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Man of La Mancha

  • 1972
  • PG
  • 2h 12m
ÉVALUATION IMDb
6,5/10
5 k
MA NOTE
Sophia Loren, Peter O'Toole, and James Coco in Man of La Mancha (1972)
The funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.
Liretrailer3 min 09 s
6 vidéos
31 photos
Costume DramaPeriod DramaQuestDramaFantasyMusicalRomance

Ajouter une intrigue dans votre langueThe funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who i... Tout lireThe funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.The funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.

  • Director
    • Arthur Hiller
  • Writers
    • Dale Wasserman
    • Miguel de Cervantes y Saavedra
  • Stars
    • Peter O'Toole
    • Sophia Loren
    • James Coco
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,5/10
    5 k
    MA NOTE
    • Director
      • Arthur Hiller
    • Writers
      • Dale Wasserman
      • Miguel de Cervantes y Saavedra
    • Stars
      • Peter O'Toole
      • Sophia Loren
      • James Coco
    • 82Commentaires d'utilisateurs
    • 28Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 1 oscar
      • 2 victoires et 3 nominations au total

    Vidéos6

    Trailer
    Trailer 3:09
    Trailer
    Man Of LA Mancha: Don Quixote Charges The Giant
    Clip 2:52
    Man Of LA Mancha: Don Quixote Charges The Giant
    Man Of LA Mancha: Don Quixote Charges The Giant
    Clip 2:52
    Man Of LA Mancha: Don Quixote Charges The Giant
    Man Of LA Mancha: I, Don Quixote
    Clip 2:41
    Man Of LA Mancha: I, Don Quixote
    Man Of LA Mancha: Don Quixote Meets Aldonza
    Clip 2:59
    Man Of LA Mancha: Don Quixote Meets Aldonza
    Man Of LA Mancha: The Impossible Dream
    Clip 2:28
    Man Of LA Mancha: The Impossible Dream
    Man Of LA Mancha: The Birth Of Don Quixote De LA Mancha
    Clip 2:25
    Man Of LA Mancha: The Birth Of Don Quixote De LA Mancha

    Photos31

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    + 24
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    Rôles principaux28

    Modifier
    Peter O'Toole
    Peter O'Toole
    • Don Quixote De La Mancha…
    Sophia Loren
    Sophia Loren
    • Dulcinea…
    James Coco
    James Coco
    • Sancho Panza
    Harry Andrews
    Harry Andrews
    • The Innkeeper…
    John Castle
    John Castle
    • Sanson Carrasco…
    Brian Blessed
    Brian Blessed
    • Pedro
    Ian Richardson
    Ian Richardson
    • The Padre
    Julie Gregg
    Julie Gregg
    • Antonia
    Rosalie Crutchley
    Rosalie Crutchley
    • The Housekeeper
    Gino Conforti
    Gino Conforti
    • The Barber
    Marne Maitland
    Marne Maitland
    • Captain of the Guard
    Dorothy Sinclair
    • The Innkeeper's Wife
    Miriam Acevedo
    • Fermina
    Dominic Barto
    • Muleteer
    • (as Dominic Bartó)
    Poldo Bendandi
    Poldo Bendandi
    • Muleteer
    Peppi Borza
    • Muleteer
    Mario Donen
    Mario Donen
    • Muleteer
    Fred Evans
    • Muleteer
    • Director
      • Arthur Hiller
    • Writers
      • Dale Wasserman
      • Miguel de Cervantes y Saavedra
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs82

    6,55K
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    Avis en vedette

    alicecbr

    What fantastic lines: "I made a mistake, I told the truth."

    That was the response of one of the Inquisition prisoners to the inquiry, "Why are you here?" "I was selling lies about one country to fools in the other country who believed me when........." The fact that O'toole can't sing for diddly is OK by me. He played the mad wise old man so wonderfully. The subtle idea that they were all imprisoned by the Inquisition manned by beasts who performed torture in the name of Jesus, who was tortured in a similar Inquisition, "Are you the Messiah?", etc. leaves you reverberating.

