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Aces High

  • 1976
  • G
  • 1h 54m
ÉVALUATION IMDb
6,6/10
3,3 k
MA NOTE
John Gielgud, Malcolm McDowell, Ray Milland, Christopher Plummer, Trevor Howard, Peter Firth, Richard Johnson, and Simon Ward in Aces High (1976)
Trailer for Aces High
Liretrailer1 min 14 s
1 vidéo
43 photos
ActionDramaWar

Pendant la Première Guerre mondiale, le taux élevé de pertes parmi les pilotes débutants du Royal Flying Corps met une pression énorme sur les survivants.Pendant la Première Guerre mondiale, le taux élevé de pertes parmi les pilotes débutants du Royal Flying Corps met une pression énorme sur les survivants.Pendant la Première Guerre mondiale, le taux élevé de pertes parmi les pilotes débutants du Royal Flying Corps met une pression énorme sur les survivants.

  • Director
    • Jack Gold
  • Writers
    • Howard Barker
    • R.C. Sherriff
    • Cecil Lewis
  • Stars
    • Malcolm McDowell
    • Christopher Plummer
    • Simon Ward
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,6/10
    3,3 k
    MA NOTE
    • Director
      • Jack Gold
    • Writers
      • Howard Barker
      • R.C. Sherriff
      • Cecil Lewis
    • Stars
      • Malcolm McDowell
      • Christopher Plummer
      • Simon Ward
    • 46Commentaires d'utilisateurs
    • 23Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nominé pour le prix 1 BAFTA Award
      • 1 victoire et 2 nominations au total

    Vidéos1

    Aces High
    Trailer 1:14
    Aces High

    Photos43

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    Rôles principaux39

    Modifier
    Malcolm McDowell
    Malcolm McDowell
    • Gresham
    Christopher Plummer
    Christopher Plummer
    • Sinclair
    Simon Ward
    Simon Ward
    • Crawford
    Peter Firth
    Peter Firth
    • Croft
    David Wood
    David Wood
    • Thompson
    John Gielgud
    John Gielgud
    • Headmaster
    Trevor Howard
    Trevor Howard
    • Silkin
    Richard Johnson
    Richard Johnson
    • Colonel Lyle
    Ray Milland
    Ray Milland
    • Brigadier Whale
    Christopher Blake
    Christopher Blake
    • Roberts
    Gilles Béhat
    • Beckenauer
    • (as Gilles Behat)
    Elliott Cooper
    • Wade
    David Daker
    David Daker
    • Bennett
    Barry Jackson
    Barry Jackson
    • Joyce
    Jacques Maury
    Jacques Maury
    • Ponnelle
    Ron Pember
    • Eliot
    Tim Pigott-Smith
    Tim Pigott-Smith
    • Stoppard
    Jeanne Patou
    • French Singer
    • Director
      • Jack Gold
    • Writers
      • Howard Barker
      • R.C. Sherriff
      • Cecil Lewis
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs46

    6,63.3K
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    Avis en vedette

    6ma-cortes

    WWI drama with all-star cast , memorable acting and rousing aerial scenes spectacularly staged

    Interesting War drama taken from British point of view . Spectacular and colorful WWI airplane movie with an enjoyable casting and breathtaking aerial battles . Splendid aerial scenes stunningly staged , being wonderfully photographed by Gerry Fisher and adequate musical score by Richard Hartley are the chief assets of this enjoyable film . In WW1 the high casualty rate among the rookie pilots of the Royal Flying Corps puts an enormous strain on the survivors . Pilots shooting down enemy planes but also suffering a lot of war losses . They carry out attacks on balloons that were extremely dangerous because machine guns and antiaircraft guns formed a protective circle beneath the balloons . Therefore pilots dived at a steep angle when they attacked , they did not attack horizontally . High above the trenches 14 days is a long life...This is the 15th day!

