Texas Across the River

the mid sixties...back before we were so culturally/politically correct...this movie wasn't ever meant to be correct anyway...it was a spoof of course and anyone who comments on it negatively without considering that needs some help.....Texas across the river is a signature film for dean....westerns that he loved so much...also a comedy which he was famous for...(many confirm that off camera he was far funnier than jerry lewis back in his earlier days)

Texas across the river is a perfect example of a spoof done in the sixties...and if you consider it as such you will find it to be excellent!....some have commented about joey bishop (jew) playing an Indian...well (hello) that is exactly why it works...it was meant to be tongue in cheek!...one should have little wonder as soon as the organ spits out a 60's rhythm and melody every time the indians are seen...or the surf sounding guitar also used in the soundtrack....I love this movie for what its worth....escapism....during a time (1966) of tragedy....the Vietnam war.

Released in 1966, "Texas Across the River" is a Western parody that takes place in 1845, starting at the Louisiana wedding of debutante Phoebe Ann Naylor (Rosemary Forsyth) to Don Andrea (Alain Delon), a Spanish nobleman. When the wedding is interrupted by Cavalry men (e.g. Stuart Anderson & Peter Graves), Don Andrea flees across the river to Texas, where he hooks up with Sam Hollis (Dean Martin) and his Native pal, Kronk (Joey Bishop), who are delivering weapons to Moccasin Flats. Don Andrea soon saves a Native lass, Lonetta (Tina Aumont), which attracts the attentions of a Comanche war party (Michael Ansara, Linden Chiles, etc.). Meanwhile the cavalry are hot on their trail.

You have to be in the right mode to enjoy "Texas Across the River," as it's full of mid-60's goofy humor (think Gilligan's Island or I Dream of Jeanie in the Old West). I personally chuckled from beginning to end and enjoyed it more than "Support Your Local Sheriff" (1969). It's just a fun movie with a great cast and locations, not to be taken seriously.

Speaking of which, one notable critic lambasted the movie for having Bishop play Hollis' Indian sidekick. I guess he didn't get the joke: The movie's poking fun at all the Westerns that used obvious white folk to play Natives; it's the same thing with Aumont playing the Indian cutie, who looks anything but Native American.

Directed by Michael Gordon, the movie was a fair hit at the box office. It runs 101 minutes and was shot in Alabama Hills, Lone Pine, Universal City & San Diego, California.

GRADE: B

I have always been a fan of Alain Delon and preferred Dean Martin to the rest of the Rat Pack, so when TEXAS ACROSS THE RIVER came on a nearby theater in the early 70s, I dared not to miss it, and there I was for the first night. And a good decision that was, because at the very end of the last reel, the projector caught alight, the theater closed for a couple of nights, and TEXAS ACROSS THE RIVER never showed there again!

Delon is at the peak of his physical condition and good looks, and he seems thoroughly to enjoy the part (his exchange of clothes with a passing rider and his bullfight scene are high points, even if his double in the latter clearly looks nothing like Delon - but somehow it just adds to the enjoyment of TEXAS taking nothing seriously); a peaking Martin weighs in with a wry and cynical sense of humor, and his amorous pursuit of Forsyth from a delusional state of mind, and a wound caused by an Indian arrow, is a gem; Joey Bishop is superb, whether is deadpan, ratting on Delon, displaying "Kronk" emotions -- or doing a rain dance, one of the movie's funniest moments.

Peter Graves is a hoot with his outlandish commands to his clumsy military force (the scene where he goes past a swarm of Indians on the warpath and does not even see them because he is so intent on catching Delon is another belly laugh); the Indian chief's exchanges with his constantly blundering son, while the rest of the tribe's elders look on knowingly, are sublime; and the witchdoctor is a riot, even if his presence in the film hardly totals 1 minute.

And, last but by no means least, the two beatiful women, Forsyth and Marquand: Forsyth, who starts the film looking purity itself in her white wedding dress, turns out to be a cheat at the slightest opportunity. Marquand, the Indian sqwaw, is about to be sacrificed by her tribe for the alleged commission of some illegality, but she is the purest, even if she is not above a good punch up with Forsyth.

This film perfectly captures the spirit of the West in the humorous, positive and deconstructionist 1960s. Some have criticized the fact that the Indians are made to look dumb, but so do the Union troopers, Martin, Delon, et al. Everybody has a turn looking dumb. In fact, the two most sensible characters are played by Bishop and Marquand - both Indians.

Direction is splendid in the humorous sequences, otherwise nothing memorable. Cinematography has its ups and downs - beautiful color, but some amateurish day for night, and clearly visible background cutouts.

Thankfully, I was able to buy a VHS copy, then a DVD copy, and I must have watched TEXAS ACROSS THE RIVER some 7 times by now: always enjoyed it, as did my kids, who remember it fondly.

Dean Martin, Alain Delon, Joey Bishop, and Rosemary Forsyth star in "Texas Across the River" from 1966. This is a funny movie, full of slapstick, political incorrectness, and funny bits, and it also goes to show you how badly Alain Delon's career in the U.S. was mishandled. He made two westerns while in the U.S. - not exactly geared to females. Don't ask what Hollywood was thinking.

The beautiful debutante Phoebe Ann Naylor (Forsyth) is preparing for her wedding to Don Andrea de Baldasar, El Duce de la Casala (Delon) who awaits her in full regalia, including a sword. I will venture to say that for five years after Delon left the U.S. there was no tan makeup to be found in all of Los Angeles - he was soaked in it, as he was in The Yellow Rolls-Royce.

After a duel, Don Andrea's opponent falls out a window and Don Andrea is charged with murder. He escapes and heads for Texas, where he meets Sam Hollis (Martin) and his sidekick, Kronk (Bishop). Don Andrea rescues an Indian woman, Lonetta, tames cattle, and competes with Sam when Phoebe shows up.

The film, directed by Michael Gordon, was done tongue in cheek. Delon is a riot as a formal Spaniard not at home on the range. It's perfect for Martin and Bishop, as the script fit their style of humor perfectly. It's silly but sometimes you need silly. People who saw this film when it came out have fond memories of it.

I saw this movie at the theatre as a kid and, thanks to regular television airings, multiple times through the years. I practically have the film memorized. And yet, I bust a gut laughing every time I see it to this day. There are so many memorable scenes and lines that will immediately bring a smile to anyone's face who has seen it; "Texas isn't even a state, how big can it be?", "The coward attacked him from the rear", the slapping scenes, the arrow in the rear, Joey Bishop as an Indian, Rosemary Forsyth in a wet blanket, "No Comanche is a friend of mine", that '60s guitar music whenever the Comanches are around, "Only read Kronk", and the oft quoted "ARUHROAR HAR!". Simply put, this film is funny. It's a horrible injustice that this film has not yet received a studio DVD release. I long to see this film again in a wide screen presentation without the awful pan and scan.