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L'esprit de la mort

Titre original : The Asphyx
  • 1972
  • PG
  • 1h 39m
ÉVALUATION IMDb
6,2/10
3,3 k
MA NOTE
Jane Lapotaire, Robert Powell, and Robert Stephens in L'esprit de la mort (1972)
FantasyHorrorSci-Fi

Ajouter une intrigue dans votre langueEnglish country squire Sir Hugo Cunningham searches for immortality by literally 'bottling up' the Spirit of the Dead, or Asphyx.English country squire Sir Hugo Cunningham searches for immortality by literally 'bottling up' the Spirit of the Dead, or Asphyx.English country squire Sir Hugo Cunningham searches for immortality by literally 'bottling up' the Spirit of the Dead, or Asphyx.

  • Director
    • Peter Newbrook
  • Writers
    • Christina Beers
    • Laurence Beers
    • Brian Comport
  • Stars
    • Robert Powell
    • Robert Stephens
    • Jane Lapotaire
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,2/10
    3,3 k
    MA NOTE
    • Director
      • Peter Newbrook
    • Writers
      • Christina Beers
      • Laurence Beers
      • Brian Comport
    • Stars
      • Robert Powell
      • Robert Stephens
      • Jane Lapotaire
    • 77Commentaires d'utilisateurs
    • 60Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos60

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    Rôles principaux12

    Modifier
    Robert Powell
    Robert Powell
    • Giles Cunningham
    Robert Stephens
    Robert Stephens
    • Sir Hugo Cunningham
    Jane Lapotaire
    Jane Lapotaire
    • Christina Cunningham
    Alex Scott
    Alex Scott
    • Sir Edward Barrett
    Ralph Arliss
    Ralph Arliss
    • Clive Cunningham
    Fiona Walker
    Fiona Walker
    • Anna Wheatley
    Terry Scully
    • Pauper
    John Lawrence
    John Lawrence
    • Mason
    David Grey
    • Vicar
    Tony Caunter
    Tony Caunter
    • Warden
    Paul Bacon
    Paul Bacon
    • 1st Member
    Joe Wadham
    • Police Officer at Accident Scene
    • (uncredited)
    • Director
      • Peter Newbrook
    • Writers
      • Christina Beers
      • Laurence Beers
      • Brian Comport
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs77

    6,23.3K
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    10

    Avis en vedette

    8The_Void

    An original and intriguing slice of period horror!

    Avoiding death and what happens when we die have been recurring themes throughout all art forms since the dawning of time. Despite the fact that there are a lot of films that handle similar themes, The Asphyx stands out for it's original and intriguing exaction. The film hasn't gained itself the best reputation in the three decades since its release, and it was apparently ignored upon its introduction to the general public. This isn't surprising - The Asphyx takes elements from supernatural horror and there's a little bit of sci-fi involved, but selling this film couldn't have been easy as there's no way to pigeon hole it. The plot focuses on Hugo Cunningham - a man who discovers that when we die, what's called an 'Asphyx' appears. After conducting a few experiments, Hugo presupposes that if one were to capture this Asphyx, then that person would never be able to die. He then proceeds to test the procedure on himself, and after becoming immortal decides he wants his young assistant and daughter; who want to get married, to become immortal also…

    The Asphyx is a British film set in Victorian times, and director Peter Newbrook does an excellent job of producing the period setting. The film was obviously made on a budget, and as such it doesn't exactly compete with some of the bigger budget films set around the same time; but still the director gets the point across. The special effects are a little hokey, but they work really well. The main standout where the effects are concerned are with the 'Asphyx' itself, and personally I'd much rather the effects shown here than the CGI rubbish we have nowadays. The acting is decent, with Robert Stephens being the main standout in the lead role, and receiving good support from Robert Powell. Jane Lapotaire is something of a weak link in my opinion as she's a little flat, but it's not too important. The film has a great premise, but in order for a premise to work, it needs a good plot too and this film certainly has that. The film is not predictable for most of its duration, and the drama between the central characters is always interesting enough to hold the audience's attention. The ending is both haunting and memorable, and overall; it has to be said that The Asphyx is a film that deserves more wide recognition!
    7ma-cortes

    Intriguing film about a scientific discovers an aura which can be attracted at the moment of dying and trapped , conferring immortality

    Nineteenth century , England , a mad doctor is studying death when he discovers the Asphyx , an obscure supernatural power , it is the key to immortality on the subject . Nice and enjoyable terror fim made in Hammer or Amicus style with a distinguished cast , creepy scenes and fine interpretation . This eerie movie deals with a man : Robert Stephens who attempts to trap the spirit of death but things go awry when he practices his experlments with his descendants : Arliss, Jane Lapotaire and adopted son , Robert Powell .

    Scary picture with a promising notion in which a scientist discovers an aura that surrounds persons just before they die ; however , his irresponsability in unleashing the rare entity on the world brings a swarm of unforeseen consequences , ominous distresses , irreversible problems and grisly murders . There is an interesting as well as riveting glimpse into Victorian psychological research with engaging theories, though does take some incredible happenings , even by the the standards of this peculiar genre . Strong cast formed by good Brit actors such as Robert Stephens giving a theatrical delivery as a doctor delves deeper into his research finding extraordinary surprises , Jane Lapotaire as his daughter , Fiona Walker and Robert Powell .

