The Smothers Brothers Comedy Hour

I remember this show well. I was a fan at first. This show was a humorous and entertaining variety show the first season. Then it became less and less entertaining and humorous as they began wasting a lot of time fighting the network's "standards and practices" about risqué material. The show became basically unwatchable by the last season. Reading other comments, it seems people don't remember that they were always allowed to poke fun at politicians. They skewered LBJ the first two years, and Nixon the last year, and also individual members of Congress. For example, they attacked Senator Pastore personally because he was an outspoken critic of television programming at the time.

It's an example of a good show that lost its vision and became mediocre.

What can I say about this except that it better demonstrates the ugliness of censorship than any other show I've experienced.

By this, I don't mean that the show was ruined. Rather, the Brothers poked fun at the censors and made evident just how ugly the censorship movement was (and IMO still is) in American television. This show should be watched, if ever you can have the fortune to see it, if only for the elucidation of the fact that our speech isn't nearly as free as we think it is.

Aside from that, the show was clever and funny. Many brilliant parodies that were ahead of their time.

Alas, it was censorship which eventually put an end to the show when CBS canceled it.

This is a show which could never, to this date, have existed at any other time. Previous to this era, it would not have been accepted at all. Subsequent to this era, political correctness has grabbed TV in a way which never would have permitted such honest parody.

We lost a gem when it ended but it's still remembered. Thanks, guys!

Hard to believe this show isn't spoken about more. It was the defining show of middle American during the late sixties and early seventies. Let no one fool you. It was that popular. This comes from someone who wasn't a hippie or ardent fan, but purely an observer.

They were the "cool". Everything else was cast aside by middle American during this era. Unless you lived by yourself, you were going to watch this show when it came on. The ratings mean nothing. For middle America, with their black and white TVs and makeshift antenna that sometimes got 3 stations, this was revered by the heads of household.

Part music, part comedy, part social statement, it was the culture of the times. Naturally, it wouldn't be the straight man, Dick, but the lovable Tommy who would dictate the order.

They would usually start serious, with a song being played in traditional style, and Dick would continue, but Tommy, you could see it in his eyes, he had an itch to scratch, and he would scratch it.

It would last about 30 seconds before Tommy would start doing something silly with the song, and about 50 seconds before he was doing slapstick. Dick would be the annoyed straight man.

In the era of Richard Nixon, no one, and I mean no one, didn't know about "Pat Paulsen For President". Paulsen was a comic who pretended to run for office, but people were seriously considering him.

The social commentary was just the right level. There was talk of censorship, but the brothers weren't really that outspoken. They stood at about 75% on the left.

There were some "magical" moments on the show. Paul Simon was a guest one time, and Tommy tried to do a duet with him in an Art Garfunkel wig. What followed was priceless.

Then there was "Mr Bojangles", sang by Dick,while a silhouette of Bojangles tap danced. Another priceless moment.

Then there was the famous episode where musical guest Guthrie was lauded with being a great rhymester, and he made the word that would rhyme with "orange" for Tommy.

This was the special show of the lower middle class of America during that era. It was mandatory viewing for many such families. And we weren't disappointed.

The Late Mr. Steve Allen once said that usually no one ever set out to be a Comedian; rather they usually started out as a funny Musician, a funny Salesman, a funny Juggler or whatever have you. As a fine example, we cite the example of 5 brothers, musicians out of Vaudeville. They were Leonard, Adolph, Milton, Julius and Herbert.

These Brothers gradually began to feature their wild and outrageous improvised humor as the main ingredient of their act. Upon the suggestion of The New Yorker Magazine Critic, Alexander Woolcott, the Brothers dropped their proper given names in favor of their nicknames of Chico, Harpo, Gummo, Groucho and Zeppo. The Marx Brothers, as we know them, had arrived.

Then it shouldn't have been any sort of a shocker in the 1960's to see a Folk Song pair turn their act from the Hootenanny to Comedy.

In 1965 "THE SMOTHERS BROTHERS SHOW" debuted on the CBS Television Network. This was a half-hour situation comedy. The basic premise:Tom had died, but was returned to Earth as an Angel: His mission reforming his younger brother.Dick was rapidly becoming both ruthless in Business and Industry; as well as a Big Womanizer.

