Les histoires romantiques et comiques des passagers et de l'équipage du paquebot Pacific Princess.Les histoires romantiques et comiques des passagers et de l'équipage du paquebot Pacific Princess.Les histoires romantiques et comiques des passagers et de l'équipage du paquebot Pacific Princess.
- Nommé pour 5 prix Primetime Emmy
- 4 victoires et 21 nominations au total
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I just commented on "The Love Boat", but I just realized there is so much I forgot to say about it. There are so many great episodes that have touched my heart. I was reminded of this when one of my favorites came on TV Land tonight. In it, a young girl (Maureen "Marcia Brady" Mc Cormick) falls in love, and then learns she may only have monthes to live. It is exceptional, real entertaiment that has a wonderful life lesson attached to it. There is another one where the crew is critical of an apparent relationship between an older man and a younger woman that turns out to be not what they imagined at all. Also, there is an episode that features first love between a pair of teenagers (Scott Baio and Kristy Mc Nichol) that rings true. I also enjoy the episode where Vicki's T.V. idol (Alison "Nellie Oleson" Arngrim) comes on board,and turns out to be not what she appears, either.
The series is exceptional in that it was able to deal with serious, sometimes even controversial themes, and balance it out with good, old fashioned screwball and sophisticated comedy. Contrary to many people's belief that the show's quality went down as it matured, I would have to disaggree. I have enjoyed every episode of this show I have ever seen, early or late in the series. And I find Charo to be adorable and funny.
"The Love Boat" has a permanent place on my favorite shows list, and a permanent spot in my heart, as well.
The series is exceptional in that it was able to deal with serious, sometimes even controversial themes, and balance it out with good, old fashioned screwball and sophisticated comedy. Contrary to many people's belief that the show's quality went down as it matured, I would have to disaggree. I have enjoyed every episode of this show I have ever seen, early or late in the series. And I find Charo to be adorable and funny.
"The Love Boat" has a permanent place on my favorite shows list, and a permanent spot in my heart, as well.
Let's face it, it was not the best of shows but not the worst either. It had lots of wonderful guest stars who livened up the show. When I finally took a cruise to Alaska, I was expecting a love boat scenario but that's not what I got. Love Boat is indeed fantasy with a great theme song sung by Dionne Warwick and a decent cast that included Gavin McLeod, Jill Whelan, Lauren Tewes, Fred Grady, Bernie Kopell, and Isaac (what is his real name?). Anyway the scenario was usual about a three day cruise to Mexico and back to Los Angeles with guest stars that included several of Hollywood top stars and the ones that were not on top. For a while, I think the Love Boat provided a great service of keeping the B-list guest stars working. I won't name names but we know who they were and we don't care. Love Boat is a comedy mixed with a little bit of drama. They never did anything serious or offensive. Of course, it was a Spelling show which meant that it was eye candy, sugar and sweet, and everything nice.
I loved "The Love Boat"!! It was so 70's and that's what was so appealing about it. OK the story lines were predictable but who cares. It was light hearted entertainment. I was a teenager when it was on and all I wanted to do when I grew up was go on the Pacific Princess!!! The only thing I found annoying was that everyone seemed to be in a suite on the ship!!! and when did the Captain ever have time to steer the ship ? he was always wandering around the deck!! or having dinner with all the guests. I have been on numerous cruises and have only ever seen the Captain once.!! I also loved how they used to bring back all the old Hollywood stars. Lots of these people were national treasures and we won't see the likes of them again. I would love for it to run again on TV, at least it's better than all the death and violence we always seem to get now.
I have read the previous reviews and while I do realize that every episode of The Love Boat was predictable and cheesy in hindsight,were most television shows of that era or some even since any different?You got to also realize that Aaron Spelling specialized in the fantasy genre realm(Starsky & Hutch was a lot more reality based in comparison to this and his other offerings,mind you).It was escapist entertainment at its finest and Fantasy Island following it Saturday nights on ABC made everybody's night home who decided not to venture out.I even remember when ABC aired the reruns on their daytime schedule.By that time,they were on the air long enough to justify showing them daily.One knock against the show to me is that at least Fantasy Island had that moral-of-the-story element that The Love Boat didn't.
