Ajouter une intrigue dans votre langueAfter the destruction of the Temple, a Shaolin disciple devotes years to mastering Tiger style in order to defeat the martial arts master who killed his teacher. His wife, a Crane style spec... Tout lireAfter the destruction of the Temple, a Shaolin disciple devotes years to mastering Tiger style in order to defeat the martial arts master who killed his teacher. His wife, a Crane style specialist, has a feeling one style won't be enough.After the destruction of the Temple, a Shaolin disciple devotes years to mastering Tiger style in order to defeat the martial arts master who killed his teacher. His wife, a Crane style specialist, has a feeling one style won't be enough.
- Director
- Writer
- Stars
Chen Kuan-Tai
- Hung Hi-Kuan
- (as Kuan-Tai Chen)
Yue Wong
- Hung Wen-Ting
- (as Yu Wang)
John Cheung
- Governor's Henchman
- (as Wu-Liang Chang)
Wah Cheung
- Shaolin student
- (as Hua Chang)
Avis en vedette
Thank God for Celestial Entertainment's re-releasing of this classic! Okay, the plot is rather straightforward, and not terribly original (a revenge theme in a Martial arts movie. Nope, never seen that before!) But it is very well acted, very well directed and damn if the fight scenes aren't excellent.
Basically, it follows the historic destruction of the Shaolin Temple by the Manchus. The assault is led by Pai Mei, (yup, the same Pai Mei from Kill Bill 2, in fact, Bill even talks about this in that movie) played by Lo Lieh. Gordon Liu who played Pai Mei in Kill Bill 2, appears briefly as a Shaolin student who informs Hong Xiguan (played by Chen Kuan Ti) that Pai Mei killed their master. Gordon Liu sacrifices himself so that Hong and some of the other students may escape.
A few years later, Hong, hiding out as a Peking Opera performer, meets and marries another Martial Artist, played by Lily Li. They eventually have a child. But Hong cannot enjoy married life for too long, because he still has to train to avenge his master and his fellow students.
A good example of vintage Kung Fu films. Not to be missed by any Kung Fu film connoisseur.
Basically, it follows the historic destruction of the Shaolin Temple by the Manchus. The assault is led by Pai Mei, (yup, the same Pai Mei from Kill Bill 2, in fact, Bill even talks about this in that movie) played by Lo Lieh. Gordon Liu who played Pai Mei in Kill Bill 2, appears briefly as a Shaolin student who informs Hong Xiguan (played by Chen Kuan Ti) that Pai Mei killed their master. Gordon Liu sacrifices himself so that Hong and some of the other students may escape.
A few years later, Hong, hiding out as a Peking Opera performer, meets and marries another Martial Artist, played by Lily Li. They eventually have a child. But Hong cannot enjoy married life for too long, because he still has to train to avenge his master and his fellow students.
A good example of vintage Kung Fu films. Not to be missed by any Kung Fu film connoisseur.
This was one of those films that I watched over and over, whenever I could. I've seen it on TV, usually in NYC on Channel 5 Saturday afternoons at 1pm, 3pm, or 5pm, on Drive-In Movie. I have also paid to see it repeatedly years ago in the old Times Square movie theaters. They used to specialize in Hong Kong martial arts films before Giuliani killed them all off. That's one thing I really miss about the old Times Sq...
This movie had it all: great plot and writing, great acting and action, even great dubbing. I really wish it would come out on DVD or even VHS...
This movie had it all: great plot and writing, great acting and action, even great dubbing. I really wish it would come out on DVD or even VHS...
EXECUTIONERS FROM SHAOLIN is director LIU CHIA-LIANG (LAU KAR-LEUNG) very different contribution to the Shaolin Temple series, begun by CHANG CHEH. Unlike CHANG who seems to have a strong dislike for women, and actresses, LIU provides LILY LI the opportunity to portray a strong, complex female role.
From her very first scenes as a travelling street entertainer who defends her turf in a duel with the famous Shaolin fighter HONG XIOGUAN (aka HUNG SZE KUAN); marries him but keeps him at bay on their wedding night using her martial arts, FANG YUNG is a match for her vengeance obsessed husband.
HONG is one of the few Shaolin monks to survive the earlier massacre. In fact he and his men escaped an ambush only because one of his friends - Brother Tong - sacrifices himself to give them all time to escape.
And the same thing happens again, when he challenges ABBOT PAI MEI (aka "White Brows"), even though he is clearly no match for him. He rejects his wife's advice, seemingly because she is a woman. And using the same pigheaded logic, he makes the terrible decision not to learn her crane style.
Thankfully the son stands up to his father, and learns from his mother. When Hong returns to fight White Brows a second time, there is a sense of inevitability. The son fights to stop his father, who dissuades him with empty rhetoric, and then goes to his death.
In this film this is very significant because the filmmakers have gone to great trouble to establish a strong family unit, only to have it torn asunder because the father is too set in his ways to change. Thus the audience really does feel a sense of loss, and are saddened that the wife and son cannot put the love they have for Hong into words. The need to seek vengeance has become very personal.
The film itself has a wonderful mix of combat and training sequences; sizeable dollops of romance and humour (Cantonese style), and enough plot to hang everything together.
Best of all, it actually has something to say: the film ends, abruptly, leaving you with very mixed emotions.
I first saw this on a Southgate video. The new 2004 Celestial Pictures Region 3 DVD in 2.35 widescreen with rich saturated colours makes you want to watch the film over and over (it also has some very intriguing extras). And it does help to hear the film in its original Mandarin, rather than dubbed!
8.5/10 * a 4 star martial arts classic.
From her very first scenes as a travelling street entertainer who defends her turf in a duel with the famous Shaolin fighter HONG XIOGUAN (aka HUNG SZE KUAN); marries him but keeps him at bay on their wedding night using her martial arts, FANG YUNG is a match for her vengeance obsessed husband.
HONG is one of the few Shaolin monks to survive the earlier massacre. In fact he and his men escaped an ambush only because one of his friends - Brother Tong - sacrifices himself to give them all time to escape.
And the same thing happens again, when he challenges ABBOT PAI MEI (aka "White Brows"), even though he is clearly no match for him. He rejects his wife's advice, seemingly because she is a woman. And using the same pigheaded logic, he makes the terrible decision not to learn her crane style.
Thankfully the son stands up to his father, and learns from his mother. When Hong returns to fight White Brows a second time, there is a sense of inevitability. The son fights to stop his father, who dissuades him with empty rhetoric, and then goes to his death.
In this film this is very significant because the filmmakers have gone to great trouble to establish a strong family unit, only to have it torn asunder because the father is too set in his ways to change. Thus the audience really does feel a sense of loss, and are saddened that the wife and son cannot put the love they have for Hong into words. The need to seek vengeance has become very personal.
The film itself has a wonderful mix of combat and training sequences; sizeable dollops of romance and humour (Cantonese style), and enough plot to hang everything together.
Best of all, it actually has something to say: the film ends, abruptly, leaving you with very mixed emotions.
I first saw this on a Southgate video. The new 2004 Celestial Pictures Region 3 DVD in 2.35 widescreen with rich saturated colours makes you want to watch the film over and over (it also has some very intriguing extras). And it does help to hear the film in its original Mandarin, rather than dubbed!
8.5/10 * a 4 star martial arts classic.
I had only just watched "Clan of the White Lotus" a month or two back, which could be seen (well in my eyes) as a more accomplished rehash of this particular period martial arts enterprise. Nonetheless the similarities in the story's structure (which is hard to pass by) doesn't matter because the Shaw Brothers and director Chia-Liang Liu along with actor Lieh Lo as the Kung Fu Master Pai Mei and minor cameo by Chia Hui Liu makes this one very enjoyable, downright flamboyant and utterly unique cult martial arts feature with a good sense of humour abound and dashing action. Pai Mei had just killed a Shoalin priest and surviving students led by Hung Hsi Kuan (ably acted by Kuan Tai Chen) vow vengeance for their master's death and that of fellow students. And it's no rush either. As Hung happily marries a strong-minded lady (a perfectly pitched Lily Li) who's well developed in the crane-style fighting and has a son while spending many years perfecting the skills and stamina of the tiger-style fighting before taking on master white brow. Cheng Kang-Yeh provides a cheeky performance as one the Shoalin students and Wang Yu is quite good as the grown up son. The pacing can be rather bumpy (especially in the leisured midsection concentrating more on the trivial aspects in the character dramas that hold the narrative), but when it came down to the atypical fighting it was excitingly displayed with verve-like camera-work working around the smooth, but tough choreography with numerous, long encounters. Maybe repetitive but never dull, although the ending is a little disappointing in the way it just seems to finish hastily.
The Shaw Brothers have made a bunch of kung fun movies in their lifetimes, not a single one has left me bored. In "Executioners from Chaplin", a couple bore a son whose father is trained in Tiger Boxing and a mother in Crane style. The son learns crane style kung fun, but he doesn't learn the tiger style until his father loses his life battling the eunuch tyrant Pai Mei(Lieh Lo). This brutal fighter has made his way killing anyone who would challenge his fighting style. He killed the father's master, he's killed the ones who's avenging him. So it's up to the son to get his revenge. Spending all his life learning to be warrior, he sets out to seek Pai Mei. Both men learn how to find Pai Mei's vitals. They were no good in the nether regions. And unlike his father, he was successful on getting PaI Mei. I think this movie has got a little humor in it as well. Before the son was born, the couple made their way following a side show when they met. The brothers kept their fighting skills intact throughout their lives. This movie was very entertaining, and very fun to watch. I found nothing to complain about here. A true gem here. 2 stars
Le saviez-vous
- AnecdotesWu Tang Clan sampled the dubbed version of this on their song "Wu Tang Clan Ain't Nuthin To F*ck With".
- GaffesAll blood seen in the movie is a much lighter shade of red than real blood.
- ConnexionsFeatured in Films of Fury: The Kung Fu Movie Movie (2011)
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