The Boys from Brazil

The title may seem a little odd at first, you may stumble upon it expecting to see muscled guys from Sao Paulo in swimming trunks...

I jest of course, this is an excellent film, it starts off what you'd expect from a Nazi hunger film, but as it develops it gets darker and darker, the story becomes apparent after a while, you're able to put the jigsaw pieces together, and see the whole picture.

It's well paced, dramatic, and packed with action, some of it is actually pretty violent, the conclusion even now is really rather shocking.

Peck and Olivier shine through, Peck in particular the acting is outstanding, I couldn't believe just how many famous faces kept on popping up, Prunella Scales, Michael Gough, all small parts, but clearly wanted to be a part of it.

No wonder it was nominated for three Oscars. 9/10.

The less you know about The Boys From Brazil the better, A quite well known story based upon a Ira Levin novel. Is a good thriller, which allows two of the greatest actors there has ever been a chance to ham it up a bit.

The plot involves Nazi hunter Ezra Lieberman (Laurence Olivier) trying to unravel a devious plot by Dr Josef Mangele (Gregory Peck). Directed by Franklin J Schaffner of Planter of the Apes fame. Provides us with a nice slow burning build up in setting the story, and keeping me enthralled with it really quite ludicrous but entertaining story line. It has a great score adding dread to certain moments and heightening the tension. The film at times almost slips in to horror with it's certain plot elements, and also containing a horrific confrontation between the two leads at the end.

It is not perfect by any means though, as some accents are all over the place and can become a little distracting, and some may find the films idea to unbelievable to take seriously, which i can't say i had a problem with.

A good film, with two acting powerhouses, worth a watch just for them. But a smart thriller i highly recommend.

I had read "The Boys From Brazil" years before I ever saw the movie. When I did see the film, I was amazed how closely it actually tracked the brilliantly-written novel.

This is an excellent thriller. The Nazi's plot is unraveled slowly, first filling you with confusion, then disbelief, and finally, astonishment & terror. As far-fetched as the Nazi's scheme sounds at first, it really is close enough to medical reality for a taste of true horror.

Gregory Peck is disturbingly realistic as the Nazi doctor Mengele, who masterminds the entire fiendish plot. His character in the film is so real and sinister as to be completely believable. In fact, the entire cast does such a great job that the movie's plot strikes even closer to home.

If you like well-written, well acted suspense/thrillers, this is one of the very best. I highly recommend it.

Old veterans Gregory Peck, Laurence Olivier and James Mason team up in this well-constructed and absorbing thriller. The plot sounded so bizarre that I had to check the film out. Although there is some choppy editing and cartoonish acting, "The Boys from Brazil" makes for a good viewing.

Had I seen the film without reading the back of the video cassette, I would have enjoyed the film a lot more. But for some reason, a major plot point, revealed 1 1/2 hours into the film, is plainly written in black on orange. Since the movie moves in ever decreasing circles to reveal this secret quite efficiently, I don't see why the publicity department chose to sabotage it.

Nevertheless, the plot is more plausible than it sounds when you try to describe it (which, as I have just said, should be avoided anyway), and the leads play beautifully. Especially incredible is Laurence Olivier as the doddering, worldly-wise jewish Nazi hunter, Dr. Lieberman. You'd never expect the frail form in this movie to be the same man as Hamlet. Gregory Peck also plays Dr. Joseph Mengele as suitably and calmly evil. A lesser actor would find playing the part of a Nazi Death Doctor, responsible for some of the worst atrocities in human history, a perfect excuse to ham it up and click into the black-hatted, moustache-twisting token villain.

The less impressive acting of Steve Guttenberg overacting into a telephone and Jeremy Black with a really strange german accent as Erich Doring. This I can forgive. The ending is also comfortable and understated, with a moral instead of a huge explosion, as could have been expected in a 90's movie. Worth seeing, especially if you know nothing about the film.