ÉVALUATION IMDb
6,7/10
4,6 k
MA NOTE
Ajouter une intrigue dans votre langueAfter an overseas deployment, two former French Foreign Legion members plan to break into the vault of a French corporation.After an overseas deployment, two former French Foreign Legion members plan to break into the vault of a French corporation.After an overseas deployment, two former French Foreign Legion members plan to break into the vault of a French corporation.
Marianna Falk
- Catherine
- (as Mariana Falk)
Béatrice Costantini
- La jeune malade
- (uncredited)
Avis en vedette
Alain Delon and Charles Bronson star as Dino Barran and Franz Propp, two French Foreign Legion veterans returned to Marseille after fighting in Algiers. Dino makes the acquaintance of a comely lass named Isabelle (Olga Georges-Picot), who entices him into a plan to return some stolen bearer bonds to a banks' vault. He will use his medical training as a cover, working as a doctor. But while hiding in the basement, waiting to make his move, he encounters Franz, who's there to rob the vault. The two men end up locked inside it, and while they wait for the building to open up again, they spend some time forming a friendship.
The idea is that the two unlikely friends develop a strong enough bond that neither one will be willing to rat the other one out, even after Franz is later apprehended and grilled by the police.
On the surface, this would seem to be a standard comic heist movie, but it's the initially antagonistic relationship between these mismatched characters that is the real heart and soul of the film. Delon had wanted to work with Bronson since seeing "Machine-Gun Kelly", and suggested him for the role of Franz. They have great chemistry, and are particularly funny in the early going when they keep trying to one-up each other. Offering fine support are lovely ladies Georges-Picot and Brigitte Fossey as bank employee Dominique, whom Dino turns to for help. Bernard Fresson is also great as determined police inspector Antoine Meloutis.
Although a little over-extended at just under two hours, "Farewell, Friend" offers up a fair amount of fun and humour, as well as a bit of suspense. (Franz is often attempting a trick of submerging as many coins as possible in a drink before it will overflow the cup / glass.). It also has a bit of action, and some memorable and delicious twists late in the game.
Delon is cool as always, and Bronson is just a joy: smiling, laughing, joking. If you're a fan of one or both of them, you'll have a pretty good time watching this one.
Seven out of 10.
The idea is that the two unlikely friends develop a strong enough bond that neither one will be willing to rat the other one out, even after Franz is later apprehended and grilled by the police.
On the surface, this would seem to be a standard comic heist movie, but it's the initially antagonistic relationship between these mismatched characters that is the real heart and soul of the film. Delon had wanted to work with Bronson since seeing "Machine-Gun Kelly", and suggested him for the role of Franz. They have great chemistry, and are particularly funny in the early going when they keep trying to one-up each other. Offering fine support are lovely ladies Georges-Picot and Brigitte Fossey as bank employee Dominique, whom Dino turns to for help. Bernard Fresson is also great as determined police inspector Antoine Meloutis.
Although a little over-extended at just under two hours, "Farewell, Friend" offers up a fair amount of fun and humour, as well as a bit of suspense. (Franz is often attempting a trick of submerging as many coins as possible in a drink before it will overflow the cup / glass.). It also has a bit of action, and some memorable and delicious twists late in the game.
Delon is cool as always, and Bronson is just a joy: smiling, laughing, joking. If you're a fan of one or both of them, you'll have a pretty good time watching this one.
Seven out of 10.
Bronson shines in this great film. This is clearly one his his best pics yet. The movie is great. The story, the acting... Everything. The chemstry between Bronson and co-star Alain Delon works well.
One quesion though... why is Bronson billed so low? Look at how the cast is listed on imdb page... Bronson WAS the star of this, along side Alain Delon.
I've heard that new DVD versions of this film are terrible in quality. I have an OLD vhs of this that is pretty good. The quality isn't great, but it is surely watchable. I guess I'm lucky.
Anyway- go see this movie now!
One quesion though... why is Bronson billed so low? Look at how the cast is listed on imdb page... Bronson WAS the star of this, along side Alain Delon.
I've heard that new DVD versions of this film are terrible in quality. I have an OLD vhs of this that is pretty good. The quality isn't great, but it is surely watchable. I guess I'm lucky.
Anyway- go see this movie now!