    Just as you also sit and think about the recursive show within a show within a show that you are seeing. We were shown one other aspect of the corrupt Christian church by the priest who plots with the niece and her fiance to bring the old man back to his 'senses' so he can legally will her his property.

    There are so many lines in this movie that are momentous. Just the very idea in this jaded time that there are beliefs worth dying for, worth fighting the valiant but unwinnable battle against the implacable foe for, really knocks me out!!! Was anyone EVER so innocent, so pure?

    I live in a country where the president, the Supreme Court and the Congress are filled with low life liars, and yet there are Americans here who are as noble as Senor Cervantes. There is another noble character in here that I would love to see analyzed by some of you scholars: that's the innkeeper/head of the prisoners. He has the respect of the mob, is a stable figure full of common sense, but yet is wise enough to respect the noble mad knight.

    And then there's the squire, Cervante's neighbor. He reminded me of my feelings toward Bill Clinton, when he answered the question, "Why do you follow this madman?" "I like him. I just LIKE him." He's crazy, he's mad, he is engaged in an unwinnable fight, but "I like him". And Sophia Loren as the Mary Magdelene figure: those mauling scenes were excellently done, because they scared me and made me fear for her safety, as the men all but rape her. Maybe the reason they didn't was similar to the excuse I heard for my great-great-grandfather's 'kindness' toward his slaves in Opp, Al.: "You don't mistreat your horses, cause you want them to be around tomorrow healthy enough to work for you."

    I checked this one out from the rental store, but I will now seek to buy it, as it's one that I will re-visit from time to time as I and my country changes. Will we ever have another time in the USA when 'good' people are able to make changes, when our planet is not allowed to be despoiled by our own government? Or is that to be left to another country whose Constitution is based on freedom, yet uncorrupted?

    "When in the course of human events, it becomes necessary to shake loose the bonds of government..........." I'm afraid it's about time.
    10tamrath

    A great movie

    This is one of my favorite movies of all time. It saddens me that there are those out there who think this movie was horrible. How can you watch O'Toole give his speech: "Maddest of all: to see life as it is and not as it should be!" and not be brought to emotion? This movie is not exactly like the theater version. However, if you note who made the screenplay changes, the song changes, etc., it's the same men who worked on the play. There are some good songs cut out. And Peter O'Toole and Sophia Loren are not the world's best singers. But this movie is brilliant. Coco is a wonderful Sancho, I love his voice and his expression. O'Toole is a fabulous actor and I felt like the prisoners in the end singing "The Impossible Dream." I own this movie. I encourage anyone who hasn't seen it to go get it and watch it. It has inspired me to try to do better in everything I do, and I often watch it and sing the songs to remind me to "see life as it should be." And if this movie needs a defender, I sign up for the job.
    10jryan-4

    blinded by tears

    I must have a major blind spot because I loved this movie in 1972

    when I saw it the first time and the second and the third time. Now

    I have become an semi-regularly woeful countenanced man

    myself and I love it even more. My heart started to stir watching

    O'Toole's speech at the Oscars so I re-rented La Mancha even as

    it was being removed from the active shelf at my local Hollywood

    video. I took it home and played it for the youngest of my five

    daughters, eleven year old Mary. She loves musicals as much as I

    do. She got into it. I cried again. Sorry. I love this film. Like I said, I

    must have a tin ear or a blind spot or goddamn it, maybe I'm right. Man of La Mancha is a 10 plus and a must for all O'Toole fans

    which at this point should be about everybody who loves movies. Let the revisionism begin here. O'Toole and Loren> C'mon
    8frankwhat

    A Rather Solid Musical!

