ÉVALUATION IMDb
5,2/10
5,3 k
MA NOTE
Ajouter une intrigue dans votre langueA ski-masked maniac kills apartment complex tenants with the contents of a toolbox.A ski-masked maniac kills apartment complex tenants with the contents of a toolbox.A ski-masked maniac kills apartment complex tenants with the contents of a toolbox.
Kelly Nichols
- Dee Ann
- (as Marianne Walter)
Avis en vedette
I heard about this film at the start of last year and instantly became deeply intrigued by it. I was overjoyed to see it finally released on the 'VIPCO' video label (here in the UK) but, alas, this all seemed to be in vain. I guess overall it was somewhat of a bathos and failed to rouse any serious interest in me whatsoever. The acting was, at the best of times, marginal and the plot...let's say it wasn't exactly ground-breaking: At the same time though I doubt that director Dennis Donnelly (who has also worked on episodes of 'Dallas' and 'Airwolf'...if I recall from my childhood) was attempting to change the world with the tale of a deranged Ski-mask wearing killer wielding, amongst other items, nail guns and chisels. The killings portrayed are rather nasty and bloody but, as I am now aware, are slightly cut here in the UK. I doubt (sincerely) that if they were shown in their entirety it would have made any valuable difference.
Perhaps what I found most disturbing about the film itself was the general visual aspect ( - vague I find you asking yourselves). The film looks very much dated now, which for some may not be a problem but it tended to make me feel decidedly 'sickly'. By this I mean that it just reminds me far too much of photos from my childhood *shudders*...with its ghastly floral interiors and fashion sense. I guess this is just a reflection of my own personal dislike towards nostalgia and is no serious reason to comment negatively on the film.
To conclude, 'The Toolbox Murders' is a tedious and poor (sorry to be harsh) horror flick at best. At times it appears to imitate Tobe Hoopers classic 'The Texas Chainsaw Massacre' in the sense that the film was, allegedly, based on 'real' events. It also follows a fairly congruous and typical narrative: a series of murders followed by an abduction and, inevitably, torture...only to have the attractive protagonist narrowly escape death. The fact that 'The Toolbox Murders' focuses on the notion of the 'family-gone-wrong', a la 'The Texas Chainsaw Massacre', or Pete Walkers 'Frightmare', for example, only seems to strengthen this argument more. The main problem: it falls flat on its face in trying to do so. I consider myself to be a die-hard horror film aficionado but this was just unfulfilling; certainly not to be mistaken as a 'cult classic'.
Perhaps what I found most disturbing about the film itself was the general visual aspect ( - vague I find you asking yourselves). The film looks very much dated now, which for some may not be a problem but it tended to make me feel decidedly 'sickly'. By this I mean that it just reminds me far too much of photos from my childhood *shudders*...with its ghastly floral interiors and fashion sense. I guess this is just a reflection of my own personal dislike towards nostalgia and is no serious reason to comment negatively on the film.
To conclude, 'The Toolbox Murders' is a tedious and poor (sorry to be harsh) horror flick at best. At times it appears to imitate Tobe Hoopers classic 'The Texas Chainsaw Massacre' in the sense that the film was, allegedly, based on 'real' events. It also follows a fairly congruous and typical narrative: a series of murders followed by an abduction and, inevitably, torture...only to have the attractive protagonist narrowly escape death. The fact that 'The Toolbox Murders' focuses on the notion of the 'family-gone-wrong', a la 'The Texas Chainsaw Massacre', or Pete Walkers 'Frightmare', for example, only seems to strengthen this argument more. The main problem: it falls flat on its face in trying to do so. I consider myself to be a die-hard horror film aficionado but this was just unfulfilling; certainly not to be mistaken as a 'cult classic'.
