ÉVALUATION IMDb
6,4/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueEuropean chefs are being killed in the same ways that their special dishes are prepared. Pastry chef Natasha O'Brien is suspected, as is her ex-husband Robby Ross, a fast-food franchiser loo... Tout lireEuropean chefs are being killed in the same ways that their special dishes are prepared. Pastry chef Natasha O'Brien is suspected, as is her ex-husband Robby Ross, a fast-food franchiser looking for chefs to endorse his omelet shops.European chefs are being killed in the same ways that their special dishes are prepared. Pastry chef Natasha O'Brien is suspected, as is her ex-husband Robby Ross, a fast-food franchiser looking for chefs to endorse his omelet shops.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 4 nominations au total
Gigi Proietti
- Ravello
- (as Luigi Proietti)
Avis en vedette
I dimly remembered this culinary comedy from the late 70s without
much affection, until a friend decided to bring along a video to be
shown after a Thanksgiving dinner last year. It's a great idea. Stuff
yourself and then take a movie break before dessert. Nothing too
heavy--preferably something light and frothy. I'm glad we did. This
is an adorable movie, and I don't know why it didn't strike me that
way the first time around.
Maybe it was the horrible and dated costumes designed for
Jacqueline Bissett. How does one take one of the most beautiful
women in the world, and tart her up in the most ridiculous
fur/leather thingies. She looks like a cheap Vegas dancer here.
George Segal doesn't escape either, wearing jeans looking like he
was poured into them and cowboy hats, he looks like the sweet
Jewish boy he is, playing in Daddy's clothing.
The heart of the movie is the wonderful Robert Morely, who plays a
gleefully glutinous gourmand and food editor who between bites
insults just about anyone coming towards him. Only Jacqueline
Bissett manages to escape his wrathful tongue. I'm not
complaining. Morely is a total delight as the misanthropic
epicurian monster.
The mystery isn't much of a mystery, and the chemistry between
Bissett and Segal doesn't appear to be setting off many sparks.
But you can waste your time on far worse things than this modest
delight, filmed all over Europe. The food looks great, and oh that
nasty Morely!
much affection, until a friend decided to bring along a video to be
shown after a Thanksgiving dinner last year. It's a great idea. Stuff
yourself and then take a movie break before dessert. Nothing too
heavy--preferably something light and frothy. I'm glad we did. This
is an adorable movie, and I don't know why it didn't strike me that
way the first time around.
Maybe it was the horrible and dated costumes designed for
Jacqueline Bissett. How does one take one of the most beautiful
women in the world, and tart her up in the most ridiculous
fur/leather thingies. She looks like a cheap Vegas dancer here.
George Segal doesn't escape either, wearing jeans looking like he
was poured into them and cowboy hats, he looks like the sweet
Jewish boy he is, playing in Daddy's clothing.
The heart of the movie is the wonderful Robert Morely, who plays a
gleefully glutinous gourmand and food editor who between bites
insults just about anyone coming towards him. Only Jacqueline
Bissett manages to escape his wrathful tongue. I'm not
complaining. Morely is a total delight as the misanthropic
epicurian monster.
The mystery isn't much of a mystery, and the chemistry between
Bissett and Segal doesn't appear to be setting off many sparks.
But you can waste your time on far worse things than this modest
delight, filmed all over Europe. The food looks great, and oh that
nasty Morely!
The mystery is the thing.
Some of the greatest Chef's of England and the Continent are being murdered all around and no one knows why. But everyone certainly knows how for all of them, whoops, wont tell more don't want to spoil any second of this movie. But yep this is a real serious murder mystery alright! The fun is in the timing, these are some of the best actors of the times. Finest of their times to be honest.
Whether handsome, beautiful or ugly, that is immaterial. They are all consummate actors, ACTING and creating the characters we either grow to love, hate, loath or find funny as hell. BUT no matter how we react to them, they do what great actors do, they make the viewers really believe in them.
The comedy and the black humor are a mix of Keystone Cops and Burns and Alan craziness. Take it for the fun it is and enjoy the movie with friends. A party is in order for this one, good wine, cheeses, fancy deserts and a little sinister fun.
Some of the greatest Chef's of England and the Continent are being murdered all around and no one knows why. But everyone certainly knows how for all of them, whoops, wont tell more don't want to spoil any second of this movie. But yep this is a real serious murder mystery alright! The fun is in the timing, these are some of the best actors of the times. Finest of their times to be honest.
Whether handsome, beautiful or ugly, that is immaterial. They are all consummate actors, ACTING and creating the characters we either grow to love, hate, loath or find funny as hell. BUT no matter how we react to them, they do what great actors do, they make the viewers really believe in them.
The comedy and the black humor are a mix of Keystone Cops and Burns and Alan craziness. Take it for the fun it is and enjoy the movie with friends. A party is in order for this one, good wine, cheeses, fancy deserts and a little sinister fun.
A witty script and great performances help turn Who Is Killing the Great Chefs of Europe? into a very satisfying meal. There are moments when the back and forth dialogue between the characters resembles something out of Neil Simon's wheelhouse and Robert Morley, especially, makes great use of this delicious dialogue.
The plot revolves around a competitive ex-husband and wife (George Segal and Jacqueline Bisset) who become the focus of a murder mystery when someone, as the title suggests, is killing all the great chefs in Europe. Since Bisset is considered one of them, it's only a matter of time before the killer gets to her as well.
It might not sound like the makings of comedy gold, but it hits more than it misses, especially towards the end when tons of European chefs come out of the woodwork, certain that they'll be the next victim due to their own egos.
The plot revolves around a competitive ex-husband and wife (George Segal and Jacqueline Bisset) who become the focus of a murder mystery when someone, as the title suggests, is killing all the great chefs in Europe. Since Bisset is considered one of them, it's only a matter of time before the killer gets to her as well.
It might not sound like the makings of comedy gold, but it hits more than it misses, especially towards the end when tons of European chefs come out of the woodwork, certain that they'll be the next victim due to their own egos.
I once had a friend argue that a mystery was only good the first time, but a comedy was always funny. While I don't completely agree with this line of thinking-Rene Clair's And Then There Were None, being one of my favorite films that I have returned to many times-I do see the logic in the argument. Fortunately, screenwriter Peter Stone and director Ted Kotcheff apparently felt the same way when adapting Nan and Ivan Lyons novel, Someone Is Killing the Great Chefs of Europe, for the screen.
While the mystery angle is played up more in the film than the source novel-where the killer's identity is revealed before the halfway point in the book-it really isn't central to the proceedings, and is mostly there to move the narrative forward by giving the characters someplace to be and something to do. And that is really the strength of this film: the characters. As almost every reviewer has, rightly, pointed out, Robert Morley's Max Vandeveer dominates the film with his acid quips and unapologetic pomposity, but the rest of the supporting cast do not let the production down, delightfully playing up the eccentricities of the inhabitants of the world of haute cuisine. Neither do our two stars, George Segal and Jacqueline Bisset, though the demands of their roles don't really call upon them to stretch much outside of their comfort zones.
Interestingly, director Kotcheff ha sited the screwball comedies of the 1930's as inspiration, specifically name checking Howard Hawks' classic Bringing Up Baby. I would venture that Who is Killing the Great Chefs of Europe? Has much more in common with a later Hawks film, the brilliant His Girl Friday. The character of Segal's Robert Ross is very much akin to Cary Grant's Walter Burns and like Rosalind Russell's Hildy Johnson, Bisset's Natasha O'Brien finds herself being drawn back into the orbit of her somewhat conniving ex-husband, despite herself.
While not likely to have anyone rolling in the aisles, Who is Killing the Great Chefs of Europe? Has wit in abundance, and is a film that can easily, and frequently, bring a smile to the face, and be pulled off the shelf for a rewatching without fear that the proceedings will have gone stale.
