ÉVALUATION IMDb
6,1/10
13 k
MA NOTE
Trois filles arrivent à Hollywood pour faire la fête, mais se retrouvent dans un monde de sexe, drogue et corruption.Trois filles arrivent à Hollywood pour faire la fête, mais se retrouvent dans un monde de sexe, drogue et corruption.Trois filles arrivent à Hollywood pour faire la fête, mais se retrouvent dans un monde de sexe, drogue et corruption.
John Lazar
- Ronnie (Z-Man) Barzell
- (as John LaZar)
James Iglehart
- Randy Black
- (as Jim Iglehart)
Avis en vedette
One of the all-time great cult films, BVD is an energetic, imaginative parody of Valley of the Dolls and other such dippy Hollywood melodramas. Our three lusty, busty heroines are the members of an all-girl pop group. From one trailer: "Dolly Read is Kelly, the singer. Cynthia Myers is Casey, the swinger. Marcia McBroom is Pet, the soul sister." Whoa! Anyway, our trio of sexy supervixens move out to Hollywood, get discovered immediately, and are thrown into a whirlpool of pill addiction, alcoholism, lesbianism, abortions, depression, double crosses, crippling injuries, lots of violence, and lots of sex. All of this is played with a deceptively straight face, with the wild comedy arising from the ludicrousness of the soap-opera situations. One particularly sudsy moment is even accompanied by swelling daytime-TV organ music! There are obvious jokes, which are spirited and very funny, and even some sly references to Valley of the Dolls (a character named Miriam, the Warwick Court Apartments). The ending has to be seen to be believed, and even then....
The acting is very good (though Dolly Read's natural British and fake American accents are openly battling throughout), with top prizes taken by John LaZar as freaked-out record mogul Z-Man and Edy Williams as voracious porno queen Ashley St. Ives. The women, sporting big hair and thick false eyelashes, are all incredibly beautiful, and Russ Meyer lovingly captures them in neon-bright color. The editing and camerawork are fast-paced and super-stylish, as usual with Meyer. The soundtrack is excellent.
A groovy, sexy, X-rated look at L.A. back when it was cool!
Trivia: The reason this X seems so mild is because it was intended for an R! Meyer did prepare a more explicit version, but when this tamer cut was X'd, Fox elected to distribute it instead of the racier print. The video box says NC-17 because Fox has a policy against never releasing an X-rated tape. Of course, an X in 1970 did mean 17 and over, whereas it now means 18 and over. HUGE chasm there!
The acting is very good (though Dolly Read's natural British and fake American accents are openly battling throughout), with top prizes taken by John LaZar as freaked-out record mogul Z-Man and Edy Williams as voracious porno queen Ashley St. Ives. The women, sporting big hair and thick false eyelashes, are all incredibly beautiful, and Russ Meyer lovingly captures them in neon-bright color. The editing and camerawork are fast-paced and super-stylish, as usual with Meyer. The soundtrack is excellent.
A groovy, sexy, X-rated look at L.A. back when it was cool!
Trivia: The reason this X seems so mild is because it was intended for an R! Meyer did prepare a more explicit version, but when this tamer cut was X'd, Fox elected to distribute it instead of the racier print. The video box says NC-17 because Fox has a policy against never releasing an X-rated tape. Of course, an X in 1970 did mean 17 and over, whereas it now means 18 and over. HUGE chasm there!
This movie really tested my patience and I went to see it after Ebert waxed poetic about it in a two page article in the Sun Times. It's not enjoyable camp like Rocky Horror and it really says or adds nothing to the original Valley of the Dolls. It's just dumb and wears thin very quickly.
Ever since I showed interest and sympathy for the more bizarre efforts in cult cinema, people have been recommending me to check out the oeuvre by director Russ Meyer. This peculiar director and scriptwriter is often named the maestro of American Cult cinema.Unfortunately, his movies are pretty hard to find (at least where I'm from) and they rarely ever receive a decent release on DVD. After finally having purchased Beyond the Valley of the Dolls, I can fully second the statement that Russ Meyer truly is one of a kind and certainly a director to check out entirely. Perhaps the weirdest thing about this film is that it was co-written by the respected and Pulitzer price-winning critic Roger Ebert! This - usually - very harsh critic joins the Meyer-madness here gladly.
I doubt Meyer's typical style will appeal to many people but for the more developed cult-fans, his colorful tale of 'Hollywood Vixens' is a true joy to observe! You might as well call it the definition of cult! It has everything: from bizarre and extremely eccentric characters over subtle (and less subtle) humor to explicit violence, sexual images and drug abuse. Wild parties are thrown in this film and offensive orgies are held.you can't imagine it yourself wild enough and Meyer adds it to his movie. Some of the biggest taboos are taken care of here shamelessly, like Nazis, drag queens, lesbians, unfaithful behavior and even abortion!! Keeping in mind this film was shot in 1970, this is a pretty remarkable achievement to say the least. BTVOTD also has a terrific soundtrack and pretty likeable acting performances. The leading girls do a pretty good job in making themselves believable, even though they're rather inexperienced. Needless to say they're stunning beauties in the first place.Especially Cynthia Meyers in the role of Casey! She's a true cult-Goddess and a wet dream for many men.yours truly included. BTVOTD ends with a truly absurd and explosive finale that easily can be considered as one of the weirdest twists in cinema history ever! Yet, I'm very careful in recommending this film to a large public. chances are that you'll be very disgusted by this movie or even loath it terrible. Therefore, I only recommend it if you're used to seeing quite an amount of weirdness already and you're not too quickly offended.
