Ajouter une intrigue dans votre langueClara, diagnosed with tuberculosis, is treated in a sanatorium in the Alps where she can finally take a break from her miserable life.Clara, diagnosed with tuberculosis, is treated in a sanatorium in the Alps where she can finally take a break from her miserable life.Clara, diagnosed with tuberculosis, is treated in a sanatorium in the Alps where she can finally take a break from her miserable life.
- Director
- Writers
- Stars
- Prix
- 5 victoires et 1 nomination au total
José María Prada
- Ciranni
- (as Josè Maria Prada)
Julia Peña
- Edvige
- (as Julia Pena)
Avis en vedette
Be like a train; go in the rain, go in the sun, go in the storm, go in the dark tunnels! Be like a train; concentrate on your road and go with no hesitation!" Mehmet Murat ildan
Trains are featured prominently in this film. Without them, our heroine, Florinda Bolkan wouldn't be able to go to work, or even mountain retreat. Like trains, she would go on with her life journey - with no regrets and hesitations, in spite of tears.
Trains are featured prominently in this film. Without them, our heroine, Florinda Bolkan wouldn't be able to go to work, or even mountain retreat. Like trains, she would go on with her life journey - with no regrets and hesitations, in spite of tears.
10mdibner
This is an amazingly beautiful film. The story of a woman of little means and a horrendous family life who learns much about the world in a sanatorium in the Italian alps. It gives her a brief vacation from a hard life. And understanding. And hope. Truly wonderful. Florinda Bolkan is a great actress ... emoting without emotion. This movie has many levels of plot and story rolled into a single, seemingly simple story. There are many levels of relationships in the movie. Of particular interest is the set of relationships formed between patients from the upper class, the 'paying' patients and those who are in the sanatorium paid for by the national health. The juxtapositions between have and have not, happy and sad, sick and healthy, doctor and patient, hardworking and lazy and many others form the basis of what we see as Clara's learning process and set of life dilemmas.
Hard to find but worth it. Belongs on the top 250 list....but not enough people have seen it to vote.
Hard to find but worth it. Belongs on the top 250 list....but not enough people have seen it to vote.
This is the story of a woman given a respite from her grim life as a devoted wife and mother. She takes her illness in stride and goes off to the mountains to a sanatorium for a cure. While there, she meets people she would never have met otherwise and has time to experience a life other than one of drudgery and selfless devotion. She is even given a chance of escape/salvation. Will she take it? Ah, but that would be a spoiler!
This superb movie shows that realism can be moving and gripping. This woman's plight, her decency and her quiet heroism make for one of the best motion pictures ever made. If it could be released on video or DVD, I'm sure it would do well. Let's hope the owner of the rights to this movie soon figures this out.
This superb movie shows that realism can be moving and gripping. This woman's plight, her decency and her quiet heroism make for one of the best motion pictures ever made. If it could be released on video or DVD, I'm sure it would do well. Let's hope the owner of the rights to this movie soon figures this out.
It seems to me that this movie was an adaptation of Thomas Mann " The Magic Mountain " but i see no credit. I just couldn't help but notice the strong comparisons between the book/movie however although i did prefer the book, the movie should be recommended....if you can find it!!.
Vittorio De Sica collaborated again on this excellent film with screenwriter Cesare Zavattini, as he had in the postwar "Shoe Shine," "The Bicycle Thief," Umberto D," and their 60s French film "A Young World." They have fashioned, from a story by Rodolfo Sonego, a realistic and at times romantic drama about an Italian housewife (Florinda Bolkan in an amazing performance), living in a Milan suburb and married to a crass husband (Renato Salvatori) who treats her like a pack animal.
She supports the husband, unemployed because of an accident as well as her three sons and several in-laws, by working in a grim factory worse than that in Petri's "The Working Class Goes to Heaven" or Rossellini's "Europa '51."
She collapses from exhaustion and TB and is sent at company expense for "una breve vacanza" at a sanatorium in the Dolomites. Here she experiences a major change and awakening, not merely physical and emotional (as in a tender relationship with a machinist) but a profound radical change in which she examines for the first time her fundamental nature as a human being and as a woman. She can never be the same after she returns home.
Italian class and sex attitudes are perceptively analyzed here, and there is un unforgettable characterization by Adriana Asti as a foul-mouthed yet compassionate woman in the last days of a terminal illness. (Remember her in Bertolucci's "Before the Revolution"?)
I find it ironic that though this great "feminist" movie was written and directed by men, it is more effective in that regard in ways that its contemporary "Swept Away," made by a woman, is not.
She supports the husband, unemployed because of an accident as well as her three sons and several in-laws, by working in a grim factory worse than that in Petri's "The Working Class Goes to Heaven" or Rossellini's "Europa '51."
She collapses from exhaustion and TB and is sent at company expense for "una breve vacanza" at a sanatorium in the Dolomites. Here she experiences a major change and awakening, not merely physical and emotional (as in a tender relationship with a machinist) but a profound radical change in which she examines for the first time her fundamental nature as a human being and as a woman. She can never be the same after she returns home.
Italian class and sex attitudes are perceptively analyzed here, and there is un unforgettable characterization by Adriana Asti as a foul-mouthed yet compassionate woman in the last days of a terminal illness. (Remember her in Bertolucci's "Before the Revolution"?)
I find it ironic that though this great "feminist" movie was written and directed by men, it is more effective in that regard in ways that its contemporary "Swept Away," made by a woman, is not.
Le saviez-vous
- AnecdotesAccording to producer Arthur Cohn, Elizabeth Taylor, Sophia Loren, and Jane Fonda all wanted to play the role of Clara Mataro, which ultimately went to Florinda Bolkan.
- ConnexionsReferenced in Carrie (1976)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is A Brief Vacation?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 660 569 $ US
- Durée
- 1h 52m(112 min)
- Mixage
- Rapport de forme
- 1.66 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant