La nuit des généraux

"What is admirable on the large scale is monstrous on the small."

It's Agatha Christie meets "The Battle of the Bulge" meets... oh you get the picture. Great cast lead by the always fabulous Peter O'Toole who delivers a memorable performance as General Tanz. Also nice to see French veteran actor Philippe Noiret in an ensemble that includes Omar Sharif, Tom Courtenay, Donald Pleasence and Christopher Plummer.

It is tense all the way mostly thanks to the great use of – first Warsaw (and the atrocities performed there) as a backdrop for the story and then we move to Paris where the plot to kill Hitler is nicely interwoven.

"The Night of the Generals" is at parts predictable, yes, (with the great exception of Omar Sharif's final scene) but I guess that's also what makes it kinda' enjoyable at times - at least in the very last scene - when you know what's coming (and boy does it feel good).

Some may find it a bit tedious and yes it is long, but when it was over I knew I would definitely see it again sometime in the future so in short: it works! If you think this movie is your cup of tea, based on the IMDb-information, you're probably right.

8/10

I remember seeing this film in the theater when I was a kid and being fascinated by it. When I finally located a copy on VHS, I was able to enjoy it once again. Do not over analyze it. Just enjoy Peter O'Toole as the nutcase Tanz, Donald Pleasance as the General-with-a-conscience, and especially Omar Sharif as the dogged, honorable military investigator. Charles Gray as General Gabler (and Coral Browne as his wife) are perfect as oldschool Wehrmacht junkers. ("We are well suited, aren't we?") Yet another film that needs to be released on DVD.

I have to admit to having high hopes for "Night of the Generals." My previous viewing experience was 20 years ago when my brother rented the video. Alas, my expectations were only half met. The film suffers from a rather clumsy narrative as it keeps shifting from The Second World War to what was then modern day 1966. I found the constant shift in emphasis to be irksome as the film didn't seem to know which setting it was focusing on. In addition, the story about a German officer who investigates the murder of a prostitute in Nazi occupied Poland, took a backseat to what was really a general look at army life amongst the Nazis. Peter O' Toole doesn't really take centre stage as he should have done. He is out of the film for many minutes at a time and that disappointed me. The same applies to Omar Sharif as the officer investigating the murder. Luckily, the film does maintain my attention and interest, thanks to a brilliant supporting cast. We have Tom Courtenay, Donald Pleasence, Charles Gray, John Gregson, Harry Andrews, Christopher Plummer and others. Peter O' Toole - when he is in the film - gives an outstanding performance as the cold and ruthless killer in "Night of the Generals." His blue eyes look almost piercing. Not the classic I was expecting but still good.

I agree with the above general sentiment that the story strays a bit too much at times, especially with the rather useless bombing of Hitler as a detour. I do however understand why it's there - it's because by attaching the "good" German generals to the plot of killing Hitler, they let the audience not feel bad for rooting for them. Simple trick, but all in all detrimental to the momentum of the story.

The film is brimming with exceptional acting - O'Toole turns in a particularly vicious and strong performance as General Tanz, but everyone holds their own. It's rare to find a villain so distasteful and yet so intriguing - most filmmakers just content themselves with giving the villain an evil shtick without much character development - not so here.

I saw a newly mastered DVD in full 2.35:1 widescreen presentation and the the cinematography by the late Henri Decae is wonderful in all its glory.

Very interesting movie, please see it.

Well, if nothing else, we can agree that they don't make 'em like this any more. A cast of super-prestigious actors, including a reunion of Peter O'Toole and Omar Sharif from Lawrence of Arabia, is employed in a huge, unwieldy Euro-pudding of a production about Nazis, murderers and a Nazi murderer.

This isn't an easy movie to summarize, since there are at least three major plot-lines going on at the same time. In one, someone is killing prostitutes in occupied Warsaw and Paris, and Omar thinks the murderer is one of three leading Wehrmacht generals. In the second plot, various high-ranking officers are conspiring to overthrow Hitler and bring the war to an end. And in a third plot, Tom Courtenay's corporal is getting very close to the daughter of Charles Gray's untrustworthy General Gabler.

All three plots intersect, sort of, but I can't help wishing that someone had made up their mind just what sort of movie they wanted to make and stuck with it, rather than trying to make three at once. Courtenay's romantic sub-plot is entirely redundant, and should have been cut out completely, thus shortening the movie to a manageable two hours or so. And was there really any need for Christopher Plummer to saunter on in a minuscule cameo as Rommel? His appearance adds nothing to the story, and the only reason for him being here at all was presumably in order to employ every great British actor alive at the time. I'm only surprised that Laurence Olivier didn't turn up as Goebbels, or Himmler or someone.

And yet, despite the bloat, despite the stunt casting, despite the fact that Philippe Noiret is more wooden than the Black Forest, it works. I watched it for two and a half hours without getting bored, and I loved a lot of things about it - the characters interact beautifully, the tension in the conspiracy sequences builds up to near-unbearable levels, and the look of the thing is sumptuous in the extreme. You really feel you're there with these people, and you can't help but care about them and how the story comes out. In the end, that's what movies are supposed to do, isn't it? Night of the Generals is a long way from perfect, but it just about forced me to like it.