I admit it, I loved the '70s. It was such a fun decade. The Love Boat is a time capsule of the late '70s. Not just the guest stars and the fashions, but the basic mood of the era.
It's very easy and even very trendy to put down this lightweight show from ultraprolific producer Aaron Spelling, the same way people denigrate disco music. But once put into context, it really wasn't all that bad. The period, after all, was the late '70s -- only three years after The Brady Bunch had left the air. TV's fabled last gasp of innocence had yet to be breathed. TV shows could still be expected to be fun and frivolous, like the Me Decade this was a part of.
Spelling was at the peak of his TV power, having already scored hits with The Mod Squad, The Rookies, Starsky & Hutch and Charlie's Angels, among other shows. His shows alone were taking up more than a quarter of ABC's prime time hours by the turn of the decade and it was said that he had produced more hours of television than anyone else. For several years, Love Boat was teamed with Spelling stable mate Fantasy Island, forming a two-hour escapist block on Saturday nights when viewers could escape on a tropical cruise then to a lush tropical island.
With The Love Boat, viewers could experience some of the better aspects of a cruise, without the drawbacks. Every day was sun-drenched and every night clear and crisp, sunsets were always brilliant, it never rained and we could all be home within a single hour. And heck, it didn't cost a cent! The Aloha, Lido, Fiesta and Riviera decks (or at least their names) become ingrained in memory through sheer repetition. Not to mention the ship's lobby where all the guest stars made their grand entrances. (The lobby of the real Pacific Princess, by the way, looked nearly the same but was in the center of the ship and had no such entrance doors.) And, of course, the Crystal Pool, which made an appearance in every episode, except when the crew took to other ships for cruises in the Caribbean, Alaska and even Australia. And what a crew it was. From fatherly Gavin MacLeod to pert and perky Cindy "Lauren" Tewes and everyone in between, there was a nice family vibe to the original cast, even if some fans felt it was disrupted by the addition of Jill Whelan. Just don't mention the subsequent cast additions and changes, by which time the show had overstayed its welcome.
The stories were simple and, for the most part, uplifting. Still, they were repetitive. But how many different plot variations can one expect about love? And then there was the oh-so-'70s theme song. Charles Fox wrote the music, having already made his TV mark in several hit sitcoms including Happy Days, Laverne & Shirley and Love, American Style. Pity poor Paul Williams, who, despite other successes, once reportedly said even if he found the cure for cancer, he'd still be remembered only for penning the lyrics to this insidious ditty. As sung by Jack Jones, it was frothier than ocean whitecaps and a perfect match for the show. Both Williams and Jones, by the way, actually guest-starred on the show.
There's a story that Peter Graves was once asked about his appearance on The Love Boat. Graves jokingly demurred that everyone in Hollywood at the time guest-starred on the show. That's not far from the truth. The show featured a never ending parade of television stars, stars to be, stars that once were and would-be stars. Singers, dancers and once, the then-popular Dallas Cowboys Cheerleaders. All mingled with some rather distinguished company -- movie stars and Oscar winners past and future like Douglas Fairbanks, Jr., Ginger Rogers, Olivia de Havilland, Debbie Reynolds, Tom Hanks and Don Ameche, among others, made appearances.
The original Pacific Princess no longer plies her Pacific route on the Mexican Riviera, with ports of call at Mazatlan, Puerto Vallarta, Cabo San Lucas and Acapulco. She long since surrendered the area to her larger, newer, more luxurious sisters, one of which (the Sun Princess) couldn't carry the "Next Wave" revival in 1998. In the autumn of 2002, she was retired from the Princess fleet after 27 years of service, and the one, true Love Boat was no more. There's a new Pacific Princess now, but it just isn't the same. Thus I raise my glass in one final toast, "To absent friends and those at sea."
It's very easy and even very trendy to put down this lightweight show from ultraprolific producer Aaron Spelling, the same way people denigrate disco music. But once put into context, it really wasn't all that bad. The period, after all, was the late '70s -- only three years after The Brady Bunch had left the air. TV's fabled last gasp of innocence had yet to be breathed. TV shows could still be expected to be fun and frivolous, like the Me Decade this was a part of.