    Spectacular dogfighting , interesting dramatics , overwhelming scenarios , top-drawer cast , agreeable interpretations bring to life attractive roles though tend toward cliché . Nice aerial sequences directed by Derek Cracknell but drama on the ground does a little boring . R.C. Sheriff's classic play about life in the trenches was reworked as a drama of fliers in the Royal Flying Corps by screen-writer Howard Barker . As the setting is transplanted from the trenches to an airfield , but most of the characters and some incidents are almost unchanged . Big-budget extended feats produced by Benjamin Fisz about unfortunate pilots undergoing risked feats on air . The main excitement results to be the grandiose spectacle of the planes , as on the ground roar rather less . Pretty good aerial flick full of thought-provoking issues , drama , fantastic cloudy scenes and spectacular dogfighting . The scene with the balloon observer jumping out with a parachute is reused footage from Blue Max (1966) by John Guillermin . Peter Firth shows professionalism as a crack fighter pilot , he plays a naive youth assigned to dangerous missions . Malcolm McDowell gives a restrained and intelligent acting as a veteran pilot . Top-notch support cast gives excellent performances as Christopher Plummer , Richard Johnson , Ray Milland , John Gielgud , Simon Ward , Trevor Howard and first cinema feature of Tim Pigott-Smith . Adequate photography by Gerry Fisher , though a perfect remastering being necessary . It was filmed at North Weald airfield, in Essex , a hangar that was built for the film was later used for sets of television .

    The motion picture was professionally directed by Jack Gold . He was born in London and is a prestigious director and producer , known for Bofors guns (1968) , The Reckoning (1970) , Man Friday (1975) , The Medusa touch (1978) , The Chain (1984) , Escape from Sobibor (1987), and Goodnight, Mister Tom (1998) . ¨Aces high¨ is a rehash of the former airplane movie clichés in which the splendid casting stands out . Rating : nice and entertaining , it's a fairly watchable and breathtaking film and results to be a good treatment of WWI flying aces .
    Marta

    Well done WWI drama/character study

    Written from the English point of view, this film seems to have it's tongue in it's cheek at times, but it's not at all funny. There are several flashes of humor in the early scenes, at the expense of the British upper class, but those quickly give way to the special horrors of the first war fought in the air.

    Patriotic young pilots straight out of college lost their lives in literally a few days time, due to their inexperience and the stress of this new kind of battle. Malcolm McDowell has the unwelcome task of leading the 76th Squadron and also visiting colleges to drum up recruits, all the while knowing he's inviting them to an almost certain death. He keeps these new recruits at arms length to soften the blow to his mental health when they invariably get shot down. When he shows up at his own alma mater, an idealistic young man, played by Peter Firth, signs up for McDowell's squadron. On his arrival at the airfield, Firth sees the evidence of the turnover in pilots but fails to see the connection to his own longevity; a family photo and personal effects are whisked out of the room he's been assigned, right in front of his eyes. He is introduced to Simon Ward, a stony-faced pilot who by the end of the movie is finally driven insane by the awful, daily anticipation of his own death in battle.

    The young pilots experience the respect that their station in the Air Corps elicits from the locals and from women, but at the same time they see how they are more likely to be killed than the average filthy foot soldier. Firth is taken with a local cabaret girl, who invites him to her room one night. The next night, when he expects her to be glad to see him, she ignores him and pays attention to an older, richer officer. The very next day the pilots are given the task of destroying German spotter balloons, which always have heavy gun and air protection, and the older pilots know this is almost a death warrant. Six planes go out, with McDowell and Firth in two of them, but you'll have to watch the film to find out how many come back.