I never thought an actor from a campy Saturday morning kids show (Land of the Lost) could find a project even worse, but here we are! I saw this movie at the drive-in back in 1978. Bad acting? Yes! Bad script? Yes Bad lighting and sound? Yes. Horror? A little bit thanks to an item we all have in our homes, a toolbox. Cheap, expliotive trash like this can be enjoyed on a certain level if you check your brain at the door. I think everyone involved in this movie had a late payment on their new car pending or were dire need of some quick cash. Wesley Eure mutters the funniest line in the whole movie! After examining blood stains around an apartment in a rather inquisitive manner he finds a vibrator and picks it up and says "disgusting"! Blood and brains on the wall is okay but I guess a sex toy was just too much for his delicate psyche. Speaking of which the scene in which the victim uses her toy in the bathtub was quite erotic for a 1970's film. Cute, perky Pamelyn Ferdin was attempting to break into adult roles after years of playing kids roles but she should have held out for a better part or at least a more memorable one. Her character gets kidnapped and spends most of the movie gagged, I guess she did get an early copy of the script! After viewing this movie again the 90's I wanted to go to my toolbox and beat myself over the head with my rubber mallet.
"The Toolbox Murders" is a late-'70s slasher flick that I watched some years ago and could remember nothing about. That's probably not a good sign.
I will say one thing for it: it's sleazier than most. Three girls disrobe in the opening twenty minutes. The last one gets fully naked and stays that way for a decent stretch. We also watch her masturbate in a bathtub.
The killer has a pretty lame mask. Hell, Michael Myers' was just a painted William Shatner mask they got at a joke shop, and it became iconic. The one in this movie is just a woollen ski mask.
The movie does have a decent gimmick, though, which is alluded to in the title. Yes, the killer uses a toolset to dispatch his victims, first a claw hammer, then a nailgun - which is used much more convincingly than the one in "The Nailgun Massacre", even if they forgot to tell the actress playing the victim to look scared while he uses it.
But get this: for the third victim, the killer just smothers her with his hands! Was the toolbox too heavy or something?
The protagonist seems to be a guy who looks like a third-rate Luke Skywalker clone whose 15-year-old sister is kidnapped, presumably by the killer. He doesn't appear too worried. He teams up with a guy who looks a bit like John Stamos, but less charismatic. They decide to do some snooping of their own to find the kidnapped girl, and discover a vibrator in the masturbating woman's house, as if to underline what a sex freak she was (?).
The movie then makes the regrettable decision of revealing the killer's identity to us. Some slasher movies do this, granted, but here it seemed unnecessary. We get a long, boring scene with the unmasked killer and the kidnapped girl.
He seems to talk about the masturbating woman from before. Apparently he's some kind of religious crazy who wants to punish women for doing "unnatural" things, like masturbating. How did he even know she did that?
And if the movie is just going to show us the killer's identity, what was the point of the mask, which certainly wouldn't have helped his homicidal efforts? The only people who see him get killed. Anyone else would have been immediately suspicious seeing a man with a mask running around. If not for that, probably nobody would have even noticed him.
There's also a "twist" at the end which is so out-of-nowhere that you just feel cheated. A "good" character turns evil. Why? They don't even bother giving you a shot of him making the revelation of what's supposed to be the turning point. And what a turnaround. It just feels stupid and tacked on.
Then there's a laughable text-edit ending that tells you the movie was based on a true story and what happened to the characters in real life or some such garbage. Sometimes when a movie is supposed to be "based on a true story" I actually look it up to see if that's really the case. This time, I don't think I'll bother.
I will say one thing for it: it's sleazier than most. Three girls disrobe in the opening twenty minutes. The last one gets fully naked and stays that way for a decent stretch. We also watch her masturbate in a bathtub.
The killer has a pretty lame mask. Hell, Michael Myers' was just a painted William Shatner mask they got at a joke shop, and it became iconic. The one in this movie is just a woollen ski mask.
The movie does have a decent gimmick, though, which is alluded to in the title. Yes, the killer uses a toolset to dispatch his victims, first a claw hammer, then a nailgun - which is used much more convincingly than the one in "The Nailgun Massacre", even if they forgot to tell the actress playing the victim to look scared while he uses it.
But get this: for the third victim, the killer just smothers her with his hands! Was the toolbox too heavy or something?
The protagonist seems to be a guy who looks like a third-rate Luke Skywalker clone whose 15-year-old sister is kidnapped, presumably by the killer. He doesn't appear too worried. He teams up with a guy who looks a bit like John Stamos, but less charismatic. They decide to do some snooping of their own to find the kidnapped girl, and discover a vibrator in the masturbating woman's house, as if to underline what a sex freak she was (?).
