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Le dernier rivage

Titre original : On the Beach
  • 1959
  • Approved
  • 2h 14m
ÉVALUATION IMDb
7,1/10
15 k
MA NOTE
Le dernier rivage (1959)
After a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.
Liretrailer4 min 47 s
1 vidéo
99 photos
Dystopian Sci-FiPsychological DramaDramaRomanceSci-Fi

Ajouter une intrigue dans votre langueAfter a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.After a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.After a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.

  • Director
    • Stanley Kramer
  • Writers
    • John Paxton
    • Nevil Shute
  • Stars
    • Gregory Peck
    • Ava Gardner
    • Fred Astaire
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,1/10
    15 k
    MA NOTE
    • Director
      • Stanley Kramer
    • Writers
      • John Paxton
      • Nevil Shute
    • Stars
      • Gregory Peck
      • Ava Gardner
      • Fred Astaire
    • 215Commentaires d'utilisateurs
    • 61Commentaires de critiques
    • 55Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 2 oscars
      • 4 victoires et 9 nominations au total

    Vidéos1

    Official Trailer
    Trailer 4:47
    Official Trailer

    Photos99

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    Rôles principaux60

    Modifier
    Gregory Peck
    Gregory Peck
    • Cmdr. Dwight Lionel Towers
    Ava Gardner
    Ava Gardner
    • Moira Davidson
    Fred Astaire
    Fred Astaire
    • Julian Osborn
    Anthony Perkins
    Anthony Perkins
    • Lt. Peter Holmes
    Donna Anderson
    Donna Anderson
    • Mary Holmes
    John Tate
    John Tate
    • Adm. Bridie
    Harp McGuire
    Harp McGuire
    • Lt. Sunderstrom
    Lola Brooks
    • Lt. Hosgood
    Ken Wayne
    Ken Wayne
    • Lt. Benson
    Guy Doleman
    Guy Doleman
    • Lt. Cmdr. Farrel
    Richard Meikle
    • Davis
    John Meillon
    John Meillon
    • Ralph Swain
    Joe McCormick
    • Ackerman
    Lou Vernon
    • Bill Davidson
    Kevin Brennan
    Kevin Brennan
    • Dr. King
    Basil Buller-Murphy
    • Sir Douglas Froude
    John Casson
    • Salvation Army captain
    Paddy Moran
    Paddy Moran
    • Stevens
    • Director
      • Stanley Kramer
    • Writers
      • John Paxton
      • Nevil Shute
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs215

    7,115.2K
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    10

    Avis en vedette

    Eric-62-2

    Powerful Without Being Pretentious

    "On The Beach", despite it's heavy subject of a nuclear holocaust wiping out all human life, succeeds because Stanley Kramer is mercifully more restrained and less pretentious than he would later be in "Inherit The Wind" and "Judgment At Nuremberg", which are memorable more for their polemics than their characters, in my opinion. Except for one minor speech by Fred Astaire at one point (which as the previous reviewer noted is somewhat ironic in light of the fact that the very thing Astaire rails against, the idea that large nuclear stockpiles could keep the peace, turned out to be absolutely true) the film is for the most part about people and how they react to the knowledge that their world and their lives will soon come to an end. This is what makes the film so compelling as far as I'm concerned. The cast is excellent, with fine performances by Astaire (his first non-musical part), Anthony Perkins and Gregory Peck. But the real strength of the movie is Ava Gardner's touching performance as the lonely, alcoholic Moira Davidson who manages for one brief moment before the end to find true love with Peck. Having read much about her life, there is something almost hauntingly autobiographic in Gardner's portrayal, and that only adds to the movie's overall poignance.
    8rupie

    a great human drama

    The Cold War aspects of this movie may be a bit dated, but for those of us of a certain age it is a reminder of the fears we lived under at that time. In retrospect, it may be that Julian was wrong: it may have indeed been the very presence of these terrible weapons that prevented a third world war.

    In any case, that aspect of the story never overshadows the movie's underlying theme, which is, rather, how each of us views the sum of our lives as our mortal end approaches. Are we alone? Have we connected with anyone? Have we failed? Have we loved? Have we been loved?

    Color would have been all wrong for this essentially b&w story. Superb performances from Gregory Peck, Ava Gardner, Fred Astaire and the pre-Norman Bates Anthony Perkins. A fine bit as well by John Tate as the old admiral("to a blind, blind world").

    A mere cold-war nuclear destruction movie would leave one merely frightened at the end. The fact that this movie leaves you with an almost unbearable feeling of terrible sadness is a testament to the human power of Nevil Shute's book, as well as to the fine script and Kramer's superb direction.

    One of the most depressing movies ever made, but a truly great one.
    Esteban Estraño

    Interesting movie. Strong in places. Mostly falls short of the books plot.

