Chisum

Cattle ranchers John Chisum (John Wayne) and Henry Tunstall (an almost unrecognizable Patric Knowles) face off against villainous Lawrence Murphy (Forrest Tucker). Murphy has the corrupt law on his side, but that's okay because Duke has Pat Garrett and Billy the Kid! Fairly by-the-numbers western very loosely based on the real life Lincoln County War. A decent supporting cast, headed by Ben Johnson playing himself. There's also Bruce Cabot, Richard Jaeckal, Christopher George and soon-to-be wife Lynda Day, Andrew Prine, Glenn Corbett, and Geoffrey Deuel as Billy the Kid. All in all, not a bad bunch. It's all enjoyable enough but not one of Duke's best.

This excellent film concerns the real-life land baron living in New Mexico and dealing with the Lincoln County Wars of 1878 . Wayne as the mighty cattle baron Chisum is magnificent . It's one of very few John Wayne Westerns based on historical deeds . The movie is plenty of action , thrills , shootouts , adventures and being pretty entertaining . Casting is frankly awesome with usual Andrew McLagen , John Ford's actors (Wayne , Ben Johnson , John Agar and Hank Worden) . Furthermore , habitual Ford cameraman William H. Clothier (Cheyenne Autumm , Man who shot Liberty Valance , Horse soldiers) giving a colorful cinematography , as well as evocative musical score by Dominic Frontiere , including enjoyable leitmotif . The motion picture was well directed by Andrew W. McLagen , John Ford's known disciple , and he called the film one of his favorites .

The real events were the following ones : This powerful cattle king of New Mexico , John Simpson Chisum (1824-84) living in New Mexico governed by governor Lew Wallace (Ben Hur's author) , he started with a few head of stray longhorns and became one of the biggest individual cattle owners in North America, with between 60.000 and 100.000 head . In 1854 he entered the cattle business , selling beef to Indian reservations, making friendship with Chief White Buffalo (Abraham Sofaer's last film) . In 1867 he moved to New Mexico and established a large spread at South Spring in Old Lincoln County where he prospered greatly . He became involved in the Lincoln County war of 1878-79 in which he opposed the Murphy (Forrest Tucker) and Dolan (Edward Faulkner) faction and backed cattleman Tunstall (Patrick Knowles) , whose gunfighters-cowboys included the handsome Billy the Kid (Geoffrey Deuel's film debut). It is said that Chisum was instrumental in making Billy the Kid an outlaw killer , he used his considerable influence in getting Pat Garret (Glenn Corbett) elected Sheriff of Lincoln County in 1880 and it was Garrett who hunted down and killed the young outlaw . Chisum's cattle brand was the Long Rail , a long , straight mark extending from shoulder to flank . Chisum , who never married, died at Eureka Springs , Arkansas , leaving an state of some 500.000 dollars .

(6.5/100) One of the few films the Duke made that was based on true events. Its nowhere near his top films, but the film itself is solid and has enough memorable moments to separate itself from Wayne's later westerns. Although having his character's name in the title, the movie actually plays out as an ensemble giving equal time to Pat Garrett and William Bonney, better known as Billy the Kid. However, Corbett and Deuel were mediocre and unable to pull their own weight in scenes with Wayne. On the flip side, Christopher George played a good, villainous gun-for-hire while Ben Johnson gave one of his best supporting performances that I've seen out of him. Has a pleasant amount of humor with a good final shoot out and a catchy, yet borderline annoying theme song. The film is carried down with a strikingly large cast for a sub two hour movie, but has a number of memorable moments.

Although a few notches below classic Wayne westerns like "Stagecoach" and "Rio Bravo," this film was a masterful return to form for Wayne. This was the first film Wayne did after gaining weight and donning an eye-patch for his work on "True Grit." In this film, Wayne plays an honest, straight talking man of action, not too different from the type character on which he built his career. The supporting characters are very well drawn and the villains resourceful enough to keep the action moving. In a way, this character, though based on an actual rancher, is similar to the character of Dunson in the superior "Red River." Both characters gambled on a long cattle drive from Texas and although "Red River" is about the drive itself, "Chisum" is about what happens to a similar character twenty years after the drive succeeds. At the time the film was released, at least one critic commented on how improbable it was for John Wayne, at the climax of the movie, to have done that much riding, fighting and falling all within the same sequence. As far as I am concerned, that sequence helped prepare me for later action sequences of 1980's action stars like Bruce Willis and Arnold Schwarzenegger and action directors like James Cameron and John Woo. The film is no "Red River" but it is fine western nonetheless.

McLaglen's western showcases Wayne as John Simpson Chisum, an historical figure who was the largest owner of land, of horses and cattle in New Mexico territory around 1878… The Pecos River runs through the middle of his land… He lets the water flow to all the ranches, big and small… If another man, with more appetite—like Lawrence Murphy (Forrest Tucker) owned that land— he'd control a territory bigger than most states and some countries… The story is based on the bloody Lincoln County cattle war…

Things come to 'one hell of a fight' when Murphy's men kill Chisum's friend Henry Tunstall, mentor to Billy the Kid, and have Alex McSween, manager of their general store, with Billy and some men, trapped in…

Forrest Tucker plays Chisum's enemy who really thinks himself skillful enough to 'own' the law…

Christopher George (Dan Nodeen) plays the half-crazy bounty hunter who gimps because of Billy the Kid…

Ben Johnson has one of the most impressive records of any supporting Westerner… He came here to support Chisum all the way…

Andrew V. McLaglen has built up a reputation as one of the most promising of post-war directors of Westerns, but has yet to fulfill that promise with a really major work