    A very good, but depressing, film, McDowell is subdued in his performance and seems to come out of his cocoon only at the end. This is necessary, I think, for his character to survive in the surroundings of constant tragedy. Firth is naive in the extreme, and this probably a correct portrayal of a green recruit in WWI, where there was no frame of reference for how dangerous those early airplanes were. The film shows us just how little the commanders valued the lives of their men by sending them out unprepared and inexperienced, and that they know after one group of fliers is decimated, there is always a fresh batch of innocent boys to take their place. I recommend the film highly, since it has a firm anti-war message.
    6Theo Robertson

    Heavy Handed Anti-War Film

    First of all I feel I`ve got to point out the two flaws of ACES HIGH

    1 ) The film starts with the commonly held erroneous view that young men of whatever nation joined the army because they`d been brainwashed by glorious tales of derring do and had no idea of the horror awaiting them in the trenches . Not so in Britain at least since The Times newspaper published the names of every British serviceman killed at this time . One edition in July 1916 published over 20,000 names of the men killed during the Somme offensive , so to insinuate that the boys at the school had somehow only had Gresham`s account of the war to fall back on is somewhat naive . This might have happened in 1915 but not so when this film was set towards the end of 1916

    2 ) ACES HIGH is based on the play JOURNEYS END except it revolves around a plane squadron which means when the chaps are at the airfield everything feels a bit too stagey while when they`re up in the air there`s a distinct lack of drama since the cast are indistinguishble with their goggle clad faces and their lack of dialogue

    Having pointed out the flaws I can`t not mention the main strength and that`s the cast . Malcolm McDowell an actor I can`t usually stand at the best of times gives a superb performance as the bitter , cynical alcholic John Gresham . It`d be very easy for McDowell to give a very over the top performance ( Some might say that`s all he ever does ) but he`s both very convincing and disciplined here . Christopher Plummer is completely convincing as a paternal English officer ( Plummer was always good at this kind of role ) and Peter Firth - Despite being hampered with a character unsubtley written - is also good

    Considering the limited budget the technical aspects are impressive enough with the sometimes slightly obvious backscreen projection hardly bringing the film down . It`s an anti-war film so its heart is in the right place but like many an anti-war film it`s somewhat heavy handed ( As I imagine the source play was ) and the ariel scenes with their lack of dialogue means a somewhat over dramatic film in places and an undramatic film in other places

    Six out of ten
    7JoeytheBrit

    Nothing Groundbreaking (Apart from the crash-landings)

    A quiet sense of detachment hangs over the little airfield in the heart of the French countryside where this drama is played out. In the opening scenes, as the ridiculously young Lieutenant played by Peter Firth arrives, there is much talk of tea and biscuits, and everything seems very civilised. But under the serene surface there are a mass of tics and twitches, the causes of which are subdued by forced gaiety and too much alcohol.

    Firth hero-worships McDowell's youthful commander – who just happens to be his sister's sweetheart – but McDowell is a tarnished hero. His psychological flaws are emphasised in the opening scenes in which we seem him toying with a German pilot whose plane has crash-landed before scything him down in a hail of bullets from his plane. McDowell needs a drink just to climb into the cockpit (while another ace, played by Simon Ward, feigns neuralgia to escape the terrors of aerial combat) and is haunted by a loneliness borne of the repetitive chore of writing letters of condolence to the families of the teenage fighter pilots who are shot down under his command.

    There's nothing particularly groundbreaking in Jack Gold's WWI saga, but it is all professionally staged and acted with some crisply edited aerial sequences. All the situations are familiar, and the film must have seemed a little dated when it was released (around the same time as Star Wars), but there's a reassuring Britishness about it all. Despite the reasonably graphic depiction of the terrible psychological consequences of regularly flying towards one possible death, the film is still something of a throwback to the likes of Hollywood's The Dawn Patrol. Only here, the line between the good guys and the bad guys is blurred, and opposing pilots aren't so blinded by national duty that they can't appreciate and acknowledge the professionalism and spirit of their rivals when the opportunity arises. The ending is inevitable – the cycle continues – and elements of the story belie the age of its source material, but Aces High still delivers a quality film experience.
    10tiomingo

    "A sad story brilliantly told"

    I remember "Aces High" when it was released in Argentina (1977. Since then I had the opportunity of watching it twice on video. For me is an excellent example that you still can produce a great film even if the subject (WWI) has been treated dozens of times. Although I have not read "Journey's End" I did read many factual accounts of the air war on the Western Front during WWI and the spirit of those terrible years has been faithfully re-created. Malcom McDowell proves, once a again, what an excellent actor he is and the rest of the cast is as good as him.