Spelling was at the peak of his TV power, having already scored hits with The Mod Squad, The Rookies, Starsky & Hutch and Charlie's Angels, among other shows. His shows alone were taking up more than a quarter of ABC's prime time hours by the turn of the decade and it was said that he had produced more hours of television than anyone else. For several years, Love Boat was teamed with Spelling stable mate Fantasy Island, forming a two-hour escapist block on Saturday nights when viewers could escape on a tropical cruise then to a lush tropical island.
With The Love Boat, viewers could experience some of the better aspects of a cruise, without the drawbacks. Every day was sun-drenched and every night clear and crisp, sunsets were always brilliant, it never rained and we could all be home within a single hour. And heck, it didn't cost a cent! The Aloha, Lido, Fiesta and Riviera decks (or at least their names) become ingrained in memory through sheer repetition. Not to mention the ship's lobby where all the guest stars made their grand entrances. (The lobby of the real Pacific Princess, by the way, looked nearly the same but was in the center of the ship and had no such entrance doors.) And, of course, the Crystal Pool, which made an appearance in every episode, except when the crew took to other ships for cruises in the Caribbean, Alaska and even Australia. And what a crew it was. From fatherly Gavin MacLeod to pert and perky Cindy "Lauren" Tewes and everyone in between, there was a nice family vibe to the original cast, even if some fans felt it was disrupted by the addition of Jill Whelan. Just don't mention the subsequent cast additions and changes, by which time the show had overstayed its welcome.
The stories were simple and, for the most part, uplifting. Still, they were repetitive. But how many different plot variations can one expect about love? And then there was the oh-so-'70s theme song. Charles Fox wrote the music, having already made his TV mark in several hit sitcoms including Happy Days, Laverne & Shirley and Love, American Style. Pity poor Paul Williams, who, despite other successes, once reportedly said even if he found the cure for cancer, he'd still be remembered only for penning the lyrics to this insidious ditty. As sung by Jack Jones, it was frothier than ocean whitecaps and a perfect match for the show. Both Williams and Jones, by the way, actually guest-starred on the show.
There's a story that Peter Graves was once asked about his appearance on The Love Boat. Graves jokingly demurred that everyone in Hollywood at the time guest-starred on the show. That's not far from the truth. The show featured a never ending parade of television stars, stars to be, stars that once were and would-be stars. Singers, dancers and once, the then-popular Dallas Cowboys Cheerleaders. All mingled with some rather distinguished company -- movie stars and Oscar winners past and future like Douglas Fairbanks, Jr., Ginger Rogers, Olivia de Havilland, Debbie Reynolds, Tom Hanks and Don Ameche, among others, made appearances.
The original Pacific Princess no longer plies her Pacific route on the Mexican Riviera, with ports of call at Mazatlan, Puerto Vallarta, Cabo San Lucas and Acapulco. She long since surrendered the area to her larger, newer, more luxurious sisters, one of which (the Sun Princess) couldn't carry the "Next Wave" revival in 1998. In the autumn of 2002, she was retired from the Princess fleet after 27 years of service, and the one, true Love Boat was no more. There's a new Pacific Princess now, but it just isn't the same. Thus I raise my glass in one final toast, "To absent friends and those at sea."
Le saviez-vous
- AnecdotesThis series was based upon (or "inspired by", as the end credits put it) Jeraldine Saunders 1974 novel "The Love Boats." She wrote the book from her personal observations while serving as a hostess on a cruise ship.
- GaffesWhile it made for interesting stories during the run of the show, romantic and sexual liaisons between passengers and crew members were (and still are) forbidden aboard cruise ships for a host of reasons.
- Générique farfeluIn the opening credits, the episode's guest stars are listed first in alphabetical order; then the show's regulars, who are referred to as "your Love Boat crew" (e.g. "Gavin MacLeod as your Captain", etc.).
- ConnexionsEdited into Intrepid (2000)
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