Ajouter une intrigue dans votre langueTwo young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.Two young women arrive in London to make it big in show business, and become corrupted by money and fame in the process.
- Prix
- 1 nomination au total
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I can't believe Leonard Maltin dissed this picture -- it's a rare gem of trippy brilliance, influential as hell on arbiters of style like "Absolutely Fabulous" and the "Austin Power" series. Lynn Redgrave (!), fresh out of "Georgy Girl", bumbles through looking like a great big blonde lovable cow in a succession of astonishing wigs, while her costar Rita Tushingham (!!) veers back and forth from frumpy/frowny to slapstick/mime to The Face of the 60's. The humor is broad and scatological, but cutting when its satire -- sample song lyric: "I can't sing, but I'm young!!" If you can find it, grab it.
Shortly after seeing this film in 1991 I was offered my 'dream' job and found myself heading down from the north to live in London for the first time. Just like the two girls in this crazy movie.
I loved this when I first saw it. And when I watch it now, it also captures some of the excitement that I felt back in '91.
London is a magical place with a unique feel. I was on a 'high' for the first few months, with a tingle down my spine whenever I walked around famous places. Even now I can't walk down Carnaby Street without visualising Lynn Redgrave skipping down it in the fast-cut musical sequence in Smashing Time. Many of the songs are, to be honest, quite bad. But they are also rather catchy and so stick in the mind.
There are many satirical swipes at the culture of the time. The photographer (Michael York) is David Hemmings in Blow Up. Rita Tushingham is the model Twiggy and Lynn Redgrave is pop star Helen Shapiro. The TV show is Candid Camera.
The '60's slang is also set up. The girls search for a 'switched on' pad and Anna Quayle runs a shop called 'Too Much'. When Rita Tushingham asks if customers won't be put off by the name (in the sense that the goods are 'too' expensive) the true meaning of the phrase is explained to her. The goods are just 'too much' (ie. mind blowing).
John Clive is at his best as the rather camp and slightly Jewish owner of Sweeney Todd's pie restaurant. The pie fight itself is well executed with some neat comic touches, such as the 'queen' who shoots himself when his fashionable suit is hit by a flying pie.
Indeed, Smashing Time is something of a gay cult classic. Murray Melvin appears as a gay character (as he did a few years earlier in A Taste of Honey, again with Rita Tushingham).
Other familar faces of the period include Arthur Mullard, Irene Handl and Ian Carmichael and there are interesting glimpses of locations as they were 30 years ago -- including the railway station at St. Pancras.
This is definitely a film you will want to watch again and again. You'll never tire of the musical and comic set pieces.
Unfortunately it is very rarely shown on TV in Britain. I haven't seen it on terrestrial TV since 1991 and it is not currently available on either video or DVD in the UK.
G.
I loved this when I first saw it. And when I watch it now, it also captures some of the excitement that I felt back in '91.
London is a magical place with a unique feel. I was on a 'high' for the first few months, with a tingle down my spine whenever I walked around famous places. Even now I can't walk down Carnaby Street without visualising Lynn Redgrave skipping down it in the fast-cut musical sequence in Smashing Time. Many of the songs are, to be honest, quite bad. But they are also rather catchy and so stick in the mind.
There are many satirical swipes at the culture of the time. The photographer (Michael York) is David Hemmings in Blow Up. Rita Tushingham is the model Twiggy and Lynn Redgrave is pop star Helen Shapiro. The TV show is Candid Camera.
The '60's slang is also set up. The girls search for a 'switched on' pad and Anna Quayle runs a shop called 'Too Much'. When Rita Tushingham asks if customers won't be put off by the name (in the sense that the goods are 'too' expensive) the true meaning of the phrase is explained to her. The goods are just 'too much' (ie. mind blowing).
John Clive is at his best as the rather camp and slightly Jewish owner of Sweeney Todd's pie restaurant. The pie fight itself is well executed with some neat comic touches, such as the 'queen' who shoots himself when his fashionable suit is hit by a flying pie.
Indeed, Smashing Time is something of a gay cult classic. Murray Melvin appears as a gay character (as he did a few years earlier in A Taste of Honey, again with Rita Tushingham).
Other familar faces of the period include Arthur Mullard, Irene Handl and Ian Carmichael and there are interesting glimpses of locations as they were 30 years ago -- including the railway station at St. Pancras.