As a side note, after years of living with the dull and unremarkable presentation of the more than decade old Warner Archive DVD-R, I was very excited by the film's recent-and much overdue-release on Blu-Ray by Bavaria Media. I am pleased to report that this new version is brighter, cleaner, sharper and altogether a more pleasing viewing experience than the Warner's. Much of the film was shot at the Bavaria Studios in Munich, and I assume that accounts for Bavaria Media's restored HD release. Oddly, as given the source one would have expected this to come out in European Region B, this Blu-Ray release appears exclusive to Japan. The good news is, for those interested, the Japan BD disc is Region A coded, and available from a number of online sources, including Amazon.jp.
While the mystery angle is played up more in the film than the source novel-where the killer's identity is revealed before the halfway point in the book-it really isn't central to the proceedings, and is mostly there to move the narrative forward by giving the characters someplace to be and something to do. And that is really the strength of this film: the characters. As almost every reviewer has, rightly, pointed out, Robert Morley's Max Vandeveer dominates the film with his acid quips and unapologetic pomposity, but the rest of the supporting cast do not let the production down, delightfully playing up the eccentricities of the inhabitants of the world of haute cuisine. Neither do our two stars, George Segal and Jacqueline Bisset, though the demands of their roles don't really call upon them to stretch much outside of their comfort zones.
Interestingly, director Kotcheff ha sited the screwball comedies of the 1930's as inspiration, specifically name checking Howard Hawks' classic Bringing Up Baby. I would venture that Who is Killing the Great Chefs of Europe? Has much more in common with a later Hawks film, the brilliant His Girl Friday. The character of Segal's Robert Ross is very much akin to Cary Grant's Walter Burns and like Rosalind Russell's Hildy Johnson, Bisset's Natasha O'Brien finds herself being drawn back into the orbit of her somewhat conniving ex-husband, despite herself.
While not likely to have anyone rolling in the aisles, Who is Killing the Great Chefs of Europe? Has wit in abundance, and is a film that can easily, and frequently, bring a smile to the face, and be pulled off the shelf for a rewatching without fear that the proceedings will have gone stale.
As a side note, after years of living with the dull and unremarkable presentation of the more than decade old Warner Archive DVD-R, I was very excited by the film's recent-and much overdue-release on Blu-Ray by Bavaria Media. I am pleased to report that this new version is brighter, cleaner, sharper and altogether a more pleasing viewing experience than the Warner's. Much of the film was shot at the Bavaria Studios in Munich, and I assume that accounts for Bavaria Media's restored HD release. Oddly, as given the source one would have expected this to come out in European Region B, this Blu-Ray release appears exclusive to Japan. The good news is, for those interested, the Japan BD disc is Region A coded, and available from a number of online sources, including Amazon.jp.
This is one of those rare comedies that doesn't become dated and stale over time. The European air of this film keeps the pacing smooth and interesting and fortunately George Segal doesn't try to take over the picture. Robert Morley is fantastic in a tour de force performance as the world's largest and greatest food snob-a total snot who lives very moment filled with food, dry wit and sarcasm. The food looks great and one should definitely have snacks handy when indulging in this fine film. As for the whodunit? When the killer was finally revealed I had guessed wrong and enjoyed every moment. I should note that this fine comedy can often be difficult to locate for viewing in the USA and I have never seen a sharp DVD print -- still this film will make you smile and laugh and is well worth seeking out.
Le saviez-vous
- AnecdotesThe original novel revealed the murderer at the very beginning; the film opted to reveal it at the end. In addition, the film's killer in the film was not the same one as the novel.
- GaffesIn the final scene, the character of Robert Morley enumerates the three chefs that have been killed, saying "Kohner, Grandvilliers, Moulineau...", but the second chef murdered in the movie is the Italian Fausto Zoppi, not Grandvilliers, who had attempted suicide and survived. He should have said instead: "Kohner, Zoppi, Moulineau...".
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Who Is Killing the Great Chefs of Europe??Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Ko ubija velike kuhare Evrope
- Lieux de tournage
- 100 Park Lane, Mayfair, Westminster, Greater London, Angleterre, Royaume-Uni(Max's journal office)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $ US (estimation)
- Durée1 heure 52 minutes
- Mixage
- Rapport de forme
- 1.78 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Who Is Killing the Great Chefs of Europe? (1978) officially released in India in English?
Répondre