Tonnerre sur Timberland

Aside from a plot that would become more and more relevant as the decade progressed as well as a chance to see Alan Ladd's daughter, Alana, I can't see much about this dull little film that would encourage me to recommend it or see it again. Like most of Alan Ladd's later films, it's very listless and dull. Plus, I really am not sure what the message was nor do I think the folks making the film knew either.

The film begins with some loggers coming to clear the land. However, the locals are very unhappy as they are concerned about the ecological effects this might have on the town below. This is understandable. However, instead of trying to work with the loggers or go through the courts to stop them, some of the locals (led by Lyle Bettger and Jeanne Craine) decide that pretty much anything is fair to stop the tree cutting. During most of the town's dirty tricks, the boss of the logging outfit (Ladd) is amazingly complacent. In fact, this is his mood through almost all the film--like he's only semi-conscious. As a result, one of his men, Monty (Gilbert Roland) has had enough and has decided to fight fire with fire, so to speak. Then, and only then, does the boss rouse out of his near slumber.

I know it might sound rather nasty, but at this point in his career, Alan Ladd was a hard-core alcoholic. Because of this, he began to look puffy and his acting became much more muted and slow. I really think this is a serious problem in "Guns of the Timberland". However, it's NOT the biggest problem. This problem is the writing. The film doesn't seem to know WHAT the message is and many of the characters are, as a result, very inconsistent. Too often, folks behave in ways that defy common sense as well as who they have been throughout the film--particularly Ladd and Craine. Overall, the film is sluggish and dull and this is rather sad, as in his prime, Ladd was an exciting actor. Here, he's as dull as dish water.

Kirk Douglas said the worst film he ever did was The Big Trees, in fact he did it for no salary in order to buy his way out of a Warner Brothers contract. Like Guns Of The Timberland, it's a logging story and was a bad step in the career of both stars.

The problem with Alan Ladd, producer and star of Guns Of The Timberland was that there weren't too many steps left for him. Douglas did his timber disaster at the beginning of his career, Ladd towards the end.

Ladd and Gilbert Roland are partners in a timber concern and they've got a contract to cut logs in the territory of Jeanne Crain's ranch. The problem for Jeanne and the rest of the valley is that it will leave no watershed for flooding and as her foreman Lyle Bettger so aptly puts it, her cattle will be eating mud next year.

Of course the sight of Jeanne in a nice tight fitting cowgirl outfit was enough to make Ladd only concerned about one log in his life. But Roland wants to fight and therein lies the conflict.

Like Douglas in The Big Trees, Ladd's conversion to the cause of environmentalism is a bit too unconvincing. And Gilbert Roland going berserk is not the Gilbert Roland I'm used to on the screen. I really hated him in this and Gilbert Roland is one of my favorite players.

Ladd produced as well as starred in Guns Of The Timberland and in order to get a little box office from the young, he had current teen heart throb Frankie Avalon make his screen debut opposite his own daughter Alana. I don't think Frankie got any big hit records out of Guns Of The Timberland, he did sing two forgettable songs here.

But this was not the worst film Alan Ladd made. That would be next year in Duel Of The Champions, but he was definitely tobogganing down career wise in Guns Of The Timberland.

Alan Ladd and Gilbert Roland are partners in cutting down some trees. The community of ranchers next to the stand opposes them, led by Jeanne Crain. Over the hill is another ranching community, ruined when clear-cutting produced a torrent of mud that ruined the grazing grounds.

Stories about logging, when they were not concentrating on the burly loggers, often had a strain of ecological anxiety, all the way back to Nell Shipman. Certainly, no one likes a forest fire. Gilbert Roland is a lot of fun as always, and Miss Crain does an honest job. 20-year-old Frankie Avalon has a role that was written for someone 14. The real problem with the movie is Ladd. He's paunchy, hand spends most of the movie with a meaningless smile on his face and his eyes shut. Director Robert Webb has cameraman John Seitz shoot handsomely, but the star is at his worst. With Noah Beery Jr. And Regis Toomey.

Decent Alan Ladd vehicle about confrontation between ranchers and timbermen. A tough logger : Alan Ladd and his group : Gilbert Roland , Noah Beery Jr., among others, go to the outskirts of Deep Wells. There they contend a beautiful rancher: Jeanne Crain and her foreman : Lyle Bettger . The towners are opposed to trees cutting , thinking of falling trees would cause mudslide sweeping the buildings.

An exciting film in Western style about violent feud, thrills , action , fights and romance. Based on the novel by prolific Louis L'Amour , whose books have got several cinematic adaptations . Stars Alan Ladd gives a passable acting in his usual style , though he seems to be oldest than his true age : 46 at the time of shooting , that's why he was a real drunk, in fact he died early at 50 for mingling drinking and pills . He was already in his fall after his succesful films, especially in Film Noir, such as The Black Cat, The Glass Key, This Gun for Hire The Blue Dahlia, or other genres in movies as The Great Gastby , Botany Bay, Hell below Zero, The Black Night, The Badlanders and his bigh hit : Shane. While the always gorgeous Jeanne Crain is pretty well as her contender as well as her sweetheart . And a large support cast of notorious secondaries, such as : the teen idol Frankie Avalon playing some catching songs , Alana Ladd -Alan Ladd's daughter- as the sweet girlfriend , the ordinary baddie Lyle Bettger , the Latino Gilbert Roland, Noah Beery Jr as a sympathetc logger , Regis Toomey as a good-tempered Sheriff and Verna Felton as grumpy grandmother. It displays a colorful and brilliant cinematography in glimmer Technicolor. As well as a stirring and evocative musical score by David Buttolph adding the enjoyable songs performed by singer Frankie Avalon .

The picture produced by Jaguar Productions- Alan Ladd ownership- and Warner Bros , being professionally directed by Robert D Webb. The latter was a professional artisan, an expert craftsman, at the beginning he worked as a director assistant, producer and subsequently fimmaker. He directed all kinds of genres as Western : White Feather, The Proud ones, The Jackals and Adventures : Pirates of Tortuga, Seven Citirs of Gold, The Way of Gold and Noir : The Cape Town Affair, The Spider, The Caribbean Mystery. Although he also made documentary and TV episodes from known series as Daniel Boone, Rawhide, Temple Houston series. Rating 5.5/10. Acceptable and passable. Well worth watching for Alan Ladd and Jeanne Crain fans.

After watching yet another tinny product come off the Alan Ladd Western assembly line, accompanied by this factory's usual flaccid acting and writing and irrelevantly pretty cinematography, it's fair to ask if, aside from "Shane" or, if you're generous, "Badlanders", did this guy ever make a decent movie in this great genre? Cool flannel shirts, though. Wonder if Ladd got to keep 'em? Probably, since he was the co producer of this turkey, (along with future and eternal schlockmeister, Aaron Spelling). C minus.

PS...Moss Grimmick (i.e. George Selk) with what looks to be a tomato and lettuce sandwich? Works for me.