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Vsichni dobrí rodáci

  • 1969
  • 2h
ÉVALUATION IMDb
7,5/10
1,2 k
MA NOTE
Vsichni dobrí rodáci (1969)
SatireTragedyComedyDrama

Ajouter une intrigue dans votre langueVarious scenes in the life of a tight-knit community in Czech village exploring the human spirit in the backdrop of the post-war political changes they experience.Various scenes in the life of a tight-knit community in Czech village exploring the human spirit in the backdrop of the post-war political changes they experience.Various scenes in the life of a tight-knit community in Czech village exploring the human spirit in the backdrop of the post-war political changes they experience.

  • Director
    • Vojtech Jasný
  • Writer
    • Vojtech Jasný
  • Stars
    • Vlastimil Brodský
    • Radoslav Brzobohatý
    • Vladimír Mensík
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,5/10
    1,2 k
    MA NOTE
    • Director
      • Vojtech Jasný
    • Writer
      • Vojtech Jasný
    • Stars
      • Vlastimil Brodský
      • Radoslav Brzobohatý
      • Vladimír Mensík
    • 15Commentaires d'utilisateurs
    • 18Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 victoires et 1 nomination au total

    Photos4

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    Rôles principaux52

    Modifier
    Vlastimil Brodský
    Vlastimil Brodský
    • Ocenás
    Radoslav Brzobohatý
    Radoslav Brzobohatý
    • Frantisek
    Vladimír Mensík
    Vladimír Mensík
    • Jorka
    Waldemar Matuska
    Waldemar Matuska
    • Zásinek
    Drahomíra Hofmanová
    • Merry Widow
    Pavel Pavlovský
    Pavel Pavlovský
    • Bertin
    Václav Babka
    Václav Babka
    • Franta Lampa
    Josef Hlinomaz
    Josef Hlinomaz
    • Frajz
    Karel Augusta
    Karel Augusta
    • Joza Trna
    Ilja Prachar
    Ilja Prachar
    • Plécmera
    Václav Lohniský
    Václav Lohniský
    • Zejvala
    Jirí Tomek
    Jirí Tomek
    Vera Galatíková
    Vera Galatíková
    • Frantisek's wife
    Helena Ruzicková
    Helena Ruzicková
    • Bozka
    Oldrich Velen
    Oldrich Velen
    • Policeman
    Jaroslava Vyslouzilová
    Zdenek Kutil
    Jaroslava Tichá
    Jaroslava Tichá
    • Director
      • Vojtech Jasný
    • Writer
      • Vojtech Jasný
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs15

    7,51.1K
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    Avis en vedette

    6panspermia

    Seems like a prequel to Satantango!

    Satantango is my all-time favorite movie. It's about a small town and the dissolution of its collectivized farm after the end of communism. All My Good Countrymen (the title on my DVD, though listed on IMDb as All My Compatriots) is about a similar small town, but it's about the period of collectivization instead of de-collectivization. In All My Compatriots, there is a steady demoralization of the townspeople as the collectivization and politicization moves along from 1945 to 1958. If you follow that trajectory until the collapse of the Soviet Union, you get to the lethargic, soul-destroyed nadir from which Satantango begins. Even though All My Compatriots is about a Czech town, and Satantango takes place in Hungary, it's remarkable how similar the towns feel and how much the one movie feels like the continuation of the other.

    While Satantango is an unusually long movie (over 7 hours!), it felt like it moved along a lot faster than Compatriots. (Satantango isn't fast-paced by any means; but time goes by faster than in Compatriots because it manages to mesmerize in a way Compatriots does not.) Besides its slowness, Compatriots was also rather hard to follow. Nonetheless, Compatriots had a quirky quality I liked, and it's especially interesting as a movie made during the Prague Spring. Also, the town and landscape had a delightful Brueghel-like quality, and many of the faces made me feel like Fellini had managed to slip into Eastern Europe to shoot the close-ups.
    9jandesimpson