I doubt Meyer's typical style will appeal to many people but for the more developed cult-fans, his colorful tale of 'Hollywood Vixens' is a true joy to observe! You might as well call it the definition of cult! It has everything: from bizarre and extremely eccentric characters over subtle (and less subtle) humor to explicit violence, sexual images and drug abuse. Wild parties are thrown in this film and offensive orgies are held.you can't imagine it yourself wild enough and Meyer adds it to his movie. Some of the biggest taboos are taken care of here shamelessly, like Nazis, drag queens, lesbians, unfaithful behavior and even abortion!! Keeping in mind this film was shot in 1970, this is a pretty remarkable achievement to say the least. BTVOTD also has a terrific soundtrack and pretty likeable acting performances. The leading girls do a pretty good job in making themselves believable, even though they're rather inexperienced. Needless to say they're stunning beauties in the first place.Especially Cynthia Meyers in the role of Casey! She's a true cult-Goddess and a wet dream for many men.yours truly included. BTVOTD ends with a truly absurd and explosive finale that easily can be considered as one of the weirdest twists in cinema history ever! Yet, I'm very careful in recommending this film to a large public. chances are that you'll be very disgusted by this movie or even loath it terrible. Therefore, I only recommend it if you're used to seeing quite an amount of weirdness already and you're not too quickly offended.
Venerable film critic and writer Roger Ebert, penned Beyond The Valley Of The Dolls. It's basically a spoof, of the 1967 film, Valley Of The Dolls. The plot of this movie revolves around a female rock group, that pursues their dreams of stardom in the Hollywood jungle of ambitious hopefuls.
All the characters are beautiful looking, particularly the drop-dead gorgeous women in the band. They do have an old toothless women in the film, who hangs-out at a party with the beautiful people. She's the comic relief, in an already hilariously campy film.
There's lots of sleazy, over-the-top sex, ravenous opportunists, drug addicts, and overall flash-n-trash scenes. Ebert was obviously milking the satirical element of the film, to the hilt. The humor in all of this, works throughout most of the movie. But when the film veers towards bloody violence in the latter part of it, it's very jarring to the viewer. The brutal violence winds-up spoiling the fun, comic tone of this movie.
For the most part, this film is an amusing send-up of The Valley Of The Dolls. But the violence in this film, winds-up deflating the wacky, tongue-in-cheek premise of the movie. This film would've worked much better, if the brutal, gory violence was left out of it.
All the characters are beautiful looking, particularly the drop-dead gorgeous women in the band. They do have an old toothless women in the film, who hangs-out at a party with the beautiful people. She's the comic relief, in an already hilariously campy film.
There's lots of sleazy, over-the-top sex, ravenous opportunists, drug addicts, and overall flash-n-trash scenes. Ebert was obviously milking the satirical element of the film, to the hilt. The humor in all of this, works throughout most of the movie. But when the film veers towards bloody violence in the latter part of it, it's very jarring to the viewer. The brutal violence winds-up spoiling the fun, comic tone of this movie.
For the most part, this film is an amusing send-up of The Valley Of The Dolls. But the violence in this film, winds-up deflating the wacky, tongue-in-cheek premise of the movie. This film would've worked much better, if the brutal, gory violence was left out of it.