The movie then makes the regrettable decision of revealing the killer's identity to us. Some slasher movies do this, granted, but here it seemed unnecessary. We get a long, boring scene with the unmasked killer and the kidnapped girl.
He seems to talk about the masturbating woman from before. Apparently he's some kind of religious crazy who wants to punish women for doing "unnatural" things, like masturbating. How did he even know she did that?
And if the movie is just going to show us the killer's identity, what was the point of the mask, which certainly wouldn't have helped his homicidal efforts? The only people who see him get killed. Anyone else would have been immediately suspicious seeing a man with a mask running around. If not for that, probably nobody would have even noticed him.
There's also a "twist" at the end which is so out-of-nowhere that you just feel cheated. A "good" character turns evil. Why? They don't even bother giving you a shot of him making the revelation of what's supposed to be the turning point. And what a turnaround. It just feels stupid and tacked on.
Then there's a laughable text-edit ending that tells you the movie was based on a true story and what happened to the characters in real life or some such garbage. Sometimes when a movie is supposed to be "based on a true story" I actually look it up to see if that's really the case. This time, I don't think I'll bother.
"Banned since 1982" screams the video box. After sitting through an hour and a half of this crud you'll be lining up to have it banned for another twenty years. Not because it's controversial, too violent, or objectionable in any way (except perhaps aesthetically), but simply to save your fellow movie watchers from having to experience this incoherent, pointless mess. And it is a MESS. Badly written, directed and acted, with no redeeming features. And I LIKE horror folks.
The first 20 minutes or so features a series of murders of young women by various items from a toolbox - drill, hammer, nail gun,etc. (why a toolbox you ask? Good question...). The victims are all attractive and seem to share a taste for MOR country music. The killer wears a ski mask and sometimes hums to himself. (Maybe he's a country purist and is offended by their lack of Hank Williams?)
Anyway, after that the movie rapidly gets duller and duller, a girl gets kidnapped, some inept cops investigate the murders and are baffled, even though you'll pick the killer as soon as you see him. B-grade legend Cameron Mitchell hams it up sucking a lollipop and singing spirituals, and the faceless supporting cast are as bad as the stinker of a script. If you haven't seen 'The Toolbox Murders' well, you haven't missed anything much. Not even bad enough to be funny.
The first 20 minutes or so features a series of murders of young women by various items from a toolbox - drill, hammer, nail gun,etc. (why a toolbox you ask? Good question...). The victims are all attractive and seem to share a taste for MOR country music. The killer wears a ski mask and sometimes hums to himself. (Maybe he's a country purist and is offended by their lack of Hank Williams?)
Anyway, after that the movie rapidly gets duller and duller, a girl gets kidnapped, some inept cops investigate the murders and are baffled, even though you'll pick the killer as soon as you see him. B-grade legend Cameron Mitchell hams it up sucking a lollipop and singing spirituals, and the faceless supporting cast are as bad as the stinker of a script. If you haven't seen 'The Toolbox Murders' well, you haven't missed anything much. Not even bad enough to be funny.
Which tool will he use next and how?
Not in the toolbox, a vibrator used in a highly erotic scene
Fun.
Not in the toolbox, a vibrator used in a highly erotic scene
Fun.
Le saviez-vous
- AnecdotesKelly Nichols got the role of Dee Ann after the first two actresses backed out because they didn't want to do the total nudity. She had no problem being nude on screen because she had spent years as a nude model. This was her first of only two mainstream movie roles. The year after the film was released she was selected Penthouse Pet of the Month in May 1979 and then began a career of making hardcore adult films.
- GaffesWhen Vance carries the presumably unconscious or dead Debra, she clearly grips his arm or shoulder to keep herself from sliding to the floor when she is laid down.
- Citations
Joey Ballard: I'll be home for dinner. What are you fixin'?
Laurie Ballard: Ah! La specialty of the house; chicken à la TV dinners.
- Autres versionsThe version televised on the UK's Zone Horror channel in 2007 was complete and uncut.
- ConnexionsFeatured in Studio S: Vem behöver video (1980)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Maniac Drill
- Lieux de tournage
- 6633 Fallbrook Avenue West Hills, Californie, États-Unis(Shopping mall parking lot in the final shot)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 185 000 $ US (estimation)
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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