The Wonderful Country

I give this movie an E for effort - Mitchum plays an American who had escaped to Mexico in his youth after a violent episode and has grown up working for the local bandits controlling that part of the country. When sent to a US border town to negotiate a weapons deal, he breaks his leg and spends enough time in he US to realize he could make a life for himself with a brighter future - of course things go wrong. Based on a novel by Tom Lea, a forgotten writer of westerns, and staring along with Robert Mitchum in the romantic triangle is Gary Merrill as the local cavalry boss and Julie London as his unhappy wife. What makes it all interesting is the fact that the movie never quite "jells"- Mitchum tries his best against a cast of grade B actors and his performance mostly works. The worst performance is from Julie London who not only is dressed incongruously but looks and acts like a robot. The scenery is spectacular and is the winner in this movie. Add the use of over the top music, and this movie presages the Spaghetti Western.

Based on a story by artist Tom Lea (who cameos as a barber), The Wonderful Country stars Robert Mitchum, Julie London, Gary Merrill, Charles McGraw & Pedro Armendáriz. It's directed by Robert Parrish, the score is from Alex North with Floyd Crosby & Alex Phillips on cinematography around the Durango location shoot.

A rich western that admirably crams in a lot of genre based themes and boasts a lead protagonist of high complex value. Tightly directed by Parrish (Saddle The Wind), who is aware that this needs no action overkill, it's really with Mitchum and Robert Ardrey's script that the film owes its success. Give or take a couple of missteps with the accent (he is playing a gringo pistolero) Mitchum dominates with his stature and laconic form of acting. He's playing Martin Brady, a man who finds himself being pulled emotionally on both sides of the Mexican/American border, the contrast between both lands, and Brady's persona too (he's effectively a man without a country), is very interesting. There's a number of well drawn characters who file in and out of Brady's life, all serving purpose to the plot, with Julie London's love interest thankfully having a more darker edge than others that were often seen in the genre. There's even an appearance of Baseball Hall Of Fame inductee Leroy 'Satchel' Paige as part of an all black army regiment. Yet another strand in this multi angled movie.

Very sedate in tone but with deep character drama at its core, Parrish's film is a thinking persons movie. Some critics have called it routine, while others have said it's complicated! I just think it's a film that needs to be watched more than once to fully digest its themes. It's not one for the action fan as such, but it is excellently written and performed by the principals. It's also a truly gorgeous movie visually and aurally. A fine film that rewards further on repeat viewings, especially for fans of the great Robert Mitchum. 7/10

The Wonderful Country finds Robert Mitchum as a gunslinger, a pistolero working for the local Mexican governor Pedro Armendariz. He had to flee Texas years ago after a shooting and Armendariz gave him shelter and work.

Despite that Mitchum is sent across the border on a gun buying trip. Unfortunately he takes a bad fall from a horse and winds up with a broken leg. While on the mend in that bordertown and after, Mitchum finds himself in a series of situations that call him to question what he's been doing and just where he can call home.

One of those situations is Julie London, wife of army major Gary Merrill who's got a bit of a past herself. She throws quite a few complications in Mitchum's past.

The Wonderful Country is a nicely put together western shot on location in Durango. It was one of the first westerns to use that town in Mexico, a whole lot more in the sixties would follow.

Besides those already mentioned the performances to watch for in this film are those of Charles McGraw as the frontier doctor and that of Satchel Paige as the cavalry sergeant. A year later John Ford would come out with Sergeant Rutledge about a black cavalry sergeant and the men around him, but I do believe that baseball immortal Satchel Paige was the first in Hollywood to portray a black cavalry man in a major motion picture.

McGraw is something else. He's the doctor who tends to Mitchum's broken leg and befriends him, but then gets one big pang of jealousy about Julie London that leads to tragedy. In real life McGraw was as much the hellraiser as he is in the film.

The Wonderful Country had the good fortune to be partially scripted by Tom Lea so his vision of the characters in his own novel remained pretty much intact. This was the only one of two novels by that writer/artist to be filmed.

That's as good a reason as any to see a very fine western.

I'd seen some good things about this one, but I was largely disappointed in "The Wonderful Country." First off, I applaud Robert Mitchum for stretching here: he plays a white Missourian raised in Mexico, his accent and even his posture a departure for Mitchum. The problem is, it just doesn't work. (That accent sure comes and goes!) The bigger problem is an unfocused (and rather hard to follow) screenplay that has Mitchum's Martin Brady running guns into Texas for the Mexican Castro family, recuperating there after a fall from his horse, then, after he kills a man, escaping back over the Rio Grande into Mexico. There's a spark with a married woman (Julie London's dissatisfied army wife, Helen Colton), meetings with rival Castro brothers... and, well, some more stuff which doesn't add up to quite enough in the end. Whether due to the accents and/or the sound recording, I found a significant amount of the dialogue simply hard to understand, and the story difficult to follow. But it also felt more than a little unfocused and rather dramatically inert, so that I found myself bored, which is one of the worst things I might say about a movie. Overall, maybe still worth a look for fans of classic Westerns, but mostly as a curiosity--an ambitious, if not exactly interesting, failure. (The Movie Czar 8/19/19)

I admit to a bias here as the great Robert Mitchum was and is my idol,but this film is another illustration of how a great actor can not only ennoble a role,but single-handed can lift a good-average story into a very credit worthy film. The plot is a good one and the other actors played their part well. This is one of my favourite movies of Mitchum and ofcourse the Mex-american accent was no problem for him. I can quote several lines of dialogue verbatim and not only have the video but the excellent film music score as well. I hope this film will rise in the estimation of Bob Mitchum fans,also film buffs who admire a great actor at his craft (Supreme in an understated way)