ÉVALUATION IMDb
4,8/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueCompletely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.
Pat Barrington
- Self - Rambunctious Dancer
- (as Pat Barringer)
Trina Lamar
- Self - Exciting Dancer
- (as Donna 'X')
Heide Richter
- Self ('Europe in the Raw' footage)
- (as Heidi Richter)
Denise Du Vall
- Self ('Europe in the Raw' footage)
- (as Denice Duval)
Mickey Frantz
- Pool Photography Model
- (uncredited)
John Furlong
- Narrator
- (voice)
- (uncredited)
Russ Meyer
- Minor Role
- (uncredited)
Avis en vedette
I am sure the now dead Yugoslavian dictator, Marshall Tito, would have had no objections to me renaming this movie so. Though I do think he himself could have appeared in it: his breasts were larger than some that we see here...
"Mondo Bimbo" has a great mid-60s feel to it, a colourful and vivacious style that is sorely lacking in today's often overly polished, sometimes sterile-looking movies - not to mention breasts that are REAL. (Oh, them da good ol' days that I never lived through...) No implants filled with dead chemical matter, sticking out of very small breasts, trying to escape their captivity, protesting their imprisonment by impersonating badly blown-up balloons; no, not here.
Still, all's not entirely perfect in the world of the 60s dancing harlots. These braindead women need dancing lessons like Paris Hilton needs a lobotomy. In fact, I take that back: I'd much rather have preferred that none of them danced at all. All that motion distracts from what the title tells us this world is really all about (which it is, in a way). Couldn't Russ have told them to keep still just for a single second? Sure, some of them do: some just stare into the camera emptily, grinning like pleased rhinos, but most of them prance around like deranged Elvis impersonators, to the rhythms of often annoying and ear-splitting jazz and blues music.
Someone here wrote that "no-one wants to hear these strippers talk". How wrong he is... After all, this movie would have been too dull with just breasts bouncing left and right. Some of the things Russ's bimbos say are quite amusing. I very much doubt that this stuff was scripted: it just seems so painfully honest, so utterly moronic, hence those must have been genuine thoughts exiting the empty heads of these mostly very pretty women.
And the winner for Movie's Best Pair Of Breasts goes to... the English-looking woman rolling in mud (also the largest pair). At one point she said that "Playboy Magazine" had rejected her because "my bust-line was too big". I always did hate Hugh Heffner; a niveau riche peasant with no sense of what does or doesn't make a woman beautiful. That magazine is strictly for fans of plastic bimbos...
"Mondo Bimbo" has a great mid-60s feel to it, a colourful and vivacious style that is sorely lacking in today's often overly polished, sometimes sterile-looking movies - not to mention breasts that are REAL. (Oh, them da good ol' days that I never lived through...) No implants filled with dead chemical matter, sticking out of very small breasts, trying to escape their captivity, protesting their imprisonment by impersonating badly blown-up balloons; no, not here.
Still, all's not entirely perfect in the world of the 60s dancing harlots. These braindead women need dancing lessons like Paris Hilton needs a lobotomy. In fact, I take that back: I'd much rather have preferred that none of them danced at all. All that motion distracts from what the title tells us this world is really all about (which it is, in a way). Couldn't Russ have told them to keep still just for a single second? Sure, some of them do: some just stare into the camera emptily, grinning like pleased rhinos, but most of them prance around like deranged Elvis impersonators, to the rhythms of often annoying and ear-splitting jazz and blues music.
Someone here wrote that "no-one wants to hear these strippers talk". How wrong he is... After all, this movie would have been too dull with just breasts bouncing left and right. Some of the things Russ's bimbos say are quite amusing. I very much doubt that this stuff was scripted: it just seems so painfully honest, so utterly moronic, hence those must have been genuine thoughts exiting the empty heads of these mostly very pretty women.
And the winner for Movie's Best Pair Of Breasts goes to... the English-looking woman rolling in mud (also the largest pair). At one point she said that "Playboy Magazine" had rejected her because "my bust-line was too big". I always did hate Hugh Heffner; a niveau riche peasant with no sense of what does or doesn't make a woman beautiful. That magazine is strictly for fans of plastic bimbos...
This is another great put on movie by Russ Meyer. Nobody but nobody makes a film like Russ Meyer although I am sure many have tried but nobody even comes close to combining all the elements so skillfully as Russ did in his movies.
Almost all of Russ Meyer's movies are put ons. I am sure Russ intended them just that way. It was his idea of winking at his audience which probably are mostly men. But the true fact is that Meyer's movies not only made women objects of desire and physically awesome and intimidating but in comparison to the men in his movies were far more intelligent than the men in them, and this was something Russ did long before anyone ever heard of the women's movement.
Almost all of Russ Meyer's movies are put ons. I am sure Russ intended them just that way. It was his idea of winking at his audience which probably are mostly men. But the true fact is that Meyer's movies not only made women objects of desire and physically awesome and intimidating but in comparison to the men in his movies were far more intelligent than the men in them, and this was something Russ did long before anyone ever heard of the women's movement.
