back and see how much Antoine/Léaud changed through these years and some of us practically saw him growing up and I bet Truffaut must have loved this experience, seeing someone he could relate with and share some of his own experiences and see them portrayed on screen. One of the most touching moments of "Love on the Run" is the reunion between Doinel and the lover of his mother, whom he haven't seen in years, and the way they talk about the past, we see scenes from "The 400 Blows" when Doinel was a kid and saw him with his mother, and he hated the guy for it, then few years later they are happy to see each other, a bond between Doinel's troubled life and his life while a grown up man.

    Most of the reviews on this classic are very superficial here. "Love on the Run" is a memorable, delightful and magic experience through great moments of one of the most interesting, inspiring and charming characters of all time, and this is his goodbye to us, always striving, always fighting, always believing in something and always managing to get what he wants even though we as audience might think he'll be lost forever. Doinel echoes a part of us that never should die: our youth. 10/10
    7Xstal

    Run Out of Love...

    The spontaneous character Antoine Doinel, continues his journey through his show and tell, divorced from Christine, shacked up with Sabine, pursues long past fancies, but things don't quite gel.

    We continue to observe the trials and tribulations that life presents to the often frustrated Antoine, with multiple flashbacks to previous presentations forming a significant part of the piece, you really need to be a fan of the series in order to appreciate the journey, the saga, the voyage, of the boy become man but still a boy. There's a good chance you can pick out numerous events that may align with your own passage, or from someone you know, which may escalate your appreciation. While an enjoyable piece, it does seem to have run its course, and left with more of a whimper than a whoop.
    Mikew3001

    A rather unsatisfying end of the Doinel cycle

    This is the fifth and last part of Francois Truffauts Antoine Doinel cycle, a biographical movie series about the growing up of a romantic Parisian, played by Jean Pierre Leaud all the time, and all his struggles with love and life which was produced over a period of 20 years.

    This last part from 1978 shows us Doinel doing what he's also doing in the previous four parts - falling in love with numerous women, trying to keep up relationships, looking for love, flirting etc. While the first part from 1959 showed us Doinel's childhood in a poor family with a hard and beating father and his longing for respect and love, the following parts are less interesting in my opinion.

    The final chapter is rather superfluous, with jokes falling flat, no real script, no suspense or a really interesting story line, and the actors are just running around most of the time. If you have watched the previous Doinel films it might be interesting to see this sequel (which is not really an end), but I suggest you to watch the first Doinel movie "Les 400 coups" ("The 400 Blows") instead, or Truffauts "L'homme qui l'amait les femmes" ("The Man Who Loved Women"), a far more interesting study on love, obsession and fetishism.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The flashback of Liliane and Antoine arguing is, in fact, a clip from La nuit américaine (1973), in which both also played lovers despite the film not being part of Antoine Doinel saga.
    • Gaffes
      According to her grave, Antoine Doinel's Mother, Gilberte, died in 1971. According to the conversation Antoine has with her ex-lover five minutes before, she died in 1968 (while Antoine was in the army, in the beginning of "Baisers Volés").
    • Citations

      [English subtitled version]

      Antoine Doinel: [to Alphonse as he is about to head off to music camp] If you practice hard, you'll be a great musician.

      Alphonse Doinel: What if I don't?

      Antoine Doinel: If you don't, you'll wind up a music critic.

    • Générique farfelu
      During the opening credits, when the "Screenplay" ("Scenario de") credit appears on the screen, in the background a faded white "X" appears for a frame; also, there is a clapper on the left-hand side of the screen (for several seconds) before being pulled off screen.
    • Connexions
      Featured in Sneak Previews: A Little Romance, Love on the Run, Dawn of the Dead, Manhattan, Hanover Street, Firepower, Cannibal Girls (1979)
    • Bandes originales
      L'Amour en Fuite
      Music by Laurent Voulzy

      Lyrics by Alain Souchon

      Performed by Alain Souchon

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    FAQ

    • How long is Love on the Run?
      Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 janvier 1979 (France)
    • Pays d’origine
      • France
    • Langue
      • French
    • Aussi connu sous le nom de
      • Love on the Run
    • Lieux de tournage
      • Rue des Anglais, Paris 5, Paris, France(record shop)
    • société de production
      • Les Films du Carrosse
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 509 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 11 206 $ US
      • 25 avr. 1999
    • Brut – à l'échelle mondiale
      • 509 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 34 minutes
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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