One had to keep a close watch on the happenings of a half-hour episode, as you would find Tommy all over the place. We recall in one episode we saw the two brothers in a tough situation involving a hold-up or some such crime (the Smothers Boys innocent). As the scene quickly changes to a responding Police Patrol Car, we are taken inside to see the 2 man crew talking about their impending assignment; we discover one of the Cops as being Tommy. In full uniform and all of a sudden sporting a modified Kaiser Wilhelm hair culture above his upper lip; he is one easily missed by the home viewers.

Angels are good box office in the case of a sentimental Christmas Time Movie like Frank Capra's IT'S A WONDERFUL LIFE (1946) or in Dramatic TV Series, such as Michael Landon's "HIGHWAY TO HEAVEN" (!984-89) or "TOUCHED BY AN ANGEL" (1994-2003), starring Miss Della Reese & Company. But apparently the same doesn't hold true for sitcom/farce; as the series was axed at the end of the TV Spring Semester.

Only a half year later, CBS was so sure of the Smothers capabilities that they okayed a deal for Tom and Dick to return to the Network; but this time it would not be a filmed sitcom. Instead plans were made to produce an hour long Comedy-Variety Show, to be aired Sunday evenings. On February 5, Anno Domini 1967, it was the premier installment of "THE SMOTHERS BROTHERS COMEDY HOUR." At last a show of their own, where they could be themselves and do their own thing. And like all Variety, they assembled a gang of regulars of their own to fill out the Playbill along with the best Guest Starring roster. And that included the best guests from all ends of the entertainment industry; be they Movie Stars, Rock Bands & Individuals, Comedians and Tragedians, alike.

They hit the ground running and never slowed down. Their humor was broad and they were constantly pushing the envelope. Their regulars fast became household names. What with Miss Leigh French's 'Hip' commentaries, some subtly making references to the growing drug culture and Pat Paulson's Editorials, we had more regular features to look forward to each week.

And speaking of Mr. Paulson, he gets our vote for the Smothers Brothers Find of the Show. Although he had certainly been around for some time and was definitely not an "overnight" success, it was on The Comedy Hour that he got his big break and got recognition for his talents and abilities. His running for President was at once the peak and valley of his career. It gave him the greatest exposure and camera time and gave all of us many a good laugh at our own Political System. But, when it was all over, and the team of Nixon & Agnew proved to be the winning ticket, where did this leave Pat Paulson? Long about the same time, 1968, the Smothers Brothers began to do more and more political humor and it definitely leaned solely to the Left. CBS tried to rein the Brothers Show in and exert some control, but somebody in the Smothers' Camp was insistent on continuing needling the Nixon Administration, The War in 'Nam, Civil Rights movement and Racial Strife, the Hip Counter Culture and words like cannabis sativa.

Ratings were good, but had begun to slip. Finally CBS reminded the Smothers Boys that it was their Ball Park (Network) and their ball. If they didn't want to play by their ground rules, the game was over. So, it was over.

In retrospect (and all hind sight is 20-20!) we can only say that perhaps the boys got to hung up o the idea of making these "meaningful" statements, political or otherwise. We don't pretend to tell anyone that they can't have their own feelings and beliefs; but one shouldn't get all hung up on this point. After all, when your not funny, what's the use?

Looking back on that CBS-Smothers Brothers feud, it all seems just a little trivial. Particularly when one thinks of this bygone period of nearly a half a century ago and contrasts it to our anything goes world today, it is strictly "G" Rating material.

The Smothers Brothers were haunted by the censors -- revisionist history is a dangerous thing, children. Do your research with primary sources. It's convenient for many to forget how dire those times were (unless, of course, they LIKED it that way), people blacklisted for opposing the war in Viet Nam on even the mildest basis (ask Eartha Kitt), FBI monitoring of everyone from John Lennon to Groucho Marx...Bill Paley and CBS were masters of censorship and dead thinking...the only reasons the Smothers Brothers lasted as long as they did was because they brought in money, they gave an edge to a prehistoric network that subsisted on Hee Haw and the Beverly Hillbillies. But Washington made its ugly voice heard, and that was that. If the times have changed, I'll be dipped if I can see it. The only reason All In The Family and Maude took off on that network is because of the almighty dollar -- the viewers made their voices heard, and viewer voices translate into dollars. The public has the responsibility and the power to change even the mightiest morons...don't forget that.

Also, never forget, the Nazis only lost ONE war!