Hilarious double-entendre narration (subtle as a sledgehammer) over "mod rock" music. Thoroughly pneumatic cast and hypnotizing choreography.
'Mondo Topless' is Russ Meyer's pseudo documentary that starts out with snapshots from San Fransisco with narrator (John Furlong) praises the city's progress. Images of San Fransisco is cleverly cut with seemingly unnecessary shots of topless woman driving the car. It doesn't take long when the film turns its focus on different strippers dancing and their recorded conversations about their thoughts and troubles.
'Mondo Topless' is visually beautiful film (in here I don't mean the nudity, but cinematography) with many interesting shots. Almost monotonous monologues of strippers over the groovy pop-rock and girls dancing gives the film quite surreal feel. The humor is subtle as left hook from Mike Tyson. The film keeps its tone and rhythm all the 60 minutes, and by the last quarter, it starts to get little bit boring.
Russ Meyer is much more talented and smarter than many think based on his films, and 'Mondo Topless' proves his intelligence besides the love of big bosoms.
'Mondo Topless' is visually beautiful film (in here I don't mean the nudity, but cinematography) with many interesting shots. Almost monotonous monologues of strippers over the groovy pop-rock and girls dancing gives the film quite surreal feel. The humor is subtle as left hook from Mike Tyson. The film keeps its tone and rhythm all the 60 minutes, and by the last quarter, it starts to get little bit boring.
Russ Meyer is much more talented and smarter than many think based on his films, and 'Mondo Topless' proves his intelligence besides the love of big bosoms.
Russ Meyer directed this mondo film immediately after the commercial disappointment of his now classic Faster, Pussycat! Kill! Kill! Despite being considerably less interesting than that earlier movie, Mondo Topless did far greater business at the box office. It seems pretty obvious to me that this was on account of its no messing high-concept - i.e. The promise of large breasts - and beautiful provocative promo posters. In the event, it is kind of a boring film to watch from start-to-finish unfortunately, but, as you can probably imagine, it still definitely has its individual moments.
Like all Meyer movies, this one has a pretty solid dependency on its female cast and it boasts quite a number of pneumatic girls. The standout for this viewer has to be Babette Bardot (she of the iconic posters), who we see driving her car in glorious twin-peaked profile on several occasions. And it's definitely always a bonus to see Lorna Maitland, who appears in some behind-the-scenes stuff from Lorna. If the film in general was to be broken down into its basic parts it would be dancing, narration and fast edits. The narration combines knowingly over-the-top nonsense from a male narrator and voice-overs from the various strippers about their personal lives, as we watch them bust some moves. Its all underscored too by a particularly relentless soundtrack of garage rock guitar instrumentals. Despite the presence of all these lovely women in states of undress, it does get a bit tedious after a while though, given the overall sameyness of so many of the routines, the high-speed edits taking us from one girl to the next and the relentless soundtrack. Still, it wouldn't be a Meyer film if it didn't look good and this one is no different on that score, with loads of well composed static shots and a constant accent on making the women look great. There's a particularly fabulous shot of one of the girls booging on down, as an incoming train fires towards the camera at speed - its ideas like this that really show Meyer's unique eye in full splendour. So, overall, not the most engaging watch in truth but if you like buxom women and you like to see them photographed really nicely, well, this one is certainly worth a look at least.
Like all Meyer movies, this one has a pretty solid dependency on its female cast and it boasts quite a number of pneumatic girls. The standout for this viewer has to be Babette Bardot (she of the iconic posters), who we see driving her car in glorious twin-peaked profile on several occasions. And it's definitely always a bonus to see Lorna Maitland, who appears in some behind-the-scenes stuff from Lorna. If the film in general was to be broken down into its basic parts it would be dancing, narration and fast edits. The narration combines knowingly over-the-top nonsense from a male narrator and voice-overs from the various strippers about their personal lives, as we watch them bust some moves. Its all underscored too by a particularly relentless soundtrack of garage rock guitar instrumentals. Despite the presence of all these lovely women in states of undress, it does get a bit tedious after a while though, given the overall sameyness of so many of the routines, the high-speed edits taking us from one girl to the next and the relentless soundtrack. Still, it wouldn't be a Meyer film if it didn't look good and this one is no different on that score, with loads of well composed static shots and a constant accent on making the women look great. There's a particularly fabulous shot of one of the girls booging on down, as an incoming train fires towards the camera at speed - its ideas like this that really show Meyer's unique eye in full splendour. So, overall, not the most engaging watch in truth but if you like buxom women and you like to see them photographed really nicely, well, this one is certainly worth a look at least.
Le saviez-vous
- AnecdotesThere are close-ups of the tape recorders used during the interviews with some dancers, enough for the brands to be read--namely one portable Vista on a beach, a larger Akai M-8 Cross Field in a bedroom, and one Panasonic and two Sony portable FM-AM transistors at pool scenes.
- ConnexionsEdited from Europe in the Raw (1963)
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- How long is Mondo Topless?Propulsé par Alexa
Détails
Box-office
- Budget
- 12 000 $ US (estimation)
- Durée1 heure
- Mixage
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