ÉVALUATION IMDb
4,6/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueA corpse has 24 hours to mastermind a good deed without leaving his crypt, to go "up there" and have his youth restored.A corpse has 24 hours to mastermind a good deed without leaving his crypt, to go "up there" and have his youth restored.A corpse has 24 hours to mastermind a good deed without leaving his crypt, to go "up there" and have his youth restored.
Bobbie Shaw Chance
- Princess Yolanda
- (as Bobbi Shaw)
Avis en vedette
Sorta fun and at the same time sorta boring. I find myself inexplicably drawn to it. Nancy Sinatra sings "Geronimo". A somewhat pleasant time filler you can talk through.
This film proved beyond a shadow of a doubt that the "Beach Party" genre was dead. After the previous film with Frankie Avalon and Annette Funicello, American International thought they could pull the two of them back for one final picture. However, by the time the plans were announced Avalon was more interested in other roles and Funicello was busy raising her family. Instead we get Tommy Kirk and Deborah Walley who, unfortunately, don't have the chemistry that Frankie and Annette had together. The "Beach Party" series was one of the most enduring in film history. Too bad it had to go out with a whimper instead of a bang.
Representing the (somewhat fatigued) tail-end of the "Beach Party" saga, minus Frankie and Annette, this haunted house comedy has some style in the live-action cartoon vein, but is hurt overall by an unenthusiastic cast and too much chatter. Sleepy Tommy Kirk and distracted Deborah Walley are involved in the reading of a will in a spooky mansion; Susan Hart is a sexy apparition (wearing a dopey-looking blonde wig for F/X purposes); Boris Karloff saunters through, tossing off droll comic lines in a debonair manner; Harvey Lembeck returns as Eric Von Zipper (although he doesn't look happy about it); and Nancy Sinatra is one of the teens there for a slumber party (she sings "Geronimo" poolside in the film's best sequence). Not terribly witty or lively; most of the kids on display are artificially frantic and 'nutty', waving their arms about. The movie desperately needs more music and more special effects. It relies too much on the talk-heavy plot, which is its weakest link. ** from ****
I realize that most people who have seen The Ghost in the Invisible Bikini will look at my rating and decide I need to have my head examined. I readily admit that it's one of the stupidest movies I've seen recently. I am perfectly capable of seeing all of the same problems in the movie that all of the other reviews or comments point out. Yes, the beach movie was on its last leg when The Ghost in the Invisible Bikini was made. Yes, there is no plot. Yes, most of the comedy is incredibly lame. Yes, Tommy Kirk is beyond terrible. Yes, Harvey Lembeck was way too old to play a rebellious motorcycle leader. Yes, Benny Rubin's Chicken Feather character is offensive. Yes, Deborah Walley is no Annette Funicello. Yes, Boris Karloff has little more than an extended cameo that almost appears to have been an afterthought. Yes, I see all these problems and more in The Ghost in the Invisible Bikini, but for whatever reason, the movie is still a lot of fun. I had a blast watching Nancy Sinatra sing "Geronimo". She's just so cool. I also enjoyed watching Basil Rathbone in one of his final performances. He seemed to really be enjoying the chance to ham it up. As goofy as it may sound, I love the fact that The Ghost in the Invisible Bikini takes many of the traditional beach movie trappings and transports them to a big, old haunted house. A swinging 60s style beach party set in Karloff's over-the-top torture chamber is an awesome idea. Finally, I've got to give the movie a bonus point for having a completely unnecessary gorilla. It adds a surreal touch to everything.
So, despite the many, many weaknesses and problems in The Ghost in the Invisible Bikini. I still had a great time watching it. I'll continue to say that the entertainment I get out of a movie is more important to me than anything else. And with that in mind, the 6/10 rating I've given The Ghost in the Invisible Bikini seems about right to me.
So, despite the many, many weaknesses and problems in The Ghost in the Invisible Bikini. I still had a great time watching it. I'll continue to say that the entertainment I get out of a movie is more important to me than anything else. And with that in mind, the 6/10 rating I've given The Ghost in the Invisible Bikini seems about right to me.
This film was the largest budgeted of the "beach" pictures. But it became a box-office failure and was the last of the genre American International produced. The inane script...is not only tired but borrows from such other sources as the curtain line of Some Like It Hot... This year's crop of boys in this film isn't up to the earlier "beach" cavaliers.ll KARLOFF and the other veterans are only along for the ride....Stanley Cortez's camera...makes good use...in exploring some...fasinating sets evidently left over from the Poe period..a good try but short on script and inspiration.
Le saviez-vous
- AnecdotesOriginally announced in the end credits of Dr. Goldfoot and the Bikini Machine (1965) under the title "The Girl in the Glass Bikini," this effort was initially rejected by AIP, which added new footage featuring Boris Karloff and Susan Hart in a separate subplot involving Hiram Stokely, billed as 'The Corpse.' This is also apparent in Hart's bikini-clad ghost being superimposed into scenes featuring the original actors. The final release took place in April 1966, bringing the studio's popular Beach Party series to a close after just under three years.
- GaffesWhen Chuck and Lily (wearing the orange top) go into the house alone and sit down there is some perspiration under her right arm that wasn't there before.
- ConnexionsFeatured in Le credo de la violence (1967)
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- How long is The Ghost in the Invisible Bikini?Propulsé par Alexa
Détails
Box-office
- Budget
- 200 000 $ US (estimation)
- Durée1 heure 22 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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