Ajouter une intrigue dans votre langueEva comes to Hong Kong. Seeing Eva perform with a snake, Judas gets interested in her. He showers her with gifts. She moves in with him and his snakes. Things get grim.Eva comes to Hong Kong. Seeing Eva perform with a snake, Judas gets interested in her. He showers her with gifts. She moves in with him and his snakes. Things get grim.Eva comes to Hong Kong. Seeing Eva perform with a snake, Judas gets interested in her. He showers her with gifts. She moves in with him and his snakes. Things get grim.
Ziggy Zanger
- Candy
- (as Sigrid Zanger)
Jenny Liang
- Dancer
- (uncredited)
Koike Mahoco
- Eva's Girlfriend
- (uncredited)
Isabella Zanussi
- Party Guest
- (uncredited)
Commentaire en vedette
Eva Nera (1976), directed by Joe D'Amato, attempts to weave an exotic tapestry of erotic adventure and intrigue but ultimately falls short of its ambitions. The film's premise, centering on the illicit and seductive allure of Southeast Asia, offers ample potential for a thrilling narrative. Unfortunately, despite the lush, picturesque settings and the tantalizing promise of forbidden romance, the story stumbles in its execution. The plot, which follows Eva (played by Laura Gemser) and her journey through a world of smuggling and seduction, often feels disjointed and underdeveloped, leaving viewers with more questions than answers.
The performances in Eva Nera are a mixed bag. Laura Gemser, known for her work in the Emanuelle series, brings a certain enigmatic charm to her role. However, the supporting cast fails to rise to her level, delivering lackluster and sometimes wooden performances that detract from the film's overall impact. The chemistry between the characters, which is crucial in a film of this nature, often feels forced and unconvincing, further distancing the audience from the unfolding drama.
One of the film's notable aspects is its cinematography. The exotic locales are captured with a vividness that highlights the natural beauty of the settings, providing a visually stimulating backdrop for the narrative. However, even this strength is undermined by inconsistent editing and pacing issues. At times, scenes drag on unnecessarily, while crucial plot points are glossed over, disrupting the flow and leaving the viewer feeling disengaged. The music score, while attempting to heighten the sense of eroticism and adventure, occasionally feels out of sync with the on-screen action, adding to the overall sense of disarray.
In conclusion, Eva Nera is a film that promises much but delivers little. Despite its alluring premise and visually appealing settings, it is hampered by a weak script, uneven performances, and poor pacing. For fans of Laura Gemser or those intrigued by 1970s erotic adventure films, it might hold some nostalgic value.
The performances in Eva Nera are a mixed bag. Laura Gemser, known for her work in the Emanuelle series, brings a certain enigmatic charm to her role. However, the supporting cast fails to rise to her level, delivering lackluster and sometimes wooden performances that detract from the film's overall impact. The chemistry between the characters, which is crucial in a film of this nature, often feels forced and unconvincing, further distancing the audience from the unfolding drama.
One of the film's notable aspects is its cinematography. The exotic locales are captured with a vividness that highlights the natural beauty of the settings, providing a visually stimulating backdrop for the narrative. However, even this strength is undermined by inconsistent editing and pacing issues. At times, scenes drag on unnecessarily, while crucial plot points are glossed over, disrupting the flow and leaving the viewer feeling disengaged. The music score, while attempting to heighten the sense of eroticism and adventure, occasionally feels out of sync with the on-screen action, adding to the overall sense of disarray.
In conclusion, Eva Nera is a film that promises much but delivers little. Despite its alluring premise and visually appealing settings, it is hampered by a weak script, uneven performances, and poor pacing. For fans of Laura Gemser or those intrigued by 1970s erotic adventure films, it might hold some nostalgic value.
- MajesticMane
- 3 juin 2024
- Lien permanent
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- AnecdotesThe British video release had cover illustrations from The Hot Girls (1974), Penelope Pulls It Off (1975) and I'm Not Feeling Myself Tonight (1976), but none from the actual film itself.
- GaffesThe snake that Judas refers to as a green mamba is actually a much less dangerous asian vine snake.
- ConnexionsEdited into Les amours exotiques d'Emmanuelle (1980)
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