It is my personal opinion that "adieu l´ami" is one of the most underestimated movies of alain delon. Its psychological structure is of a highly complex density and needs to be analysed more. Especially the ambivalent role of women, sex and violence makes plenty of different interpretations possible. I propose to view "adieu l´ami" as an early outlook to the risky and multi-individualistic lifestyle and social attitude of the late ninetees. Comparing now the plot of "adieu l´ami" to the reality of western societies it must be seen as a masterpiece of impressing directive power.
An engaging psychological thriller, it's got some fights, girls, guns, muscles and chase scenes, but that's not the point. Ultimately, this film is about friendship and honor. It's a guys' flick, although girls too will be rewarded with Alain Delon's divine mug in plenty a closeup. It is probably Charles Bronson's finest performance ever, and one of Delon's best films. Made entirely in English, this is a good chance for an American viewer to appreciate French thrillers. While trying to imitate Hollywood first, they ended up being much better than the original. This movie will probably not change you as a person, but it will resonate with you.
It was a time when Charles Bronson was featured in French/European productions;for the record ,one can mention "Le Passager de la Pluie "(1969) by René Clément,"De la Part des Copains " (1970)by Terence Young and the curious "Quelqu'un Derrière la Porte" (1971)where he teamed up with Anthony Perkins .
"Adieu L'Ami" is arguably best of Bronson's adventures in France ,and best of Jean Herman's small filmography .It's his only success in France "Jeff" feat Delon again being looked upon as a failure. In "Adieu L'Ami" ,Bronson replaces ,in a certain manner,Lino Ventura. The plot is suspenseful in the grand tradition of Boileau-Narcejac's frame-ups .It's one of the rare Sebastien Japrisot's scripts which does not fall apart after the second reel.The scenes in the corridor climax the movie.What a night!
A note about the cast:
Olga-Georges Picot ,after several conventional parts,sank into porno films and prematurely died.
Brigitte Fossey,whose performance in Clement's "Jeux Interdits" (1952:she was five then)was praised to the skies around the world,came back to making movies in 1967 ("Le Grand Meaulnes").It was the second effort of her second career.She is still acting .
Although Bernard Fresson (who recently died)had begun his career with Resnais ("Hiroshima Mon Amour" ,1959) it took him ten years to draw the French audience's attention : his part of a cop was hailed by the critics.
"Adieu L'Ami" is arguably best of Bronson's adventures in France ,and best of Jean Herman's small filmography .It's his only success in France "Jeff" feat Delon again being looked upon as a failure. In "Adieu L'Ami" ,Bronson replaces ,in a certain manner,Lino Ventura. The plot is suspenseful in the grand tradition of Boileau-Narcejac's frame-ups .It's one of the rare Sebastien Japrisot's scripts which does not fall apart after the second reel.The scenes in the corridor climax the movie.What a night!
A note about the cast:
Olga-Georges Picot ,after several conventional parts,sank into porno films and prematurely died.
Brigitte Fossey,whose performance in Clement's "Jeux Interdits" (1952:she was five then)was praised to the skies around the world,came back to making movies in 1967 ("Le Grand Meaulnes").It was the second effort of her second career.She is still acting .
Although Bernard Fresson (who recently died)had begun his career with Resnais ("Hiroshima Mon Amour" ,1959) it took him ten years to draw the French audience's attention : his part of a cop was hailed by the critics.
Le saviez-vous
- AnecdotesAlain Delon, like many French, had admired Machine-Gun Kelly (1958), one of the first Bronson's starring vehicles, and he had the producer approach him when Bronson was in Europe making Pancho Villa (1968).
- GaffesWhen Barran throws the burning paper up in the shaft when they have opened a hole in the wall you can see it being moved out of the way by film crew because of the shadows it makes before he climbs up.
- Citations
Dino Barran: Give me your word.
Franz Propp: I ain't got one.
Dino Barran: Give it to me anyway.
Franz Propp: Very well friend.
- ConnexionsFeatured in The Big Sleaze (2010)
- Bandes originalesAdieu L'Ami
Written and Performed by François de Roubaix And Orchestra
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- How long is Farewell, Friend?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Farewell, Friend
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 19 800 000 $ US
- Durée1 heure 55 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Adieu l'ami (1968) officially released in India in English?
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