Suite à une épidémie de zombies grandissante, deux membres d'une unité d'élite de Philadelphia, un reporter de la circulation et sa petite-amie productrice de télévision se réfugient dans un... Tout lireSuite à une épidémie de zombies grandissante, deux membres d'une unité d'élite de Philadelphia, un reporter de la circulation et sa petite-amie productrice de télévision se réfugient dans un centre commercial isolé.Suite à une épidémie de zombies grandissante, deux membres d'une unité d'élite de Philadelphia, un reporter de la circulation et sa petite-amie productrice de télévision se réfugient dans un centre commercial isolé.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 3 victoires et 2 nominations au total
- Wooley
- (as Jim Baffico)
Avis en vedette
Dawn is a great satire of materialistic modern society. All of the performances are spot on, George Romero's writing and direction is flawless as usual, and the gore is brilliant. What could be better than a bunch of zombies taking over a shopping mall? That's right, nothing.
If you call yourself a horror fan and you haven't seen the original Dawn of the Dead, you need to get with the program immediately! No one messes with Romero, no one!
Romero didn't originally want to do *any* sequel to his original 'Night', but after a visit by some friends to a soon-to-open mall nearby his hometown of Pittsburgh, it struck a chord as to who would be coming here – and what so much consumerism in one place would mean. "Why do they come here?" one of the four survivors that happens upon this mall swarming with these flesh-eaters asks another. "This meant something to them. Instinct, maybe. This was an important part of their lives," he responds.
I don't think necessarily Romero meant to show the film as any sort of 'This is what will happen!" type of social horror thing. It's more about, this is where we are at NOW, and in that sense, though broader and a whole LOT bloodier, it holds a place right next to a film like Network as one of the magnificent satires of its time and place, and as much about what the public is like. Romero acts as both pessimist and optimist in this world though; past all the chopped limbs, exploding heads (oh yeah!), Tom Savini stunt and make-up and intestines ripped apart, what holds up the film for me is seeing these four characters come to grip with the horror they've made for themselves, holding up in this "paradise" of a mall.
Balls-to-the-wall horror, social horror, and some genuine paranoid horror stuff (note to self, never try and fire a gun at a single zombie when in a dark room full of electrical wiring and pipes), and plenty of rock and roll attitude, this is a personal favorite and the most entertaining horror film of its time. And the Goblin music soundtrack yummy.
It starts off great with a confusing and VERY gory sequence and then sort of slows down when they get to the mall. There are still the occasional bouts of gore but it quickly turns into a satire on consumerism! There's nothing wrong with that but it makes that point...and keeps rubbing it in the audiences face. It slowly starts to get dull...until a gory rampage kicks in to end the movie.
In 1978 this was considered a strong movie in terms of gore and satire. The gore still works (there's a lot and it's graphic) but the satire seems very dated now. Still this is a classic--in its way. It was released unrated but no one under 17 was allowed in the theatre. Despite that it was a big hit and a rare horror film that critics actually liked. I remember finding this great back in 1979--but it seems kind of weak and dated over 20 years later. However the gore still holds up and it does have a few moments guaranteed to make you jump. Great music score too. I do agree it's a classic but I can truthfully only give the movie a 7. The satire really weighs this down.
Le saviez-vous
- AnecdotesTom Savini chose the gray color for the zombies' skin, since La nuit des morts vivants (1968) was in B&W and the zombie skin-tone was not depicted. He later said it was a mistake, because many of them ended up looking quite blue on film.
- GaffesThe blood on Roger's face and hands in the truck scene suddenly disappears after he turns around. When he drives off and starts running zombies over, the blood is back.
- Citations
Francine Parker: They're still here.
Stephen: They're after us. They know we're still in here.
Peter: They're after the place. They don't know why; they just remember. Remember that they want to be in here.
Francine Parker: What the hell are they?
Peter: They're us, that's all. There's no more room in hell.
Stephen: What?
Peter: Something my granddaddy used to tell us. You know Macumba? Voodoo. Granddad was a priest in Trinidad. Used to tell us, "When there's no more room in hell, the dead will walk the Earth."
- Générique farfeluGeorge A. Romero appears on screen as a TV Station Director (the bearded man wearing a scarf and a blue shirt) as his name appears, listing him as "Editor", in the on-screen credits beneath him.
- Autres versionsThe original UK cinema version (aka Romero's 'theatrical print') was cut by 3 mins 46 secs by the BBFC to remove an exploding head and a screwdriver killing plus stabbings and scenes of disembowelment, and the 1989 video version lost a further 12 secs of gore and shooting plus a scene of a woman's neck being bitten during the housing project sequence. Some cuts were restored in the alternate 1997 Directors Cut video although 6 secs remained missing including the exploding head, neck bite and an additional edit to the shooting of the two zombie children (in response to the 1997 Dunblane massacre). All cuts were fully waived in 2003 from both the Directors Cut and the original theatrical versions. The later Blu-Ray release by Arrow was uncut as well.
- ConnexionsEdited into Heads Blow Up! (2011)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Zombie: Le crépuscule des morts vivants
- Lieux de tournage
- Monroeville Mall - Business Route 22, Monroeville, Pennsylvanie, États-Unis(the shopping mall)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 650 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 159 822 $ US
- Durée
- 2h 7m(127 min)
- Mixage