    A treasure from the Prague Spring

    Although I was unaware of the name, Vlastimil Brodsky, I recognised the face immediately from his obituary photograph in a newspaper the other day, a face as distinctive and unforgettable as that of Louis Jouvet or Michel Simon. Brodsky brought distinction to a number of fine Czech films particularly in the '60's. but it is his performance of Ocenas, the organist in Vojtech Jasny's "All My Good Countrymen", that I remember most. The obituary prompted me to take another look at this fine cinematic product of the Prague Spring. Unfortunately it followed the fate of two other politically liberating films of the period, "Funeral Ceremony" and "The Ear", by being banned during the years of repression that followed, only to resurface with the collapse of communism. Their rediscovery was one of the most important cinematic events in recent years. The title "All My Good Countrymen" is not without irony as this epic tale of Czech village life from shortly after the end of the second world war concentrates on the activities of a group of friends who are not beyond reproach in siding with a politically corrupt regime for material advancement. Are these the "good countrymen" of the title or does it refer to the rest of the village who scorn these petty authority figure with silent contempt? By portraying the friends sometimes with quirky affection and sometimes as petty bullies, the director displays a certain moral ambiguity that makes one feel that the message behind it all has not quite been fully thought out. Another area of puzzlement is the three strange deaths that punctuate the narrative flow. They have an almost dreamlike quality, but, powerful as they are, their significance is not entirely clear. Where the film wholly succeeds however is in its wonderful evocation of time and place. The passing of seasons, particularly winter landscapes, have a beauty that is quite breathtaking. The symphonic score by Svatopluk Havelka, a rich tapestry of ostinato figures, beautifully compliments these landscape interludes while an unaccompanied trombone solo highlights the three moments of death. But it would be wrong to give the impression that "All My Good Countrymen" is a film where style matters more than substance. The use of a silent village crone, generally seen in closeup at moments of crucial drama, brilliantly sums up the stupidity of so many of the main characters' actions - an inspired use of a type of wordless Greek Chorus. In fact the film is often at its most powerful when it uses silence. Note the wonderfully poignant use of gesture when the honest young farmer takes leave of his family on his arrest. It is at moments such as this that the film achieves greatness.
    10rocek

    An epic vision of a small village

    This film tells the story of a village in Czechoslovakia from 1948 to 1968. Combining satire, farce, drama, poetry, and pure photo-lyricism seamlessly, it shows how politics and daily village life are interwoven in the fates of a broad spectrum of the village's inhabitants. The film's audacity and epic scope remind me of early Orson Welles--don't miss it!
    t-dooley-69-386916

    Czech New Wave that is as important as it is watchable

    'All my compatriots' (original title ' Vsichni dobrí rodáci') tells the story of seven friends from a small town in Czechoslovakia and we join them in 1948, they are on the wrong side of the Iron Curtain and the new Communism is thrust on this agricultural society. The seven friends are used as a vehicle to shine a light on the shortcomings of collectivisation and the corruption that seemed to be concomitant when power is used to deprive others of wealth.

    The story slowly distils to one of resistance albeit within the spirit of the law and that is in the shape of Frantisek. This was promptly banned by the Soviets after the 1968 invasion and sadly never had the impact it should have done and that is despite winning Best Director and the Jury Prizes at the 1969 Cannes Film Festival.

    It is filmed and framed very beautifully and all of the acting is of the highest calibre. It has a maudlin quality that is juxtaposed against the strength of will displayed by some of the main players. Some of the shots will stay with you too and very real people have been used to give added authenticity to the whole thing. This is a film for those who really appreciate cinema in all its glorious forms.
    10pocketapocketa

    A look back upon the Stalinisation of rural Czechoslovakia from the end of the Prague Spring

    This may not be a good place to start to enjoy Czech film - there are more accessible New Wave films - but it is a very powerful film which should not be missed by anybody who has more than a passing familiarity with the country and its history. With actors such as Radoslav Brzobohatý, Vladimír Menšík, a young Jíří Kodet, and the ever-popular singer and actor Waldemar Matuška, the film has a first-rate cast. In Jaroslav Kučera, it had a great cinematographer. Jasný was by now an accomplished screenwriter and, the countryside of the Pardubice region was as beautiful a backdrop as the machinations of the early communist period and, in particularly, the collectivisation of agriculture, were a fascinating subject. Still, the excellence of the film was not a given. The structure, given in large part by alternating dramatic changes of the environment as the seasons change and those first years after the communist takeover roll on, is effective and well-paced and permits a continuity of tone and subject with certain more episodic elements. The plot, on the page, might come across as busy, but on the screen, there is plenty of breathing space, and room for exquisite shots of the countryside, of work, even of play. So too does the heroic refusal to compromise of one of the characters, František, which becomes of increasing importance as the film moves into the mid 1950s, do nothing to detract from the well-balanced portrayal of the various characters of the village, described and referred to by their silly nicknames from the opening scenes in the months after the war. The history and fates of these characters are handled deftly, often with a brevity and telling detail of a John Cheever story. Neither is the film as unremittingly brutal as others handling similar material, such as the excellent, and thematically similar Smuteční slavnost of the following year. Like that film, I hope to return to Všichni dobří rodáci many times yet, and am sure it will repay repeated viewing.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Vsichni dobrí rodáci (1969) (All My Good Countrymen) was banned by Czechoslovakian government after Warsaw Pact invasion in 1968.
    • Citations

      Narrator: Every Czech has a devil standing beside him.

    • Connexions
      Edited into CzechMate: In Search of Jirí Menzel (2018)

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    FAQ

    • How long is All My Good Countrymen?
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    Détails

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    • Date de sortie
      • 4 juillet 1969 (Czechoslovakia)
    • Pays d’origine
      • Czechoslovakia
    • Langue
      • Czech
    • Aussi connu sous le nom de
      • All My Good Countrymen
    • société de production
      • Filmové studio Barrandov
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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