There are two kinds of bad movies: 1.) the kind so awful and bad that you wonder how it ever got approved to be filmed (i.e. '95 version of SCARLET LETTER, SPICE WORLD, SPEED 2, etc.) 2.) the kind that is trying to be serious but it winds up being hysterical (i.e. BATTLEFIELD EARTH, SGT. PEPPER'S LONELY HEARTS CLUB BAND, MYRA BRICKENRIDGE). But with a Russ Meyer's film, it does have bad acting and a weak plot, that it appears to be a "bad" movie. But with it's sharp dialogue, rapid editing, good cinematography, and nice shots of women's assests, a Russ Meyer film is one to watch at a party or in the theater. I recently saw his most acclaimed film in the cinema a few weeks ago, BEYOND THE VALLEY OF THE DOLLS. And seeing it with an audience made the film more enjoyable and entertaining than watching it at home alone. Not anything to do with the trashy Jacqulin Susan bestseller and the terrible 1967 film with Patty Duke, BEYOND is similar tale of three young female talents from Smallville U.S.A. who all go to Hollywood to make it big, and experience the cruel world of show business. There's leader red-head Kelly MacMamara (Dolly Read) on lead gituar, brunette Casey (Cynthia Myers) on rhythm and African-American Pet (Marcia McBroom) on drums. Their manager and Kelly's boyfriend is Harris Allsworth (David Gurian) a man who looks like a older version of Greg Brady. They get an offer to go to Hollywood and make it big, so they hop in their Volkswagon Bus and go on Route 66 to Hollywood (ah, the early seventies, it seemed so groovy). Once there, the four meet Ronnie "Z-Man" Barzell (John Lazar) who owns and runs pretty much all of the young talent in the city. Z-Man signs the group on a contract, which means less time and involvement for Harris and Kelly. Kelly then has an affair with movie stud Lance Rocke (Michael Blodgett) a golden hair actor who thinks he's gods gift to the world. Meanwhile, Harris has an affair with porno starlett Ashley St. Ives (a very buxom and sexy Edy Williams "former Mrs. Russ Meyers). Ashley loves sex, and only wants to have sex anywhere but in the bedroom, the backseat of a Jaguar, Rolls Royce, in a boat, on the beach, etc. While Casey becomes very close and falls in love with clothing desingner Roxanne (VIXEN star Erica Gavin). And Pet falls in love with struggling law student and good guy Emerson (Harrison Page). But, Emerson has to compete with Randy Black (James Inglehart) a boxer who uses philosphies like Mahummah Ali, yet their horrible. Finally, there's Kelly's rich and friendly aunt, Susan Lake (Phyllis Davis) who is giving thoughts on marrying nice gentleman Baxter Wolfe (Charles Napier) against her attorney's Porter Hall (Duncan McLeod) advice. And the plot thickens which includes Nazis, transexuals, abortions, drugs, Martin Borman, and sex sex sex! BVD is a film that appears to be dramatic, but it's actually a funny satire. It pokes fun of those cliched stories that has young Alice going into the world of the corrupt and bad. I know that Paul Verhoven was doing the same thing with SHOWGIRLS, however, the film going public was too stupid to realize that. With such corny but funny dialogue like "I want to strap you on!" and "Up yours Ratso!" One cannot help but laugh. Seeing it in a full theater, the audience was laughing at not only the dialogue but also the scenes. With an abortion doctor wearing far sighted glasses, it shows that this film shouldn't be taken seriously. People think that Meyers was trying to be serious with this film, and he wasn't. Co-writer Roger Ebert (the same film critic Roger Ebert) admitted that BVD is just a satire of the over dramatic films of that time. If Meyers was trying to make a serious film (and I can't see that) then the mood would have been different. Meyers is know for his satire, but he's more known for his big girls. And when I say big girls I mean Double D's. He casts his women (at least the important ones) by the size of their chest, than their talent. That is why none of the actresses are that good. And the actress are already use to baring it all like Playboy models Cynthis Myers and Edy Williams. This is a cult movie that was made before the midnight showcase of the overrated ROCKY HORROR PICTURE SHOW. With the ROCKY HORROR, the audience has to yell out dialogue to make the corny dialogue in the film to be more funnier. But with BVD, all the audience has to do is just to sit back and laugh. And it's fun to watch it more than once. After laughing at the bad dialogue and hilarious events in the film, then one can oogle over the heaving beauties. I wouldn't call this Meyer's best film (that's for UP!) but I can see why Meyers picks this film as his favorite. It's because it's the first film that people don't take Meyers serious. If you're going to watch it, invite a group of people (at least five) both men and women, grab the popcorn and laugh your head off with this cult classic. **** (out of five)
Le saviez-vous
- AnecdotesAccording to Roger Ebert's audio commentary on the DVD, Russ Meyer was unaware that this film would get an "X" rating. Fox executives had intended for the film to be a hard "R," and Meyer omitted significant amounts of nudity and sex from the final edit. Ebert says that Meyer wanted to add much of the excised footage back into the edit following the MPAA's "X" rating, but there wasn't enough time to do so.
- GaffesRonnie picks up an extension phone when Casey is in the middle of dialing her friends for help. The phones used are 500 series Western Electric business phones. Because of the way rotary dial phones work, picking up an extension would prevent any phone on the same circuit from being able to dial.
- Citations
Ronnie (Z-Man) Barzell: This is my happening and it freaks me out!
- Générique farfeluOpening disclaimer: "The film you are about to see is not a sequel to Valley of the Dolls (1967). It is wholly original and bears no relationship to real persons, living or dead. It does, like "Valley of the Dolls" deal with the oft-times nightmare world of show business but in a different time and context."
- Autres versionsThe British Board of Film Classification have cut the UK video release by 53 seconds. New opening credits were required for this release, as the BBFC would not allow a montage shot of a gun being pushed into the mouth of a sleeping woman, a scene that also reappears in full at the end of the movie (and was also cut). Ironically, the film has been broadcast uncut several times on UK network TV, by Channel 4.
- ConnexionsFeatured in Willie et Phil (1980)
- Bandes originalesIn The Long Run
by Bob Stone and Stu Phillips
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Beyond the Valley of the Dolls
- Lieux de tournage
- Century City, Los Angeles, Californie, États-Unis(Bridge, and surrounding buildings, used in LA montage)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 900 000 $ US (estimation)
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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