    I watched this movie because I had just recently read the Nevil Shute book and wanted to see how much I liked it. I loved the book and expected the movie to be good too. How could you go wrong with all the good actors and a BW Sci-Fi/Drama theme to boot? I saw this movie when I was in grade school or something and also wanted to know my reaction to it now. In short, I was disappointed. It was overly melodramatic, the characters had been all changed and the plot mixed up. Nevil Shute had written a wonderful, subtle story about the end of human life on this earth and how people might cope. This movie was harsh and jangling to watch, punctuated with loud blasts of music at dramatic points when it was obvious what we were seeing. Standing alone, with no comparison to the novel, its not a bad movie. It is 2hrs 15min in length and I was not bored durring any of it. I love Gregory Peck. He did a great job of portraying an American family man trying to cope with what happened. Its almost worth it just to see what an interesting actor Tony Perkins could have been. Fred Astaire may have been the most believable. He also is worth seeing. I love his dancing, but he can be a great dramatic actor as well. To sum up: If you like this theme and these actors, then definatly watch this movie. Its not a waste of time. I just felt there was a lot of depth that could have been there and wasn't. Esteban
    hander27

    simply, one of the finest examples of the genre ever made.

    In an age where sci-fi films seem to rely more on big budget special effects,and spectacular explosions,to hold an audience(usually at the expense of a decent script and plot line),On the beach is here to remind us of how it should be done.Although the plot is simple and uncomplicated, it works well on different levels,almost feeding of the paranoia that abounded at the time, concerning atomic weapons.

    It tells the story of a group of individuals,and their last few months of life.An atomic war has wiped out most of the earth,only Australia and parts of the southern hemisphere are left,but it is only a temporary reprieve,the cloud of dust which has destroyed mankind is heading their way.It is against this backdrop that the film opens,and we get to meet the main characters.Dwight Towers,the american submarine captain,played superbly by Gregory Peck,good time girl Moira Davidson (Ava Gardner),desperately looking for one last chance of love,young naval officer and new dad Peter Holmes played by a young Anthony Perkins,and Fred Astaire as the towns drunken scientist,proving he could act as well as dance.

    As these characters develop,and we start to care about them,(they are all believable and for the most part,likeable),the film starts to ask questions of the viewer.what would i do? what about my family?how would i cope?.Director Stanley Kramer plays on the very real fears of the viewer,much the same way as Byron Haskin did in War of the worlds and Robert Wise in The day the earth stood still,albeit in a more subtle fashion.

    It is in the second half of the film,when the grim reality sets in,that Kramer cranks up the tension,almost scene by scene,we witness the growing despair and anguish of these poor souls,and there are some pretty unsettling scenes,non more so than when we watch people queueing up for "suicide"pills and then again when Anthony Perkins tries to explain to his young wife how to administer them to their young daughter in his absence"when the time comes". But of course,even amidst the doom and gloom,love blossoms,and the most poignant scene in the film for me,is when Gregory Peck and Ava Gardner kiss for the first time.

    A first rate cast and script,together with a haunting soundtrack,(you'll be whistling waltzing matilda for days after watching this)makes this one of my favourite films.Don't just rent this classic,buy it and give it pride of place in your collection.
    10hfelknor

    A great Tour de Force by a fine cast, interpreting a great story

    I watched this movie in a USAF chow hall on the island of Makung in the China Strait with about 20 other airman. The year was 1960. We were stationed there on a missile site. Our targets were 7 Chinese missile sites. Their target was us.

    I was 22 years old and immortal.

    Until I watched this movie.

    When the movie ended, I will never forget the fact that no one moved for perhaps 10 minutes. There was just the bright, blank screen and the sound of the end of the film going around and around. Thiketa-thicketa-thicketa................... No one ever said a word about what we had just seen.

    We, or at least I, never forgot this movie. As said earlier, it was more than scary. It was sad.

    It seems strange now, 40 some years later, to be telling people that you really should watch this film and watch the masters at work, with a script that is chilling. And you know what? We still haven't outlived the possibility...........

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Fred Astaire launched his non-musical, dramatic acting career with this film. Stanley Kramer couldn't decide who to cast in this role until his wife suggested Astaire while watching one of his films on TV.
    • Gaffes
      Before the submarine's deployment on its proposed 13,000 mile round trip, Dwight is asked if he has enough power on-board his nuclear sub. A nuclear sub's range is only limited by the amount of food it can carry and the endurance of the crew. The time between refueling a nuclear sub is measured in years if not decades. Plus, the sub could easily cover the 13,000 miles in three weeks or less.
    • Citations

      Julian Osborne: The war started when people accepted the idiotic principle that peace could be maintained by arranging to defend themselves with weapons they couldn't possibly use without committing suicide.

    • Générique farfelu
      The following acknowledgment appears in the opening credits: "We acknowledge with appreciation the assistance given by the Royal Australian Navy and, in particular, by the officers and men of H.M.A.S. Melbourne and H.M.S. Andrew."
    • Connexions
      Edited into 365 days, also known as a Year (2019)
    • Bandes originales
      Waltzing Matilda
      Original music by Christina McPherson, revised music by Marie Cowan and lyrics by A.B. 'Banjo' Paterson (as A.B. Paterson)

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    FAQ19

    • How long is On the Beach?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 décembre 1959 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • On the Beach
    • Lieux de tournage
      • Frankston, Victoria, Australie
    • sociétés de production
      • Stanley Kramer Productions
      • Lomitas Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 900 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 11 271 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 14 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.66 : 1

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