    The users on this board seemed to concur that this was somehow a bad musical but I disagree. I'm really particular when it comes to people just bursting out into song for no apparent reason and this was one of those few times where I actually liked it. I've always enjoyed the Don Quixote story and this was a fantastic turnaround. I can see why some viewers say that the singing wasn't nearly as extraordinary as it was on Broadway but few film adaptations are. Besides the acting was stellar and it drew out extreme emotions of happiness, sorrow, or laughter out of me at times. Though dirty and ragged I found Sophia Lauren to still be beautiful and her body is absolutely perfect in every way I can fathom. Peter O'Toole was great as a crazy old man set forth on an unattainable quest for glory and at the end someone who had to once again face the harsh life of reality. For those of us who haven't seen it on the stage I feel it is a wonderful performance that was thoroughly enjoyable for persons of all ages that are looking to be whisked away by a tiny bit of magic! I'm positive that I'll have some of the songs stuck in my head for at least several days now.

    Final Blaze:

    Movies: I don't usually see musicals on the big screen.

    DVD Purchase: If my budget ever increases to a more desirable level.

    Rental: An awesome choice!
    6kcterrell-25046

    My Quandry

    I have a difficult time grading this film. I have always been prejudiced against films of stage productions. I just find that to take one medium and try to force it into another is artistically dishonest. And this movie is very much a play. But, a play/film with Peter O'Toole, arguably the best Shakespearian actor of his generation. So, if anyone can pull this off, it's O'Toole. His performance as the madman of La Mancha is riveting, and Loren is both beautiful and brilliant in this one. They both get a 10. I can't fathom why neither received an Oscar nomination for their work in Man of La Mancha. (If not for The Godfather, O'Toole would have won an Oscar the following year for The Ruling Class.) He never made a bad movie. So, this may be the only exception to my rule against cross-genre productions, and it rightfully should be considered a must-see Classic.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Kirk Douglas was so keen to play Don Quixote that he offered Paramount $1m for the rights. In 1965, Anthony Quinn negotiated with Dale Wasserman for the film rights. Quinn wanted Mexican comedian Cantinflas for the role of "Sancho Panza" (with Quinn as Quixote).
    • Gaffes
      In the film, Miguel de Cervantes y Saavedra uses the story of Don Quixote to defend the hero's chivalric notions. In the final pages of the novel, and only in the final pages, he declares that his intention was to satirize and poke fun at the exaggerated books of chivalry which were then in vogue. Part I of "Don Quixote" published in 1605, is mostly comic; Part II, published in 1615, is more melancholy and psychological. Most critics feel that, despite his satirical intentions, Cervantes mellowed and began to admire Don Quixote between publication of the 2 parts.
    • Citations

      Miguel de Cervantes: I'm a poet.

      The Duke: They're putting people in prison for that?

      Miguel de Cervantes: No, no, no, not for that.

      The Duke: Too bad.

    • Générique farfelu
      During the opening credits, we see the animated sails of a windmill, which, with each turn, begin to reveal, and finally become, a sketch of the face of Don Quixote. The camera moves in for an extreme closeup of the facial features, which, as the camera gets close, reveal themselves to be a giant prop in an outdoor stage presentation during a festival. As the opening credits end, the sketch of that prop dissolves into the real item.
    • Autres versions
      The DVD features the MGM logo in the credits, but not the United Artists one, although the film is a United Artists release. The VHS release featured both logos, and the original theatrical release only the United Artists one, along with the Transamerica logo (Transamerica once owned UA).
    • Connexions
      Featured in The 75th Annual Academy Awards (2003)
    • Bandes originales
      Man of La Mancha
      (I, Don Quixote)

      Music by Mitch Leigh

      Lyrics by Joe Darion

      Performed by Simon Gilbert, Peter O'Toole (speaking),

      and James Coco

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    FAQ20

    • How long is Man of La Mancha?Propulsé par Alexa
    • What is the biggest difference between the stage version of "Man of La Mancha" and the film?

    Détails

    Modifier
    • Date de sortie
      • 8 septembre 1973 (Italy)
    • Pays d’origine
      • Italy
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • El hombre de La Mancha
    • Lieux de tournage
      • Tarquinia, Viterbo, Lazio, Italie(outdoor sequences near Etruscan ruins)
    • société de production
      • Produzioni Europee Associate (PEA)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 12 minutes
    • Rapport de forme
      • 1.85 : 1

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