Django il bastardo

Django (Anthony Steffen) scares his enemies by presenting them with crosses bearing their name - and the day of their death. Western movie with horror effects, similar to `E Dio Disse A Caino' by Antonio Margheriti. Christopher Frayling suggested in his book `Spaghetti Westerns' that this `is a revenge film, with the central character avenging HIS OWN death', and that hits it pretty much. Django appears and disappears like a ghost, an idea Clint Eastwood picked up for `High Plains Drifter' two years later.

It is interesting to compare Steffen's expressionless interpretation of the Django character to the one he did in `Pochi dollari per Django', an earlier movie where he portraits Django as a sheriff without all the supernatural attitude, more human and passionate.

I've read alot about "Django The Bastard" and comparisons between it and Eastwood's "High Plains Drifter". I think it's safe to say that "HPD" is not a remake of "DTB" but is is also safe to say that it at least served as the inspiration for Clint's 1972 film IMHO.

I had high expectations for "Django The Bastard" and I was definitely NOT let down. It's an at times crude and low budget affair but it has enough action, tension and chills to make it a terrific little film that just may be one of the trendsetters in the Euro Gothic Western sub-genre. The atmosphere is thick in this creepy movie and Director Sergio Garrone goes all out showing us some unique camera angles which run the full spectrum from overhead shots to close-ups to fade-in's to handheld. Very effective as is the score which at certain times is eerie enough to raise a goosebump or two. Some remarkable scenes as mentioned in other reviews including a creepy opening that is almost completely silent except for the howling wind and the memorable scene in the graveyard.

Really wonderful stuff from the little SW that could. The performances are fine and I think that anyone who is a fan of Eastwood's "High Plains Drifter" owes it to himself or herself to check this one out. It's available on DVD from VCI under it's U.S. title of "The Strangers Gundown". Easily one of my favorite Westerns.

Sort of a conglomeration of ideas stolen from other stolen ideas, with a result that is decidedly unconvincing. Anthony Steffen and his poncho drift about in what has been described as a ghostly manner, seeking revenge on three Confederate Officers who deserted Steffen's unit resulting in a massacre. This set up is fine, but what follows is tedious and repetitious. Character development is totally absent for both the laconic hero and worse for the villains. Steffen may be Italy's answer to Clint Eastwood, but unfortunately there is more to "spaghetti success" than simply wearing a poncho and gunning down endless bad guys. - MERK

This unusual horror film is one of the best examples of the spaghetti western genre. The plot is the standard "lone stranger seeking revenge," but in this instance, it's not clear if the stranger is a man or just a ghost. This aspect of the story, which is heightened by spooky music and scenes in fog-filled cemeteries, really sets this film apart.

The soundtrack is also excellent, with lots of distorted guitars and sci-fi organ music.

Sergio Garrone's "Django Il Bastardo" aka. "Django The Bastard" of 1969 is referred to by many as a great, creepy and particularly original Spaghetti Western. I am a Spaghetti Western enthusiast, and although "Django The Bastard" is certainly not a bad film, it is in my opinion overrated by many of my fellow fans of the Italian Western. Furthermore it is neither the only, nor the first, nor the best Spaghetti Western with Horror elements. This film also has the reputation of being the inspiration to Clint Eastwood's great "High Plain's Drifter" of 1973, and it might be true that parts of this movie inspired Eastwood, but "Django the Bastard" does in no way reach the quality and style of Eastwood's film.

First of all - "Django The Bastard" (such as most of the other unofficial 'sequels') has nothing at all to do with Sergio Corbucci's 1966 masterpiece "Django" with Franco Nero in the lead. While the original Django is a former Union soldier, the central character of the same name in this movie, which plays in 1882, has formerly served in the confederate army. "Django The Bastard" is a movie that has its highs an lows. There are some excellent, stylish and creepy moments, one of my favorite scenes in the film is right in the beginning, when Django sticks a cross with a name on it in the muddy ground of a Western town. However, the movie sometimes just gets too boring in the middle. Most of the dialogue is not too refreshing either. There is one character i loved, that is the character of Luke Murdoch (played by Luciano Rossi), the hideous and utterly insane younger brother of the local crime boss and rich landowner Rod Murdoch (Paolo Gozlino). Luke, who is desperately in love and obsessed with a woman named Alethea (Rada Rassimov) and often has a fit of extreme rage and insanity, can only be calmed down by Alethea, which is the reason why his brother keeps her locked in his mansion.

Anthony Steffen (Antonio De Teffe) fits pretty well in his leading role of the creepy silent stranger, although his performance is a little too stiff. As I mentioned above, Luciano Rossi also does a great job as the crazy villain. Rada Rassimov (whom you might recognize for her small role in "The Good, The Bad And The Ugly") also plays her role pretty well.

"Django The Bastard" is certainly an entertaining little Spaghetti Western, but nonetheless I think it is overpraised by some of my fellow Spaghetti Western fans. Fans of the genre will certainly have a good time watching "Django The Bastard" but, in my opinion, it is not a must-see. If you want to watch a truly great Spaghetti Western with horror elements and topics like resurrection in it, I recommend Giulio Questi's surreal and excellent "Se Sei Vivo Spara" aka. "Django Kill... If You Live, Shoot!" of 1967, with Tomas Milian in the lead, before watching this. Still, "Django The Bastard" is certainly not a bad film. It does have some very stylish, and some pretty creepy moments, and it is certainly worth the time. Recommended to enthusiastic Spaghetti Western fans.