This is definitely a film you will want to watch again and again. You'll never tire of the musical and comic set pieces.
Unfortunately it is very rarely shown on TV in Britain. I haven't seen it on terrestrial TV since 1991 and it is not currently available on either video or DVD in the UK.
G.
'Smashing time' is a well-made English comedy, set in the famous Swinging London of the mid-Sixties. And shot in the same city in the same period, adding extra authenticity.
This film is just fun, without any pretense. The hilarious interaction between Rita Tushingham and Lynn Redgrave, successfully coupled as girlfriends, makes it work. Some of its scenes are clearly inspired by Laurel and Hardy.
'Girlfriends', I said. This friendship between the two heterosexual female leads is devoid of any sex. Such a formula wouldn't probably sell today, but back in the Sixties it did. A friendship of this kind makes this film's core.
This film is just fun, without any pretense. The hilarious interaction between Rita Tushingham and Lynn Redgrave, successfully coupled as girlfriends, makes it work. Some of its scenes are clearly inspired by Laurel and Hardy.
'Girlfriends', I said. This friendship between the two heterosexual female leads is devoid of any sex. Such a formula wouldn't probably sell today, but back in the Sixties it did. A friendship of this kind makes this film's core.
WARNING : This is a very silly film. :D . Therefore, watching it in the right state of mind will make you laugh a lot. You will be irritated if in the wrong mood.
The story of two northern lasses, Yyvone and Brenda (Redgrave & Tushingham) who come to London to get down with the cool hepcats. The film documents in astonishing cinema-verite style the trials and tribulations of late 60's living and partying. There is fantastic irony in some sections of the film, particularly the Gauche perfume adverts that Brenda does..truly astonishing in fact - examples of post-modernism at it's finest. Michael York is wonderfully hammy as the swinging photographer who weaves in and out of Yyvone and Bren's lives on a regular basis with only thought of himself.
Two fantastic restaurant sequences as well...you just can't beat a good food fight! I must admit I've always had a huge crush on Rita Tushingham, which helped me through some of the lamer comedy moments, but overall it's light enough to be enjoyable.
Oh yeah, the music is absolutely awful, but I think that's intended. At least I hope so..please tell me it's meant to be a parody??
6/10.
The story of two northern lasses, Yyvone and Brenda (Redgrave & Tushingham) who come to London to get down with the cool hepcats. The film documents in astonishing cinema-verite style the trials and tribulations of late 60's living and partying. There is fantastic irony in some sections of the film, particularly the Gauche perfume adverts that Brenda does..truly astonishing in fact - examples of post-modernism at it's finest. Michael York is wonderfully hammy as the swinging photographer who weaves in and out of Yyvone and Bren's lives on a regular basis with only thought of himself.
Two fantastic restaurant sequences as well...you just can't beat a good food fight! I must admit I've always had a huge crush on Rita Tushingham, which helped me through some of the lamer comedy moments, but overall it's light enough to be enjoyable.
Oh yeah, the music is absolutely awful, but I think that's intended. At least I hope so..please tell me it's meant to be a parody??
6/10.
As someone else has said regarding this film 'I could have done with less slapstick and more satire'. Yep. The satire is most definitely there and it's funny but the slapstick is lame warmed over nonsense and should just be fast forwarded through. Redgrave and Tushingham are great fun together and the supporting cast all pitch in nicely, ghastly stereotypes excepted. It's a film I have long been curious about and now that I've seen it I feel as if I've been rewarded with a bright and zippy laugh out loud at times comedy (somewhat of a rare commodity these days) and an affectionate look at what I suppose is now a lost world.
Le saviez-vous
- AnecdotesBefore filming Austin Powers: Agent secret 00Sexe (1999), Michael York advised Mike Myers to watch Smashing Time (1967) to get a feel for the Swinging Sixties.
- GaffesMoments after Brenda has fallen into a mud puddle twice, her clothes are clean and dry.
- ConnexionsFeatured in Film Review: Backs British Films (1968)
- Bandes originalesSmashing Time
(uncredited)
Music by John Addison
Lyrics by George Melly
Performed by Lynn Redgrave and Rita Tushingham
Main Title Song
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- How long is Smashing Time?Propulsé par Alexa
Détails
Box-office
- Budget
- 630 000 $ US (estimation)
- Durée1 heure 36 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Smashing Time (1967) officially released in Canada in English?
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