Teesri Manzil
- 1966
- 2h 52m
ÉVALUATION IMDb
7,5/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueA woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he ... Tout lireA woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.A woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.
Ram Avtar
- Laughing Passenger
- (as Ram Awtar)
S.N. Banerjee
- Hotel Manager
- (as S.N. Bannerji)
Avis en vedette
A Hitchcockian thriller to be watched again and again. The suspense has been maintained well till the end of the movie.The film is basically about the murder suspect.The climax scene where the real murderer is found is very thrilling.The music of the movie is very good.One interesting aspect in this movie is the murderer is founded out accidentally at the end of the movie.The movie can be watched by all ages of people.Enjoy a three hour thrilling experience.The movie is very fast and it increases the heart beats of the people who watched this movie.This thriller is very much equivalent to thrillers made in the Hollywood.Never forget to watch this thriller and keep guessing the murderer till the end.
This is probably Shammi Kapoor's best performances after JUNGLEE(1961
Its quiet different to see him in the role of a framed musician with an eye for the ladies He has like three bad girls who love him
A young woman fell in love for Shammi and committed suicide but the girls sister thinks her sister was seduced and jilted which is why she wants revenge
The movie is a Hithcock-influenced romance with a small murder mystery thrown in
The movie has fantastic song stand outs like O Hasina Zulfonwali Jaane Jahan and Tumne Mujhe Dekha
Shammi Kapoor stands out in his role Asha Parekh is the spunky revenge seeking sister Premnath is convincing Helen's role is small but effective Prem Chopra is average Rashid Khan is scary with his stare the rest are okay
Its quiet different to see him in the role of a framed musician with an eye for the ladies He has like three bad girls who love him
A young woman fell in love for Shammi and committed suicide but the girls sister thinks her sister was seduced and jilted which is why she wants revenge
The movie is a Hithcock-influenced romance with a small murder mystery thrown in
The movie has fantastic song stand outs like O Hasina Zulfonwali Jaane Jahan and Tumne Mujhe Dekha
Shammi Kapoor stands out in his role Asha Parekh is the spunky revenge seeking sister Premnath is convincing Helen's role is small but effective Prem Chopra is average Rashid Khan is scary with his stare the rest are okay
I first saw this film a few years ago and since then I must have seen it at least 20 times. First and foremost, the songs are excellent. I could listen to every single one again and again, especially O Haseena Zulfon Wali. Mohd Rafi truly is the greatest Indian playback singer to date. Asha Bhosle provides excellent support, particularly in the O Mera Sona Re song. Secondly, both the acting of Shammi Kapoor and Asha Parekh is great, both of them can pull off the comedy and the seriousness. Thirdly the plot of the movie is quite good too, with enough suspense to keep you hooked until the very end. This movie has been credited as the first murder mystery in Indian cinema and although at times its very clichéd and a little unbelievable, it still holds your attention.
All in all a typical 1960's movie but with that added masala that is bollywood!!
All in all a typical 1960's movie but with that added masala that is bollywood!!
In todays world when not even the producers know what they are serving the audience in the name of 'Entertainment' this beautifully made film still is a landmark in film making. It is in true sense a 'Musical Thriller' that today we see only written on posters! Beautifully shot and choreographed, this film is a gripping tale of suspense, drama, and a flavor of humor that keeps the audience excited even today. The lead actors have given their best performance and each character has something to contribute in the story. A very rare thing in Hindi films. The music was so ahead of its time that even today they are being re-mixed for the new generation and are a hit! This type of film comes once in a while and is a must to add to your film library. A must see for every film buff! Nobody can say enough for the film...Just bring it home and enjoy the roller coaster ride! Happy viewing!!
The basic instincts of directors come to the fore when they make a movie. Guru Dutt is an observer of life and never resorts to melodrama even in his tragedies. Gulzar is a mischievous person and this comes out in Anand, Chupke Chupke where he wrote dialogues or in the tragic Namkeen where he directed.
Vijay Anand has a trained upbringing in terms of directorship when he saw and observed Chetan Anand at work.
Here, he has not written the film but as a director his stamp is there in each frame of the film. He is a director by instincts, and a very good one. Apart from his writing and shooting and editing skills, where too he is unmatched.
Le saviez-vous
- AnecdotesThis film originally had Dev Anand in the leading role, but following a spat between him and producer Nasir Hussain, he walked out of the film. When Shammi Kapoor was approached for the role, he told Nasir Hussain he would work in the film only if Dev Anand tells him personally he is not working in the film out of his own will, and that he is fine with him doing the film. That is what happened.
- ConnexionsFeatured in Hum Tum (2004)
- Bandes originalesTum ne mujhe dekha hokar meherbaan
Sung by Mohammad Rafi
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- How long is Teesri Manzil?Propulsé par Alexa
Détails
- Durée2 heures 52 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Teesri Manzil (1966) officially released in Canada in English?
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