    It displays a weird but adequate score by Bill McGuffie . As well as an attractive production design by the great designer John Stoll . Appropriate and evocative cinematography by the prestigious Freddie Young who has a notorious career as cameraman such as Salomon and Queen Sabah, Ryan' s daughter, Lawrence Arabia , Doctor Zhivago , Lord Jim . This high-class terror /SciFi motion picture was compellingly directed by Peter Newbrook , being his only film . Newbrook had an important career in the camera and electric department , as a cinematographer and as a producer , including titles as Crucible of terror, Saturday night out , Press for time , That kind of girl, The green scarf , Green Helmet , 4 horsemen of Apocalypse , Anastasia , Farewell to arms , Deep blue sea , The Sandwich man , Vampires , among others . Rating : 7/10 , above average. Well worth seeing for the terror buffs . Essential and indispensable watching .
    9mr. sardonicus

    Great Little Movie!

    This is one of those rare small movies which has a great plot, decent special effects (for the time), and good acting. For the horror/sci-fi fan who does not require gore and shock value to enjoy a movie, this is a real treat. There are some minor flaws if you look closely, but they do not detract from the film as a whole. It is the atmosphere of the film which raises it above other works of the same era. I wish they could remake it with modern computer graphics and retain the same quaint eeriness, but I don't think modern audiences care much about atmosphere. Out of ten, I would give it a solid eight.
    7kosmasp

    High brow, low power

    Life after death - or rather what happens at the moment when our soul leaves our body (if you believe we have a soul that is)? This high brow concept and the capturing of an essence felt a bit like the Hammer horror tropes. I was fortunate enough to buy the restored version of this. The DVD did show the difference between this version and the one previously released - it would be unfair to judge the movie based on that meddled version, which cropped and "Pan&Scan" too.

    Anyway, if you are aware of the "classic" horror movies you will have a sense of what to expect. For other viewers it is important to keep in mind that there was a formula and a mood these movies followed. You may feel that they are annoying or boring or something else that is unpleasant to watch. But the art direction, the camera and the acting is spot on - or at least as intended (yes drama baby! You had to have it)
    7tonyandsilvia1994

    Hidden Gem

    The Asphyx is a 1972 British horror film directed by Peter Newbrook. The film follows a group of scientists in Victorian England who discover a way to capture the asphyx, a mythical creature said to be responsible for death. However, their obsession with capturing the asphyx leads them down a dangerous and deadly path.

    One of the most interesting aspects of The Asphyx is its concept. The idea of a mythical creature that is responsible for death is intriguing, and the film explores this concept in a unique and captivating way. The scientists' obsession with capturing the asphyx leads to some truly chilling moments, and the film's exploration of the nature of death is thought-provoking.

    The film is also highly entertaining. It's a horror film that manages to be both scary and engaging. The cinematography is well-done, with some truly eerie shots that effectively build tension. The use of practical effects is also impressive, and the film's special effects are still effective today.

    However, one of the film's weaknesses is the acting. While some of the performances are strong, others come off as a bit hokey. Some of the dialogue and line delivery can be cheesy and take away from the film's overall impact. This can be especially jarring during some of the more intense moments, which can lose their impact due to the over-the-top acting.

    Despite this, The Asphyx is still a highly enjoyable and entertaining horror film. Its concept and execution are strong enough to overcome any acting weaknesses. It's a film that manages to be both intriguing and engaging, with some truly memorable moments. The film's exploration of death and the consequences of human obsession is a theme that still resonates with audiences today, making The Asphyx a horror classic that should not be missed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The main credits state that the film's soundtrack was recorded using a 4-channel quadraphonic sound system. Sadly, there appears to be no evidence of it ever being exhibited in this manner.
    • Gaffes
      Toward the end of the film Robert Powell picks up a glass beaker. It has the Pyrex stamp on it and its volume is stated as 600ml. Victorian England used imperial (non-metric) measures, and Pyrex was not invented until 1915.
    • Citations

      Sir Hugo Cunningham: I obey God's will, my friend, my old friend, my eternal and everlasting friend...

    • Autres versions
      The film was originally shot in Todd-AO 35, a wide-screen process which is normally viewed at 2.35:1. The 1995 UK video featured a much shorter print and missed around 12 minutes of footage including dialogue scenes, an anti-hanging protest before the execution, and the removal of a scene showing the now-immortalized guinea pig being released from its cage. The 2004 Anchor Bay UK DVD features the same print and is presented in an anamorphic 1.85:1 ratio and also uses a pan & scan technique, thus cropping much of the print into a false version of wide-screen. The 2010 Odeon DVD features both the shorter and longer original prints in genuine widescreen.
    • Connexions
      Featured in Movie Macabre: The Horror of Death (1986)

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    FAQ

    • How long is The Asphyx?
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    Détails

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    • Date de sortie
      • février 1973 (United States)
    • Pays d’origine
      • United Kingdom
    • Langue
      • English
    • Aussi connu sous le nom de
      • The Asphyx
    • Lieux de tournage
      • Shepperton Studios, Shepperton, Surrey, Angleterre, Royaume-Uni(Studio)
    • société de production
      • Glendale Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 39 minutes
    • Rapport de forme
      • 2.35 : 1

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    Jane Lapotaire, Robert Powell, and Robert Stephens in L'esprit de la mort (1972)
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