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Helmut Berger and Marisa Mell in La belva col mitra (1977)

Actualités

La belva col mitra

‘Video Nasties: The Definitive Guide Part 2 – Draconian Days’ gets a release date & Preview screening!
Prepare to be corrupted and depraved once more as Nucleus Films releases the sequel to the definitive guide to the Video Nasties phenomenon – the most extraordinary and scandalous era in the history of British film. Video Nasties: The Definitive Guide Part 2, a three-disc collector’s edition box set, is being released on DVD on July 14th 2014, to tie in with the 30th Anniversary of the Video Recordings Act 1984.

For the first time ever on DVD, all 82 films that fell foul of the Director of Public Prosecutions “Section 3” list are trailer-featured with specially filmed intros for each title, alongside a brand new documentary – Video Nasties: Draconian Days (review), directed by Jake West.

And to celebrate the release, Film4 FrightFest is hosting a special event – the world exclusive London Premiere of the finalised unseen extended 97 minute cut of Video Nasties: Draconian Days at The Prince Charles Cinema on Thurs 3 July, 8.30pm. The...
Voir l’article complet sur Nerdly
  • 2014-05-21
  • par Phil Wheat
  • Nerdly
Full Moon Streaming Acquires 50 Blue Underground Titles, Including Tombs of the Blind Dead, The Church
We have great news for those of you who subscribe to Full Moon Streaming. It has been announced that fifty Blue Underground titles have been acquired by Full Moon Features for their new streaming service:

“Los Angeles, CA, February 3, 2014 – Full Moon Features is proud to announce their most exciting acquisition yet – fifty of cinema’s most obscure and beloved classics from the Blue Underground label will debut on their new subscription-based video streaming service, Full Moon Streaming (www.fullmoonstreaming.com), home to the entire Full Moon Features library. The Blue Underground titles will be released once per week beginning in March, and titles will include Venom (a beloved thriller about a killer snake starring Klaus Kinski, Susan George, and Oliver Reed), Mondo Cane (the Award-Winning documentary that launched the whole “mondo” craze of the sixties), Contamination (a gory Italian homage to Alien), Violent City (the Charles Bronson action classic), Don...
Voir l’article complet sur DailyDead
  • 2014-02-04
  • par Jonathan James
  • DailyDead
Blue Underground and Full Moon Entertainment Team Up for Streaming Terror
Full Moon has been steadily beefing up its streaming service, and if you haven't had a chance to check it out yet, this latest announcement should persuade you and then some. Read on for details, and get those smart TVs ready!

From the Press Release

Full Moon Features is proud to announce their most exciting acquisition yet – fifty of cinema’s most obscure and beloved classics from the Blue Underground label will debut on their new subscription-based video streaming service, FullMoonStreaming.com, home to the entire Full Moon Features library.

Blue Underground titles will include Venom (a beloved thriller about a killer snake starring Klaus Kinski, Susan George, and Oliver Reed), Mondo Cane (the award-winning documentary that launched the whole “Mondo” craze of the Sixties), Contamination (a gory Italian homage to Alien), Violent City (the Charles Bronson action classic), Don’T Torture A Duckling (horror/thriller from Italian godfather of...
Voir l’article complet sur DreadCentral.com
  • 2014-02-03
  • par Uncle Creepy
  • DreadCentral.com
Jean Gabin in Le jour se lève (1939)
Minority View: Daybreak by Marcel Carne
Jean Gabin in Le jour se lève (1939)
Among the most fruitful collaborations between director and screenwriter in the history of cinema is the one between Marcel Carne and Jacques Prevert. Prevert’s supremely literate approach to screenwriting was summarized by critic John Simon in this way: let the camera do what it will but the literature will remain. The finest of the films in which the two collaborated may have been The Children of Paradise (1945) – which was reviewed in this column – but Le Jour Se Leve (1939) or Daybreak comes a close second. Between them, Carne and Prevert were responsible for much of the poetic realism in the French cinema of the period – films largely about the working class but giving their working-class heroes a rounded presence generally lacking in later European cinema, notably from Italy. The actor Jean Gabin contributed strongly to many of these films through his presence and the highpoint of his working-class performances is...
Voir l’article complet sur DearCinema.com
  • 2011-07-15
  • par MK Raghvendra
  • DearCinema.com
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