    The character played by Simon Ward, is one of the most moving and important within the film. This was brought to my attention last year when, watching a documentary about the Battle of Britain, I saw a former Hurricane pilot telling how depressed he was by the terribly high casualty-rate that he decided to stop making friends,since more likely they shall be dead within a fortnight. With this in mind Simon Ward's performance has deeper meaning. It is not only that he is haunted by the idea of his inevitable death, he doesn't want to make friends because he has lost too many.

    The scene where Malcom McDowell throws a party to celebrate the arrival of "his" prisoner (the German pilot)would seem strange if not ridiculous to those who do not have a certain knowledge of the mentality of the European aristocracy, who formed the backbone of the officer-class in those days. According to them war was a gentlemanly affair were certain principles should be observed; one of them was the corteous treatment of prisoners (as long as they belong the same class)particularly if they had fought bravely. The concept was already an anachronism in 1914 where the colossal scale of the slaughter and its horrendous impersonality made the illusion of "the noble duel" obsolete if not ridiculous BUT, there was the aeroplane, a chance to move the clock back to the days of aristocratic man-to-man fights, a chance to escape the modern, faceless and industrialized murder of trench warfare. That's why WWI fighter pilots (all of them gentlemen in the truest sense of the word) behaved in that way. This film is also a very sad reminder of the destruction of a whole world that, with all its defects, had some very valuable principles. Principles that nowadays most of people would laugh at, which is also very sad.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      This movie is an adaptation of the play "Journey's End" by R.C. Sherriff, written just after World War I. The setting is transplanted from the trenches to an airfield, but most of the characters and some incidents are almost unchanged.
    • Gaffes
      In the first air combat scene, the German aircraft shown is a Fokker E.III monoplane. That particular model had already been withdrawn from service over a year before the movie takes place. (E.III was withdrawn early 1916, the movie takes place late 1917).
    • Citations

      Mess Corporal Bennett: [as the pilots set off early in the morning on a dangerous mission] How many for breakfast? Any of them?

    • Générique farfelu
      Opening credits prologue: England October 1916
    • Autres versions
      Some DVD releases feature a shorter print which reduces the French restaurant scene and misses out shots of the officers looking at a slideshow of nude photographs. These appear to have been made by the distributor, as the film has never been cut by the BBFC.
    • Connexions
      Edited into Blackadder Goes Forth: Private Plane (1989)
    • Bandes originales
      Under the Bridges of Paris
      (Sous les Ponts de Paris)

      (uncredited)

      Music by Vincent Scotto

      French lyrics by Jean Rodor

      English lyrics by Dorcas Cochran

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    FAQ17

    • How long is Aces High?Propulsé par Alexa

    Détails

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    • Date de sortie
      • 18 mai 1976 (United Kingdom)
    • Pays d’origine
      • United Kingdom
      • France
    • Langues
      • English
      • French
      • German
    • Aussi connu sous le nom de
      • Schlacht in den Wolken
    • Lieux de tournage
      • North Weald, Essex, Angleterre, Royaume-Uni(airfield)
    • sociétés de production
      • S. Benjamin Fisz Productions
      • Les Productions Jacques Roitfeld
      • Cine Artists Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 1 250 000 £ (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 54 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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    John Gielgud, Malcolm McDowell, Ray Milland, Christopher Plummer, Trevor Howard, Peter Firth, Richard Johnson, and Simon Ward in Aces High (1976)
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    By what name was Aces High (1976) officially released in India in English?
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