The Last Waltz

You don't have to be a die-hard fan of The Band to appreciate this concert film. Martin Scorsese turns this farewell performance into a lasting tribute to one of the greatest bands of all time, and to many of their contemporaries as well. The guest performer list for this show reads like a veritable who's who of Rock and Roll history, with performances by Van Morrison, Joni Mitchell, Bob Dylan and Eric Clapton, to name but a few. Even if you weren't born yet, or were too young to remember these artists in their heyday, this film will educate you as to what all the fuss was about. And believe me, the fuss was well deserved.

This movie was only a name to me until I saw it last year. Immediately, I was riveted by everything about it. I've always been a casual fan of The Band, and of Levon Helm in particular. However, I'd never been bowled over by Bob Dylan, except as a songwriter, so much of The Band's work remained unknown to me as well. I wouldn't say I've become a rabid fan, but I am much more interested in their work, now.

It's a Scorsese film--how could it not be beautifully photographed, but Scorsese managed a difficult feat: he keeps himself out of the movie, except as interviewer during those sequences. This is not really Scorese's vision of a rock concert. It happened mostly organically, certainly with mistakes, gaffes and grit. This is part of its charm.

There are better singers than the guys in The Band, but few better musicians. This can be illustrated with Robbie Robertson in the Clapton song: Clapton's guitar strap comes off and Robertson, with one beat, picks right up on the solo. It looked planned, but wasn't. Joni Mitchell was notoriously hard to back up, due to her original guitar tuning, and ragged song phrasing, but bassist Rick Danko fills in every space with intricate bass figuring.

Perhaps we have become too accustomed to the overwrought, over-hyped, overproduced, overexposed, shiny gack that passes for popular music to appreciate the raw, the imperfect, the sheer humanness of this music. Scorsese shows it all. The guys in The Band were largely worn out and sometimes strung out in the interviews. They are tired, scrawny, empty-eyed from the excesses of the road. Rick Danko is hovering on the ragged edge, as his band is dissolved, and he says his goal is to "keep busy." Richard Manuel looks lost as he says "I just want to break even." These are two musicians who desperately needed the music, but who were murdered by the road. We see their bleak destinies in their eyes in this film.

It is bittersweet certainly, but also a moment in time, crystallized into something great by the music, the love of friends, the willingness of the director to simply stand back and allow the music to happen. It also reminds us what good music used to sound like and makes me wish could exist again.

I have heard a few songs by The Band, but I am certainly not a fan, so it would seem that "The Last Waltz" would be a hard-sell to me but it was not. First, I found I enjoyed most of the music throughout the film--especially since I like rock 'n blues (and there is a strong blues/rock as well as country rhythm to the songs). How can you complain when you get to hear the likes of Muddy Waters, Dr. John, Eric Clapton and many, many others performing with The Band. Second, and much more importantly, I was very, very impressed with the quality of the film work. This was NOT a typical concert film where they simply stick up a camera and record the performances. To know more about this, watch the DVD extra for "The Last Waltz"--"Revisiting The Last Waltz". In this documentary, Robbie Robertson (from The Band) and Martin Scorsese talk about how they made the film--and it was really impressive. Instead of just stationing guys with cameras, EVERYTHING was meticulously planned and the camera angles and techniques show it. In addition to the live concert footage (which is the best I've seen), you have a few numbers that were done very well in the studio as well as interesting interviews. All in all, it's the total package--a very impressive and exceptionally well made film. While the music might not be to your liking, you can't help but admire excellent film making.

Forget "Woodstock". Forget "Gimme Shelter". "Let It Be'? Forget that too. This is, truly, THE greatest rock and roll film ever made. Why? Well, try for a moment to forget that the actual performance itself features the great artists it does (including The Band) and focus on the film itself.

This film is shot in 35mm format which gives the picture pristine look (as opposed to all other previous rock films, which were shot on 16mm). But it's not just a spralling work, this is also well executed as well. By that, I mean the production value is outstanding. The lighting is unlike any rock concert I've seen (and I've seen many). The camera work is top-notch (apparently it was done by the best in Hollywood at the time). It's also easy to see that a great deal of planning went into the production. Other concert films (Woodstock, Monterey Pop) suffer from a "last minute scramble" look that simply isn't there with "Waltz".

Add to that the shear magnitude of what The Band had undertaken. Imagine learning, arranging and performing so many songs in so many styles by so many artists in one night with only one take of each allowed. When that is taken into consideration, you have to have a degree of respect for them. Of course, I'm bias. I'm Canadian, as were 4/5ths of The Band.

My only critique would be a technical one. It seems Rick Danko redubbed all of his bass playing. Whether this is attributed to a technical problem or unhappiness with his performance is unclear. However, what is clear is that what you hear the bass doing in the audio and what you see on the screen are completely different.

Rock music at it's best. What a performance by Robbie and the band. They just don't make music like they used to nowadays. The energy and true musicianship that went into this concert was phenomenal. The guest artists that also played with the band really did bring the house down and with Martin Scorses's direction and great sound engineers this will undoubtedly go down in history as the greatest live rock/music video ever. I wish i had been around back in 76' for that concert man. Sad to see that Rick and Richard have passed away but glad that their talents have been captured on film for the world too see how good these guys were. Not only were the Band great musicians, but they were all great characters, real interesting guys with a genuine belief in what they were doing. Not like the sell-outs that the music industry now has in abundance.